Hunter with Wolf Fur by Eutrope Bouret (1833 Paris - 1906)

Representation of the sitting Venus with turtle after the original by Antoine Coysevox (1640-1720, Louvre 1686) on a round black truncated column w...

Grand Tour Marriage in alabaster with bust of Mercury (inscribed Mercurio) mounted on a twisted column with foliate capital and square base.

Almost life-size depiction of Venus with dolphin by Robert I Cauer (1831-1874). Full sculptural execution in marble. Inscription on the base "R. Cauer" as well as date 1874 and place...

Pair of silver-plated bronze figures in the form of dancing bacchantes with vine leaves in their hair. The female dancer holds a staff, the male dancer a tambourine. Stamped at the f...

Life-sized marble sculpture of the so called ‘Resting Hermes’ by Lysippos. The sculpture was hand-carved out of white marble and has a fine surface.

Pair of putti as personifications of two lovers on marbre griotte bases. Bronze burnished and gilded. Inscribed in cartouches on the fronts 'Il Finit Par Porter Des Fruits' and 'Il C...

Lombard school of the eighteenth century Margherita Caffi (Cremona 1647 - Milan 1710), circle Still life of outdoor flowers oil on canvas (61 x 89 c...

Oil on canvas. The large composition, intended as a decoration with a trompe l'oeil effect, shows a vase overflowing with a cascade of colourful flowers, that stands on a ledge, behi...

A silvered bronze Poudrier "Le loup et le renard" (The wolf and the fox). by Parisian art jeweler Line Vautrin (1913-1997) circa 1940s. The square box features a relief cast of two s...

"Color Field 619", painted by Tracy Helgeson in 2022 18 x 14 x 2 inches, oil on wood panel Ready to hang as is, no frame required, edges of the panel are painted soft black Artist si...

Roman school, late 16th-early 17th century Praying Madonna Oil on canvas, 81 x 69 cm Frame 83 x 95.5 cm A divine whiteness reverberates with vibrant luster on the maphorion of the present Virgin. The palpable iridescence that structures the thin rosaceous garment, woven with the same fresh light, produces a slight rustle when she takes her hands off. The Madonna in fact takes a prayerful pose, opening her palms to underline her fervent ecstatic intention; the white neck is rendered with perishable fullness of pigments, like the hands, perfectly alive, and the very shiny eyes. With fine shrewdness the artist of the present styles the Virgin's hair with thin white ribbons, exacerbating the purity. An evocative light falls gently on the bust, a materialized sign of divine glory. The present can be traced back to the late Mannerist climate that prevailed in the capital after the emanation of the Tridentine council (1545-1563). The late Mannerist licenses that can still be seen there, such as the intense lyricism in the stylistic code adopted by the artist, are innervated in the new basic catechetical intent, which at the end of the century produced a certain figurative rigorism. The present, however, still responds to that extraordinary Roman dynamism that raised the capital to a bulwark for the entire mannerist lesson, matched only by a second artistic center, the Florentine one. The engaging carriage of the Virgin reflects the contemporary examples of Giuseppe Valeriano (1542-1596), a Jesuit painter, returning in the Marriage of the Virgin of the Roman Church of Jesus, as well as in the Madonna of Sorrows in the Recanati Altarpiece, equal ardor. But it is in the Assumption of the Virgin painted in four hands with Scipione Pulzone...

An exquisite pair of 19th century Grande Tour marble busts of the Roman Emperors Caesar Augustus and Diocletian molded in the ancient style. Rising from black marble bases, their bodies draped in flowing togas, fastened at the neck with the Imperial Fibula Brooch...

Pair of Russian Wolfhounds/Borzois Dog Portrait Sculptures by Scalini (aka Scali) (Italian, 20th century) circa 1930's Patinated spelter 9 x 14 inches (on bases) Though rather pro...

Posthumous C.M. Russell (1864-1926) Bronze on wood plaque Foundry: Cottonwood 8" x 11" x 7" Edition #59/100 Charles Marion Russell (1864–1926) maste...

A very good quality French patinated bronze study of a Pierrot signed Bouret.

A very good quality 19th century patinated bronze statue of a gypsy girl 'Tuning the Mandolin' Signed; Bouret. Eutrope Bouret (16 April 1833 in Paris – 1906) was a 19th century Fre...

A very good quality 19th century patinated bronze statue of a gypsy girl 'Tuning the Mandolin' Signed; Bouret. Eutrope Bouret (16 April 1833 in Paris – 1906) was a 19th century Fre...

This large and detailed bronze sculpture was done by the French artist Eutrope Bouret in approximately 1880 in the period Romantic style. The sculpture depicts a young male carrying a harp...

This whimsical antique bronze sculpture was done by Eutrope Bouret of France in approximately 1890 in the period Empire style. This very well executed bronze sculpture depicts two yo...

Very nice and rare 19th century bronze statue of a child overlapping a Beetle in the style of Eutrope Bouret (1833-1906) on a green marble base. Very rare, never seen this bronze to...

Rare antique bronze by the austrian sculptor Eutrope Bouret (*16.April 1833 in Paris - 1906) on a marble base. Signed by the arist "Bouret" at the plinth. This beautiful bronze dep...

Antique French Victorian cast bronze portrait sculpture depicts full length portrait of a boy signed on base Bouret, circa 1890 Measures - 22" H x 9" W x 9" D; 8" x 7" base. Biogr...