Gilt Bronze Statue Titled “La Fortune” by Augustin Moreau-Vauthier

A patinated cast bronze statue of a classically draped Greek scholar sitting sideways on a Klismos chair with the trademark griphons as front leg supports, the subject holding a pen in his right hand and an open scroll on the other left signed "Moreau" inscribed on one side of the chair. There are no visible foundry marks. Presumably the signature stands for Mathurin Moreau, a 19 Century French sculptor born 1822, and son of noted sculptor Jean Baptiste Moreau. In 1841, the 19 year old Mathirin entered the École des Beaux Arts in Paris and, the following year, won the Second Grand Prix de Rome with his sculpture Diodemus removing the Palladium. Several of his works remain on public display in Paris, among them on the facade of the Gare du Nord...

A very rare and beautifully cast late 19th century bronze by Maurice Constant Favre (1875-1915), titled " Mutualite" depicting two bare chested muscular blacksmiths, an older stockie...

A rare bronze statue of na Nymph and a clinging putto by famous French 19 Century sculptor Mathurin Moreau which was custom transformed into an oil lamp. The nymph is is holding al...

A very fine French antique gilt bronze figural group titled "Pro Patria" meaning "For one's country" in Latin. by Edouard Drouot (French, 1859-1945) l The statue depicts a female figure of winged Victory supporting a soldier ready for battle equipped withj a sword and shield...

Decorate a lady's office or a library shelf with this fine antiquity. Crafted in France circa 1880, this elegant bronze sculpture titled “La Cruche Cassée” (The Broken Pitcher), fea...

A very good quality 19th century bronze statue of a seated women spinning cotton, signed Math. Moreau (1822-1912)

Pair 19th Century French bronze statues by Louis Auguste Moreau (1855-1919) are exemplary examples of the glorification of the simple rural life celebrated by artists in France during the Belle Epoque. A distinctive departure from rendering affluent families and lifestyles as dictated by the many patrons of art over the centuries, this informal movement gave a glimpse into the lives of everyday people. In this example, we have two young maidens, one carrying a bundle over her shoulder and a basket in her left hand, while the other totes a basket over her shoulder and a couple of protesting chickens in her right hand! Each maiden is modestly dressed...

Statue with patina damaged by time, dual signature Moreau, Raingo, circa 1890, in good condition despite a lack in hand.