Wood Figurative Sculptures

Very well carved and superb condition, famous novel bookends. This wonderfully hand-carved pair of wooden bookends depicts two of literature’s most iconic figures: the noble and ide...

A tall vintage Japanese kokeshi doll. Made of wood with a lovely hand painted floral design in red and green.

Beautiful giltwood angelhead. Italy, circa 1650-1750 Weathered and small losses. Measurement here below inclusive the wooden base. H:18,5cm W:11cm D:11,5cm

Very nice carved oak fragment of a Christ figure with a strong expression. Beautiful weathered , France circa 1600-1700. Weathered, and losses. Measurement with the base

An articulating wood figure sculpture piece, circa late-20th century. Used as a tool for learning to draw the human figure since the Renaissance. A fun, adjustable, artist model for ...

Beautiful Baroque angel. Unique period piece made out of wood . Hand-carved Italy, circa 1750 Weathered. Small losses and old repairs/restorations on arms and legs. Measurement her...

Cabinet of Curiosities with Plaster Figures – Olot, Spain, Circa 1950 This captivating cabinet of curiosities, crafted in the heart of Catalonia, Spain, circa 1950, features a colle...

Beautiful weathered oak panel depicting two baroque angels and an eagle standing on rams heads . Weathered and small losses, most likely it was once part of a larger panel. France ci...

This is a Santo de Palo/Hand Carved Wood of Virgin of Monserrat Sculpture with Niche by Arce. It depicts a hand painted Virgin of Monserrat seated with Baby Jesus in her lap. Her hea...

Amazing baroque panel depicting a crowned reliquary . Beautiful weathered with traces of its original silver, gilding and colour. Italy circa 1750 Weathered, small losses . Measureme...

Sofa Sculpture Bench "Le Témoin" by Man Ray for Studio Simon, Italy, 1970s Discover the fusion of art and design with the "Le Témoin" sofa sculpture, created by the renowned artist ...

Beautiful Baroque hand carved giltwood angel-wing. Rare and very decorative item placed on a wooden base, Italy, circa 1750. Weathered. Measurement is inclusive the wooden base. H:22...

Beautiful set of 5 vintage kokeshi dolls from the late Showa period, circa 1970s-80s, handmade and painted, Japan. This beautiful and original set comes from a private collection in...

Beautiful hand carved Baroque angel. Unique period piece with traces of its old paint . Spain, circa 1750 Weathered. Several small losses and old repair. Measurement here below in...

Beautiful weathered oak winged angel head Renaissance ornament. France, 16/ 17th century. Weathered Measurements include the wooden pedestal.

Beautiful small hand carved Baroque angel. Unique period piece . Italy, circa 1750 Weathered. Several small losses and old repair. More photo's available on request. Measurement her...

Beautiful weathered oak panel depicting two baroque angels holding a coat of arms. Weathered and small losses, most likely it was once part of a larger panel. France circa 1750. trea...

Wonderful hand carved winged angel head with its original color and gilding. France, circa 1750 Weathered and small losses and old repair. Treated against woodworm. Measurement here...

Beautiful giltwood angelhead fragment Italy, circa 1750 Weathered. Measurement here below inclusive the wooden base. H:22,5cm W:11cm D:10cm

Wonderful Hand carved winged angel. Italy, circa 1750-1800 Weathered small losses and old repairs. Measurement here below inclusive the wooden base.

Early 20th century hand carved pine architectural model A well modelled early 20th century hand carved pine architectural model of a rooftop corner. Showing natural age and minor lo...

Beautiful weathered oak winged angel head, France, circa 1650-1750 Weathered, small losses and old repair. Measurements include the wooden base. H:37,5cm W:37,5cm D:8,5cm

For Restoration. A rough cast of a Remington bronze with The Plains native American riding a rearing horse as he wields his spear. On a faux marble b...

A tall vintage Japanese kokeshi doll. Made of wood with a lovely hand painted design of red flowers.

Life-Size Artist Mannequin Italy circa 1870, 19th century articulated lay figure, a carved beech life-size female figure of almost 66 inches, da...

Unique and highly decorative wall coat rack with at least ten hooks. One of the main reasons for people wanting to own antiques is for their decorative appeal and this hand-crafted work-of-art wall rack certainly fits that bill. This good condition wall coat-rack with the finest quality cast iron wall hooks...

Wonderful hand carved standing Baroque angel figure. Unique period piece with its original paint . Spain, circa 1650-1750 Weathered. . Measurement here below includes the wooden ba...

Rosario Russell Fiore (American, 1908-1994) Art Deco figural nude bronze, 1930s 5 inches wide by 3 ½ inches deep by 10 ½ inches tall Rosario R. Fiore was a prominent American scul...

This antique wooden Buddhist figure was crafted in the Edo Period (1603–1868). Although the specific identity of the deity it represents is unknown, the figure has a gentle presence...

Wonderful hand carved baroque angel figure. . Spain, circa 1750-1800 Weathered. small losses and old repair. Measurement here below includes the wooden base. H:57cm W:18cm D:20,5cm

A stately addition to any baroque-style decor, this fish tank is rich and bold in every detail. Equipped with an illumination system for the six glass panels composing the base in sa...

Vintage bronze sculpture by American artist Rebecca J. Grob. The piece depicts a female gymnast performing a handspring. The piece is stunningly beautiful capturing the e...

This amazing German chandelier features a delicate hand-carved and polychrome hand-painted mythical lady or mermaid with a scaly fishtail. The adorable and handsome lady is holding a cartouche-shaped shield. The light fixture is hung on a chain suspension, mounted on real antlers, and decorated with red and yellow wrought iron...

18th century Italian gilded and hand-carved tabernacle adorned with an 18th century Italian gilt chalice and Sabina Faye Braxton gaufrage fabric. This tabernacle once belonged in a h...

Rare Gothic revival church crucifix and a wonderful hand crafted work of religious art. Made and marked by Brom, Utrecht (see image 17). Brom of Utrecht was a family (or dynasty) of...

Traditional sculpture originating from the Democratic Republic of Congo Tribal Art - Congo - African Measures : 16x17cm H:82cm Traditional sculpture from the Democratic Republic of ...

This unique, hand-carved wooden sculpture of a hand was created by a Colorado folk artist known for his rustic, heartfelt style. The piece showcases the warmth, character, and expres...

1980s Italian Pop Art Sculpture of a Purse, Museum Mounted A striking and possibly one-of-a-kind 1980s Italian Pop Art sculpture, designed as a purse and expertly mounted on a muse...

This engaging sculpture of Memento Mori dated Late 17th Century, is part of a production of small terracotta figures for private use, which Giuseppe Maria Mazza, created throughout h...

A beautiful and exceptionally 19 inches tall classic traditional Kokeshi doll from Northern Japan. Handcrafted of wood and hand-painted in the early 20th century, covered with a layer of wax. Signed by the artist on its underneath. In good condition with charming patina. A classic traditional doll with a simple but lovely design, a decorative piece. In Japan these dolls symbolize love, friendship and believed to be a lucky charm. We offer more large Kokeshi...

Unique and adorable late 19th or very early 20th-century smaller-size chandelier - Lüsterweibchen. Finely hand-carved from linden wood, a unique piece, made by a master wood carver ...

Love this set of Three Vikings . all original from the sixties . One slightly bigger . All complete with there armory . Very scary . Handmade .

**Magnificent Late 19th-Century Neo-Renaissance Figural Nef, ca. 1880s-1890s** This exquisitely crafted table vessel embodies the grandeur of Renaissance-inspired artistry, reinte...

16th century Italian carved and polychromed figure of a male saint or prophet with a wonderful presence. Shown holding an open book in his right hand with flames at his feet, mid-16t...

A wonderfully carved hardwood statue of a jumping horse. c.1940 Slightly naïve but full of charm whittled from hardwood. Beautiful detail throughout. Obvious loss of one rear leg. M...

Whimsical carved figure of skin diver , spear fisherman . Decked in wet suit with spear gun and fresh catch . Hand carved in Italy late 1960s into the ...

Beautiful small hand carved Baroque angel fragment. Unique period piece with traces of its old color . Italy, circa 1750 Weathered. Several small losses. Measurement here below inc...

Rare and finest Gilded bronze crucifix mounted on a oak cross. The striking details on this highest quality bronze sculpture of Christ are second to none and the antique gilt finish...

Hand Carved Mahogany Wood Female Nude Sculpture 9 long x 3 w x 4.5 d Original vintage, refer to listed images please.

A rare and very fine bronze corpus of Christ after a model by Michelangelo, cast ca. 1597-1600 by Juan Bautista Franconio and painted in 1600 by Francisco Pacheco in Seville, Spain. The present corpus reproduces a model attributed to Michelangelo. The best known example, lesser in quality, is one on display at the Metropolitan Museum of Art (MET). The association of this corpus with Michelangelo was first brought to light by Manuel Gomez-Moreno (1930-33) who studied the wider circulated casts identified throughout Spain. The attribution to Michelangelo was subsequently followed by John Goldsmith-Phillips (1937) of the MET and again by Michelangelo expert, Charles de Tolnay (1960). While Michelangelo is best known for his monumental works, there are four documented crucifixes he made. The best known example is the large-scale wooden crucifix for the Church of Santa Maria del Santo Spirito in Florence, made in 1492 as a gift for the Prior, Giovanni di Lap Bicchiellini, for allowing him to study the anatomy of corpses at the hospital there. In 1562, Michelangelo wrote two letters to his nephew, Lionardo, indicating his intention to carve a wooden crucifix for him. In 1563 a letter between Lionardo and the Italian sculptor Tiberio Calcagni, mentions this same crucifix (a sketch of a corpus on the verso of a sheet depicting Michelangelo’s designs for St. Peter’s Basillica [Palais des Beaux-Arts in Lille] may reproduce this). That Michelangelo was working on small corpora in the last years of his life is further evidenced by the small (26.5 cm) unfinished wooden crucifix located at the Casa Buonarroti, considered his last known sculptural undertaking. Michelangelo’s contemporary biographer, Giorgio Vasari additionally cites that Michelangelo, in his later years, made a small crucifix for his friend, Menighella, as a gift. Surviving sketches also indicate Michelangelo’s study of this subject throughout his career, most notably during the end of his life but also during the 1530s-40s as he deepened his spiritual roots. The occasional cameo of crucified Christ’s throughout his sketched oeuvre have made it challenging for scholars to link such sketches to any documented commissions of importance. All the while, in consideration that such objects were made as gifts, it is unlikely they should be linked with commissions. Nonetheless, a number of theories concerning Michelangelo’s sketches of Christ crucified have been proposed and some may regard the origin of the present sculpture. It has been suggested that the corpus could have its impetus with Michelangelo’s work on the Medici Chapel, whose exclusive design was given to the master. It is sensible smaller details, like an altar cross, could have fallen under his responsibility (see for example British Museum, Inv. 1859,0625.552). Others have noted the possibility of an unrealized large marble Crucifixion group which never came to fruition but whose marble blocks had been measured according to a sheet at the Casa Buonarroti. A unique suggestion is that Michelangelo could have made the crucifix for Vittoria Colonna, of whom he was exceedingly fond and with whom he exchanged gifts along with mutual spiritual proclivities. In particular, Vittoria had an interest in the life of St. Bridget, whose vision of Christ closely resembles our sculpture, most notably with Christ’s proper-left leg and foot crossed over his right, an iconography that is incredibly scarce for crucifixes. The suggestion could add sense to Benedetto Varchi’s comment that Michelangelo made a sculpted “nude Christ…he gave to the most divine Marchesa of Pescara (Vittoria Colonna).” Of that same period, two sketches can be visually linked to our sculpture. Tolnay relates it to a sketch of a Crucified Christ at the Teylers Museum (Inv. A034) of which Paul Joannides comments on its quality as suggestive of preparations for a sculptural work. Joannides also calls attention to a related drawing attributed to Raffaello da Montelupo copying what is believed to be a lost sketch by Michelangelo. Its relationship with our sculpture is apparent. Montelupo, a pupil of Michelangelo’s, returned to Rome to serve him in 1541, assisting with the continued work on the tomb of Pope Julius II, suggesting again an origin for the corpus ca. 1540. The earliest firm date that can be given to the present corpus is 1574 where it appears as a rather crudely conceived Crucifixion panel, flanked by two mourners in low-relief and integrally cast for use as the bronze tabernacle door to a ciborium now located at the Church of San Lorenzo in Padula. Etched in wax residue on the back of the door is the date, 27 January 1574, indicating the corpus would have at least been available as a model by late 1573. The Padula tabernacle was completed by Michelangelo’s assistant, Jacopo del Duca and likely has its origins with Michelangelo’s uncompleted tabernacle for the Basilica of St. Mary of the Angels in Rome. The impetus for the Padula tabernacle’s Crucifixion panel begins with a series of late Crucifixion sketches by Michelangelo, depicting a scene of Christ crucified and flanked by two mourners (see British Museum Inv. 1895.0915.510; Ashmolean Museum Inv. 1846.89, KP II 343 recto; Windsor Castle RCIN 912761 recto; and Louvre Inv. 700). A faintly traced block possibly intended for sculpting the sketch of the crucified Christ on its recto was discovered by Tolnay on a version of the composition at Windsor Castle. The Windsor sketch and those related to it appear to have served as preparatory designs for what was probably intended to become the Basilica of St. Mary’s tabernacle door. Vasari documents that the project was to be designed by Michelangelo and cast by his assistant, Jacopo del Duca. Michelangelo died before the commission was complete, though on 15 March 1565, Jacopo writes to Michelangelo’s nephew stating, “I have started making the bronze tabernacle, depending on the model of his that was in Rome, already almost half complete.” Various circumstances interrupted the completion of the tabernacle, though its concept is later revitalized by Jacopo during preparations to sell a tabernacle, after Michelangelo’s designs, to Spain for Madrid’s El Escorial almost a decade later. The El Escorial tabernacle likewise encountered problems and was aborted but Jacopo successfully sold it shortly thereafter to the Carthusians of Padula. An etched date, 30 May 1572, along the base of the Padula tabernacle indicates its framework was already cast by then. A 1573 summary of the tabernacle also describes the original format for the door and relief panels, intended to be square in dimension. However, a last minute decision to heighten them was abruptly made during Jacopo’s negotiations to sell the tabernacle to King Phillip II of Spain. Shortly thereafter the commission was aborted. Philippe Malgouyres notes that the Padula tabernacle’s final state is a mixed product of the original design intended for Spain’s El Escorial, recycling various parts that had already been cast and adding new quickly finished elements for its sale to Padula, explaining its unusually discordant quality, particularly as concerns the crudeness of the door and relief panels which were clearly made later (by January 1574). Apart from his own admission in letters to Spain, it is apparent, however, that Jacopo relied upon his deceased master’s designs while hastily realizing the Padula panels. If Michelangelo had already earlier conceived a crucifix model, and Jacopo had access to that model, its logical he could have hastily employed it for incorporation on the door panel to the tabernacle. It is worth noting some modifications he made to the model, extending Christ’s arms further up in order to fit them into the scale of the panel and further lowering his chin to his chest in order to instill physiognomic congruence. A crude panel of the Deposition also follows after Michelangelo’s late sketches and is likewise known by examples thought to be modifications by Jacopo based upon Michelangelo’s initial sculptural conception (see Malgouyres: La Deposition du Christ de Jacopo del Duca, chef-d’oeuvre posthume de Michel-Ange). Jacopo’s appropriation of an original model by Michelangelo for more than one relief on the Padula tabernacle adds further indication that the crucifix was not an object unique to Jacopo’s hand, as few scholars have posited, but rather belongs to Michelangelo’s original...

An amazing earthenware Kwan Yin statue with lamp and reverse incense burner by master potter Liu Li Hui. Seated dhayana asana on wood ledge, Kwa...

Yiman (Alamblak) People, Southern Hills, Middle Sepik River 42 x 10 x 2 in. / 107 x 25 x 5 cm The Yipwon are the patron spirits of hunting and warfare.

A carved and polychromed tonsured saint figure, 18th century. Glass eyes and formerly with articulating arms. 10 ¼ inches wide by 6 ½ inches deep by 16 ½ inches tall

Set of four Borghese terracotta figures representing the Four Seasons, each modeled as a putto with seasonal motifs. Rich red clay with gilt wood bases adds warmth and contrast. A de...

Porcelain of Capodimonte 1970s years Donna Vamp , totally handcrafted by skilled and skilled hands that have now disappeared, also painted by hand, with 24-karat pure gold dress, sig...

Wonderful period piece. Beautiful weathered Neoclassical hand carved oak caryatid angel figure. Weathered. france circa 1780 H:34,5cm W:10cm D:5,5cm

Chinese Scrib, but handcrafted in Thailand. Sixteen feet long. Rosewood base. The sculptors of this enormous boat made of jade. You will admire the details of this vessel. The dragon is the ultimate symbol of auspiciousness. It is the most important symbol in both Feng Shui and in Chinese folklore. It's most powerful when displayed in the east sector of your home, office or location of the piece. This dragon jade boat...

Beautiful hand carved wooden Figure, found at an estate sale in Germany. We believe that this piece is from around 1990s, because it's dated at the base like seen in picture. A nice ...

A large vintage carved wood folding stand. Tripod shape with carved people as each leg. Nice larger size, perfect for using as a plant stand, to hold a bowl, or to display a decorati...

Book Ends Wooden style acrylic Sculptures A Set Of 2 Decorative Figurines of Human Book Holder Beautifully stylized a set of figurines with a great ba...