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Late 19th Century Art Nouveau Bronze Entitled "Broken Jug" by Charles Anfrie
About the Item
A very fine late 19th century bronze figure of a young lad dressed in period attire holding a broken jug, with excellent rich brown patina and fabulous hand finished surface detail, signed & titled
ADDITIONAL INFORMATION
Height: 20 cm
Condition: excellent original condition
Circa: 1890
Materials: Bronze
SKU: 8279
ABOUT
Charles Anfrie (French, 1833 ~ 1905) was a French artist specialising mainly in the human form.
- Creator:Charles Anfrie (Artist)
- Dimensions:Height: 7.88 in (20 cm)Width: 0 in (0.01 mm)Depth: 0 in (0.01 mm)
- Style:Art Nouveau (Of the Period)
- Materials and Techniques:Bronze,Cast
- Place of Origin:
- Period:
- Date of Manufacture:1890
- Condition:Wear consistent with age and use. Excellent. Excellent Original Condition Please note that our items are genuine antiques with considerable age. It is therefore normal that they will show some signs of wear and handling to the surface.
- Seller Location:London, GB
- Reference Number:Seller: 82791stDibs: LU3216329092482
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Located in London, GB
A charming pair of late 19th Century bronze studies of a two young children one holding a bowl whilst the other holds a bird with excellent hand chased surface detail and very fine r...
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Late 19th Century Art Nouveau Bust entitled "Silvia" by Emmanuel Villanis
By Emmanuel Villanis
Located in London, GB
A very fine late 19th century French bronze bust of an attractive classical maiden modelled in the Art Nouveau style, with fabulous multi hued patination of brown and a subtle green, accentuating the excellent hand finished detail. Signed E Villanis, with Societe des Bronzes foundry seal, numbered and with raised title to the fore.
ADDITIONAL INFORMATION
Height: 28 cm
Width: 16 cm
Depth: 10 cm
Condition: Excellent Original Condition
circa: 1890
Materials: Bronze
Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik
Page No: 79
SKU: 8775
ABOUT
Sylvia Ballet - Silvia
Sylvia, (the spelling is different in french) is a classical ballet. It features a nondescript mythical setting and a late nineteenth-century score, in which it's themes correlate to giving it a more classical feel, however, it was quite revolutionary for its time. The score was and still is recognized for its greatness. Delibes' work is certainly the best appreciated aspect of the ballet for its innovation, creativity, and maturity. Frederick Ashton's choreography complements the music very well in this respect, staying true to the spirit of the original production while incorporating modern techniques and adding his own unique touch.
The ballet itself follows Sylvia who is a loyal follower of Diana (the goddess of the hunting and chassitity). The story starts with Sylvia being stalked by the diety Eros. When she discovers this they fire their bows at each other respectively. However only Eros's shot is true and wounds Sylvia. This is where she is kidnapped by an unknown assailant later revealed to be Orion.
Sylvia escapes the caves of Orion by getting her captor intoxicated and pleading to Eros to rescue her. When he begrudgingly rescues her he takes her to the temple of Diana where her love awaits. This leads her to repeal her oath of Chassity taken as a follower of Diana.
Emmanuel Villanis
Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues. Most of these were manufactured in bronze, but there are also models in white metal and terra cotta. Different patinas were used. The bronzes were mainly cast by the Societé de Bronzes de Paris and can be recognised by the round stamp...
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Late 19th Century Art Nouveau Bust Entitled "Lola" by Emmanuel Villanis
By Emmanuel Villanis
Located in London, GB
Stunning Art Nouveau bronze bust depicting the character "Lola" modelled in the midst of an inquisitive look. The study has a multi hued patination of colours that accentuate the very fine hand chased surface detail. Signed ?E Villanis...
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Antique 19th Century French Art Nouveau Busts
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Late 19th Century Art Nouveau Bust Entitled "Cendrillon" by Emmanuel Villanis
By Emmanuel Villanis
Located in London, GB
An attractive late 19th Century Art Nouveau French bronze bust exhibiting deep multi-hued patination and excellent detail. The beautiful character wearing a head dress and a loosely draped blouse representing ’Cinderella’ from the famous French opera. The bronze is signed E Villanis and titled to the fore on its integral bronze base.
ADDITIONAL INFORMATION
Height: 30 cm
Width: 19 cm
Depth: 12 cm
Condition: excellent original condition
Circa: 1890
Materials: Bronze
Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik
Page No: 35
SKU: 8773
ABOUT
Villanis Cendrillon
Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues...
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19th Century Art Nouveau Bronze Bust Entitled "Bohémienne" by Emmanuel Villanis
By Emmanuel Villanis
Located in London, GB
Captivating late 19th century French bronze bust of a beautiful woman, enhanced by the variegated rich brown patination and excellent tactile surface detail, raised on an integral bronze base with raised title to the fore. Signed ?E Villanis and further raised on a breche griotte stepped and shaped marble plinth
ADDITIONAL INFORMATION
Height: 33 cm
Width: 16 cm
Depth: 11 cm
Condition: Excellent Original Condition
circa: 1890
Materials: Bronze
Book Ref: Emmanuel Villanis by Josje Hortulanus-de Mik
Page No: 17
SKU: 8616
ABOUT
Puccini's Opera - La Bohème
SYNOPSIS - A group of friends are living a Bohemian life in Paris and trying to make their livings creating art. Rodolfo, the writer, falls in love with the seamstress, Mimi, while Marcello, the painter, and Musetta, the singer, are the on-and-off-again couple by their sides. When the four are happy, they spend their time celebrating life and love. However, Mimi is revealed to be very ill, and Rodolfo struggles to come to terms with the fact that she will inevitably die. Rodolfo and Mimi break up, and months later, Musetta discovers Mimi extremely sick and close to death. She brings Mimi to Rodolfo and Marcello's apartment. Rodolfo immediately takes her in and tries to nurse her back to health, but he is too late. Almost as soon as the two are reunited and have professed their love for one another, Mimi succumbs to her illness and dies.
Emmanuel Villanis
Emmanuel Villanis was an industrious man. He is believed to have created some 200 to 250 pieces. His oeuvre pre-eminently consisted of busts and full body statues. Most of these were manufactured in bronze, but there are also models in white metal and terra cotta. Different patinas were used. The bronzes were mainly cast by the Societé de Bronzes de Paris and can be recognised by the round stamp...
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19th Century Art Nouveau Bronze Entitled "Venus & Cupid" by Jean Sul-Abadie
By Jean Abadie
Located in London, GB
A very fine bronze study of Venus taking an arrow from Cupid her son, who at times would shoot his arrows without meaning or reason into the hearts of men, igniting their desire. Exhibiting excellent rich brown patina and good detail, signed Sul Abadie and stamped.
Additional information
Height: 93 cm
Condition: excellent condition
Circa: 1885
Materials: bronze & marble
SKU: 4979
ABOUT
Jean Sul-Abadie
Jean Sul-Abadie (Born 1850 ~ Died 15th April 1890) was a French artist, a pupil of Jouffroy and Falguière. Specialising in bronze sculpting in the Art Nouveau style. He made his Salon debut in 1872.
Cupid & Venus
Different tales exist about the origin of Venus and Cupid. Some say that Venus, the goddess of love and beauty, had a love affair with Mars, the god of war. Out of this relationship, Cupid was born. In the following painting you see Venus with Mars, who is being disarmed by Cupid.
Cupid has attributes from both of his parents. Like his mother he is considered to be the god of love, or more precisely, the god of falling in love. He is portrayed as an innocent little child with bow and arrows. He shoots arrows to the heart, and awakening a love that you’re powerless to resist.
In classical mythology, Cupid (Latin Cupido, meaning “desire”) is the god of desire, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus and the war god Mars, and is known in Latin also as Amor (“Love”). His Greek counterpart is Eros.
Although Eros is in Classical Greek art as a slender winged youth, during the Hellenistic period, he was increasingly portrayed as a chubby boy. During this time, his iconography acquired the bow and arrow that represent his source of power: a person, or even a deity, who is shot by Cupid’s arrow is filled with uncontrollable desire. In myths, Cupid is a minor character who serves mostly to set the plot in motion. He is a main character only in the tale of Cupid and Psyche, when wounded by his own weapons he experiences the ordeal of love. Although other extended stories are not told about him, his tradition is rich in poetic themes and visual scenarios, such as “Love conquers all” and the retaliatory punishment or torture of Cupid.
In art, Cupid often appears in multiples as the Amores, or amoriniin the later terminology of art history, the equivalent of the Greek erotes. Cupids are a frequent motif of both Roman art and later Western art of the classical tradition. In the 15th century, the iconography of Cupid starts to become indistinguishable from the putto.
Cupid continued to be a popular figure in the Middle Ages, when under Christian influence he often had a dual nature as Heavenly and Earthly love. In the Renaissance, a renewed interest in classical philosophy endowed him with complex allegorical meanings. In contemporary popular culture, Cupid is shown drawing his bow to inspire romantic love, often as an icon of Valentine’s Day.
Venus is the Roman goddess whose functions encompassed love, beauty, sex, fertility, prosperity, victory, and desire. In Roman mythology, she was the mother of the Roman people through her son, Aeneas, who survived the fall of Troy...
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Antique Late 19th Century French Art Nouveau Figurative Sculptures
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