Bow Porcelain Figure of Goat and Kid, Georgian Era, circa 1765

This is a very rare and impressive large figure of Juno with an eagle, made by the Bow Porcelain factory in about 1765. This figure formed part of a series of the Four Elements, with...

This is a wonderful little figure of a boy or putto made by the Bow Porcelain factory in about 1760. The Bow Porcelain Factory was one of the first potteries in Britain to make soft...

This is a very rare and impressive complete set of large figures called The Four Elements, made by the Bow Porcelain factory in about 1765. It consists of Ceres representing Earth, V...

This is a rare and beautiful figure of Venus with two doves, made by the bow porcelain factory between 1756 and 1764. We see Venus standing holding her robe with one hand, a flower p...

This is a wonderful pair of figures of Arlecchino and Columbina, made by the Bow Porcelain factory in about 1758. These figures formed part of a series of the Commedia dell'Arte, a very popular series of theatrical figures that served as decoration at the dinner table in the 18th Century. The Bow Porcelain Factory was one of the first potteries in Britain to make soft paste porcelain, and most probably the very first to use bone ash, which later got perfected by Josiah Spode to what is now the universally used "bone china". Bow was the main competitor of the Chelsea Porcelain Factory, but where Chelsea made very fine slipcast porcelain, Bow made a different soft paste porcelain that tended to be softer and could be pressed into moulds. Bow served a larger public generally at lower prices. The factory was only in operation between 1743 and 1774, after which the tradition got incorporated into some of the later famous potteries such as Worcester and Derby. These figures were used to adorn the dinner table when dessert was served; groups of figures served to express something about the host, the guests, or to direct the conversation. The Italian Commedia Dell'Arte, a comical form of masked theatre, was very popular in those days and Bow copied many figures of the German Meissen series that were brought out in the decades before. This pair dates from about 1758, which was at the height of Bow's ability to make beautiful figurines often copied from Chelsea or Meissen. The pair is modelled after a Meissen pair by Kaendler. The porcelain is translucent with a beautiful milky glaze - Bow was probably the first pottery using bone in its porcelain recipe. Arlecchino (Harlequin) is playing the bagpipes, dressed in an odd costume of mismatched chintz and playing cards and wearing a funny black trumpet...

This is a beautiful porcelain figure of a musician with a flageolet and tabor (fluit and drum), made by Derby around 1765, which was the Rococo era. The figure is one half of a pair ...

Small figure of a young woman wearing a puce-sprigged white skirt, lifted slightly with her left hand, pale pink jacket with typical Bow opaque blue collar and cuffs. We've called...

He wears a winged helmet and sandals, a loosely draped pink, white, and yellow washed cloak over a short tunic, and leans arrogantly against bales, his message sack over his left sho...

From the Commedia dell’arte, shown seated on a tree stump and playing her favourite instrument. Probably after Kandler, who described the model as a Tyrolean maiden playing a lyre. ...

Presumably based on the work of the Flemish sculptor François Duquesnoy (1597-1643), also known as Il Fiammingo. A small series of Chelsea figures from the late 1740s was also ba...

Moulded in a dense body in typical muses modeller style and with slightly drab glaze. She stands by a fruiting vinestock and carries an open basket of grapes in her right hand, her e...

A classic example of early bow porcelain. The figure is of a Dominican Nun, and is based on a continental model, probably Meissen. Bow produced a number of apparently religious...