French 19th Century Louis XVI St. Ormolu and Patinated Bronze Statue

A wonderful French 19th century Louis XVI st. Ormolu, Patinated Bronze, and Black Belgian marble statue of 'La Fortuna'. Fortuna is raised on a mottled black Belgian marble pedestal ...

A striking French 19th century Louis XVI st. patinated bronze and ormolu statue. The statue is raised by a circular base with a tree trunk and a fallen water vessel amidst fine folia...

An attractive and richly detailed French mid 19th century Louis XVI st. ormolu and patinated bronze signed Delesalle statue. The statue with an oval patinated bronze base has two fem...

A charming and high quality French 19th century Louis XVI st. ormolu and patinated bronze signed statue. The statue is raised by an oval ormolu base with a mottled border and most de...

Antique 19th Century French Patinated and Gold Bronze Sculpture, Neoclassical Figures, signed with "A. Carrier" Foundry Mark. French artist Albert Ernest Carrier-Belleuse 1824-1887.

Sculpture in gilded and patinated bronze, signed "campagne", 19th century. A Napoleon III period bronze sculpture, 19th century, gilded and patinated bronze, marble base, signed "Ca...

Bronze Sculpture of the XIXth Century of Louis XV Style Beautiful bronze sculpture of the XIXth century on its base in blackened wood of ...

An Incredible and Large Gilt and Patinated Bronze Group of Gloria Victis, a Winged Figure of Victory with a Fallen Warrior. This incredible bronze piece was cast after a model by Maarius-Jean-Antonin Mercié, This model is signed 'F. BARBEDIENNE FONDEUR PARIS' demonstrating that it was cast by Ferdinand Barbedienne's foundry, the best bronzier of the 19th century. The base is further signed 'A. Mercie' and stamped 'Réduction Mécanique' with an inscription of '659'. The figure is mounted on a Belgian noir marble base with various stepped edges. Gloria Victis is one the most well-known and important bronze casts of the 19th Century. The quality of this particular model is absolutely incredible and all the marking indicate that this particular piece is one of the finest produced by the Foundry. A student of Jouffroy and de Falguière at the Ecole des Beaux-Arts, Marius-Jean-Antonin Mercié (1845-1916) won the Grand Prix de Rome at 23 years old with his work Thésée vainqueur du Minotaure. In 1872, he sent the plaster model of his work David vainqueur to the Salon, for which he won the first class medal. At the same time, he received La croix de la Légion d'honneur at the Villa Medici. His return to Paris, in 1874, issued in a long and brilliant career with numerous commissions, notably the monuments for Louis-Philippe and Queen Marie-Amélie for the Royal Chapel at Dreux (1886). By the age of 30 Mercié was already very well-known and his Gloria Victis received resounding success when it was exhibited at the Salon, in 1874 (in plaster) and in 1875 (in bronze). This work exalted the heroism and the patriotic sentiments aroused by the disasters of 1870. His predilection for patriotic subjects is shown in many of his works such as Quand même...