Chinese Export Carved Mother-of-Pearl Shell, 19th Century

This exquisite late 19th-century Chinese carved hardwood figure depicts an immortal holding a bat, symbolizing happiness and good fortune in Chinese culture. The workmanship is exemp...

A 19th century Chinese carved guardian statue used as ship ballast. In the time when great wooden ships dominated the trade among nations of the east,...

A pair of Chinese Qing Dynasty period hand-carved temple corbels from the 19th century, mounted on black bases. Created in China during the Qing Dynasty...

A wonderful Chinese bamboo figural carving featuring the Taoist immortal twins of eternal youth, known as the HeHe ErXian, Qing dynasty, 19th century. F...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

19th Century sculpture of Guan Yu (??), a guardian deity. Guan Yu (d. A.D. 219), a warrior of the late Han dynasty (206 B.C.–A.D. 220) renowned for his valo...

The charming figure done completely in the lost wax method is in a primitive naive style. The male figure is dancing excitedly on a rocky outcrop. His costume of a loose-fitting coat with long flared sleeves flying in space as he dances reveals his large potbelly while his loose-fitting shift girdled at the waist with a large belt flips up to show his legs and bare feet as he dances. The figure is suspended on one leg as he moves and his face is animated and happy. The head is cast separately so that his wild hair and beard are free from the body castings...

Pair of Chinese export hardstone horses and stands, each one finely carved of a standing horse with one leg up, facing left and right. Removable from the associated lacquered stands....

A rare 19th century Thai carved wood stupa made from the heart wood of the Teak tree. This stupa is from Isan region of the Thailand (northern Thailan...

A rare 19th century Thai carved wood stupa made from the heart wood of the Teak tree. This stupa is from Isan region of the Thailand (northern Thailan...