English Life-Size Neoclassical Revival Style White Marble Nude Maiden with Dog

A Whimsical English 19th-20th century white marble figural fountain with dogs fountain. The Baroque Revival six-sided tripod marble base surmounted with three upright seated Yorkshire Terriers resting on a leaf and acanthus center stem, topped with a semi-circular scalloped carved basin...

A very fine pair of French 19th-20th century neoclassical style patinated cast iron figural torchères by A. Durenne, Paris, each representing a figure of a standing young maiden, her arms raised forward while holding a a flaming urn gas light (Now electrified) with a frosted glass flame, each raised on a veined grey marble column stand, both cast-signed 'A. Durenne, Paris'. Antoine Durenne was an internationally renowned French art founder. He attended École Nationale Supérieure des Beaux-Arts in 1842. Durenne purchased a small foundry in Sommevoire, near the Val d'Osne, Haute-Marne, France and established The Durenne firm, circa Paris, 1900. Cast-iron had been in production during the 18th century but its inferior status to the more fashionable and delicate wrought iron had generally confined its use to architectural work. By the early 19th century, however, rapid developments of the Industrial Revolution combined with the simultaneous burgeoning of a new middle class provided the impetus for a dramatic Expansion in its application and in a short space of time a proliferation of iron foundries across Europe and America thrived on the production of everything from inkstands to railway stations. The use of cast-iron for garden ornament became particularly widespread at this time, as the possibilities for its mass-production at a fraction of the cost of bronze made it the material of choice for outdoor statuary...

A large beautifully carved white marble sculpture of "Venus and Cupid", After the antique. The tall and slender Neoclassical Revival sens...

Very fine and monumental pair of French 19th century patinated bronze figural torchere sculptures titled "La Nuit" (The Night) attributed to Albert Carrier-Belleuse (French, 1824-188...

An Imposing fine and large French Art-Deco Spelter (Petit-bronze) figure of a standing semi-nude orientalist maiden in a brown patina, attributed to Louis Hottot (French, 1834-1905). The smiling young topless beauty, posing with her arms outstretched, her hair wrapped with a headscarf centred with a green art-glass bead and a scantily scarf tied around her waist, standing barefoot among tropical shrubs and flowers and raised on a circular mottled green marble base. A brass plaque reads "TYPHA", Paris, circa 1900. Louis Hottot was a French sculpture who mainly specialized in Orientalist female figures and other Orientalist subjects and themes, most of his works were produced in spelter. He exhibited his works at the Paris Salon from 1885 to 1898. Hottot is best known for his Orientalist-themed sculptures, including Almie du Caire, circa 1887 and Fille d'Egypte, circa: 1885. He was a member of the Socie´te´ des Artistes Franc¸ais. Literature: Les Bronzes du XIXe Siecle, P. Kjellberg, Les Editions de L'amateur, Paris. S. Richemond, Les Orientalistes...

Antonio Tantardini (Italian, 1829-1879) An extraordinary Italian 19th century life size carved Carrara white marble sculpture of "A Young Child and a baby in a wicker crib...

This very detailed and well executed cast antique bronze sculpture is unsigned, but presumed to have been made in France in circa 1850 in a neoclassical Revival style.

Life size antique marble bust of a male in the classical Roman style wearing a toga. Carved in pure white statuary Carrara marble. Signed and dated “W. Theed Sc, Copio 1872” ...

This mid-century era molded fiberglass wall sculpture is unsigned, but presumed to have been made in Canada in approximately 1960 in a Neoclassical Revival style. The relief depicts ...

This mid-century era molded fiberglass wall sculpture is unsigned, but presumed to have been made in Canada in approximately 1960 in a Neoclassical Revival style. The relief depicts ...

This mid-century era matched pair of molded fiberglass wall sculptures are unsigned, but presumed to have been made in Canada in approximately 1960 in a Neoclassical Revival style. T...

This mid-century era molded fiberglass wall sculpture is unsigned, but presumed to have been made in Canada in approximately 1960 in a Neoclassical Revival style. The relief depicts ...