Wood Figurative Sculptures

Life After Life Board Old Skull Board/ Life After Life Board è una tavola da skateboard decorativa, disponibile in due varianti colore e con un disegno intarsiato simbolo della con...

Truly stunning pair of hand-carved wood Japanese buddha statues / sculptures that sit serenely atop their lotus petal thrones. The intricately c...

Sculpture made of hardwood from around the end of the 15th century, placeable in the upper Venetian area. Depicting a female figure characterized by a draped robe, as was the cust...

This is truly a spectacular work A beautifully sculptured Buddha head (the features and finial suggest that it is Thai/ Siam) on a custom display stan...

Corky sculpture made of solid oak wood, movable pieces that can be adjusted to the position you like, two glass eyes. Great decorative and funky object of art.

This engaging bronze sculpture on black wooden base, well represents a human bust, but for its expressive force, the bust turns into an abstract shape of it. The artist who created this sculpture is Roberto Nanut...

Vintage Indian hardwood Shiva Trimurti sculpture is intricately hand carved with three sides of the face of Lord Shiva, one of the 3 major Gods of the Hindu...

Large Wooden Sculpture of an Archer dated and Signed, France 1968 Wonderful decorative object, in good vintage condition. One hand is missing some fingers but we think gives this piece character. Dated and signed MB...

Antique male statue hand carved from a single wood log from West Borneo. Originally used to protect the home from evil spirits with the wood base placed into the ground in front of t...

Sculpture unity bronze in solid patinated bronze on black oak base (included). Lost wax bronze technique. Base: L 12 x D 12 x H 18cm.

This exceptionally life-like antique sculpture is carved from linden wood and once decorated a French church or cathedral. The figure stands authoritatively, with right arm raised and index finger extended toward heaven. It probably stood on a base in a side chapel. According to Christian iconography of the period, this gesture signifies that salvation comes only through baptism. The figure wears a girdle of animal fir, probably from a bear, making symbolic reference to St. John the Baptist's life in the wilderness of Judea, between Jerusalem and the Dead Sea. The elegantly carved robe is a baroque element that adds a sense of motion and energy to the artwork. Originally, the sculpture was polychromed, but the original pigments have weathered away and been replaced with whitewash. Repairs, losses, and insect damage are minor and expected due to great age. many vintage and antique religious sculptures...

An Italian carved giltwood woman torchiere depicting a Venetian polychrome sculpture figure holding a large cornucopia torch. With a "Made in Italy" s...

A beautiful, substantial statue of Lapis Lazuli, hand carved by a master artisan on both sides. The sculpture depicts a dragon flying in the clouds above mountains while spraying wat...

A finely carved and detailed seated wood temple shrine Buddha. Likely Northern Thai or lower Burmese. This particular Buddha has a wonder...

19th century French turned wood crucifix with a porcelain bisque figure of Christ and coordinating cream details. The cream carved wood finials on t...

This 19th-century Buddha's hand sculpture from Thailand is finely cast of bronze with lifelike features and a beautiful dark patina. The hand is held upwards in abhaya mudra, the ges...

SAINT AFRE OF AUGSBURG ORIGIN : SOUTHERN GERMANY PERIOD : 16th CENTURY Height : 119 cm Width : 50 cm Depth : 28 cm Limewood Good state of conservation Patron Saint of the city and the diocese of Augsburg, the oldest traces of her worship date back to the 6th century. There are several versions of his legend. She is sometimes identified as the daughter of a king of Cyprus whose violent and unexpected death forced her and her mother, Hilaria, to flee. They went to Augsburg via Rome. Others see her origins in Africa instead, her name meaning African in Latin. Settled in Augsburg, they became the owners of a notorious inn where they traded in their charms. Bishop Narcissus of Girona, accompanied by his deacon Felix, found refuge there one day, fleeing the persecution of Emperor Diocletian. As the two men prayed devoutly, Afre was touched by grace and asked to be baptized. She then left her old life and embraced the Christian faith. When the Roman authorities learned of his new vocation, they exhorted her to worship the old gods and to deny the Christian faith. She refused to renounce her faith and was sentenced to be burned alive. Her sentence was applied immediately and she suffered her mart...

Provenance : In the same private collection for several generations, Burgundy. The canonical Gospels describe briefly the episode of the Nativity. It comprises three parts : • The Preludes : the Journey to Bethlehem, the Census • The Nativity • The Announce to the Shepherds and the Adoration of the Magi Only the Gospel according to Matthew (2, 1-12) speaks about the Adoration of the Magi. Staying vague about their number it does say they brought the newborn gold, incense and myrrh. The apocryphals, the fathers of the Church and many other authors have filled in the gaps of the evangelic tale. The sobriety and symbolic of the story have been a huge inspiration to artists. Although one of the oldest depictions of the Adoration of the Magi dates from the 2nd century the theme became very popular in Christian art during the late 14th century. One of the reasons explaining this success is that it celebrates both the Virgin and Christ at the same time. This important walnut panel is carved in a strong relief and depicts the different steps of the story of Jesus’ birth. On the left, the donkey and ox that have accompanied Mary and Joseph from Bethlehem are depicted behind a trough. On the thatch roof appears the star that would guide the magi to the place of birth of Jesus. Mary is wearing a veil and is seating on a bed. She holds her baby at arm’s length to present him to the magi. Saint Joseph is by her side. The old man is holding a cane in his left hand while from the right hand he seems to uncover himself to greet the visitors. A woman assists to the scene. In front of the holy family the three magi stand behind one another to pay their homage to the newborn. The first magi has a pointed beard. He is already kneeling out of deference and has placed his crown to his feet. He gives the baby a hanap filled with gold coins. This is Melchior as the legend describes him with white hair and a long beard. Caspar, the second magi bears a cup of incense. He is looking at the third magi and with his right hand he points to the star that has guided them there. He has a short beard and wears crakow shoes, breeches and a wide sleeved doublet. Finally Balthazar, the elegant last magi proceeds proudly towards the holy family with his one hand on the saber’s hilt and the other holding a cup. He brings the divine child the myrrh. He probably just dismounted as the horse can be seen behind him. The scene is set in a very detailed and narrative decor. In the right part of the panel the shepherd receive the announce of Jesus’ birth. An angel comes down from heaven with a scroll bearing the good news in his hands. The herding dog sleeps peacefully while sheeps graze. At the top of the cliff we notice the gilded sheeps enclosure. The panel’s moulded frame is carved with a foliated decor. In it’s centre appears a coat-of-arms. It is the alliance of the three magi’s arms. Indeed as it was common for legendary figures the three of them received imaginaries coat-of-arms. Thus, on a field of azure stands a star for Melchior, a crescent for Caspar and a pennon for Balthazar. This high-relief panel is undeniably the work of a very skilled and imaginative artist. This key moment in the New Testament is transposed to a contemporary environment thanks to the figures’ clothing and the rural daily life scene. This way the universal dimension of the episode is highlighted allowing a better understanding for the contemporaries. The sculptor has represented the episodes of the Adoration of the Magi and the Announce to the Shepherd with great talent and numerous details giving life to a picturesque and narrative scene. The important traces of polychromy give those already very animated scenes a stronger pictorial power and a rich dynamism. Because of the picturesque and familiar realism so dear to the artists of the late Medieval era, of the didactic function of this type of panel as well as the quality of the sculpture this piece is an astounding example of Burgundian art of the 15th century. Literature Louis Réau, Iconographie de l’Art chrétien...

A large and impressive Continental 19th century patinated bronze and giltwood carved Crucifix. The later giltwood carved cross frame with a monstrance ...

Clarté life size Art Deco bronze lamp standing nude with globe by Max Le Verrier. Patinated bronze on octagonal wooden base and with crackled glas...

Figural wooden carving of the Blessed Virgin Mary (Immaculate Conception). Carved in folkloric style, this well-preserved statue retains its original coat of polychrome paint. Its flesh tones, light-blue, and silver-gilding vividly shine through a natural patina that has become glossy from a century’s worth of handling. The Virgin as the "Immaculata" (conceived in immaculate purity), is posed on the globe of the world, in triumph over sin, represented by the serpent that tempted Eve with a forbidden apple. The sculpture's facial features include glass eyes and eyelashes. This rare antique sculpture is perfect for a collection of sacred antique...

An interesting and whimsical Art Deco period hand carved and painted dumb waiter, this listing is for the butler statue only (the maid has already sold)....

Wonderful decorative item. Italy circa 1650-1750 Weathered.

A vintage Indian red painted and parcel gilt wooden finial from the mid 20th century with carved acanthus leaves, pre-drilled to be made into a table lamp. Created in India during th...

Vintage 1970s Hopi Katsina Figure - Kachina Doll, circa 1970s Measures: 7" wide x 6" deep x 14" high The doll shows a few minor losses and cracks - Please review all images ...

The polychromed statues are in an excellent state and date from a period when profane sculptures started to replace the religious ones.

Antique male statue hand carved from a single wood log from West Borneo. Originally used to protect the home from evil spirits and placed into the ground in front of the house as a g...

Circa 1900. We offer this fantastic set of study hands saint sculptures. This set of pieces belonged to a sculptor of religious figures who used these models to create the christian ...

Important virgin and child in majesty Origin : Germany Or Eastern France Époque : Second Half Of The 13th Century Height: 104.5 cm Length: 3...

Design by Salvador Dalí­, 1903 manufactured by BD Barcelona Solid Iroko wooden structure with polyamide wheels. Optional upholstered cushion with water repellent foam and materi...

A stunning pair of mid-18th century Italian Baroque Putti beautifully crafted in polychromed wood - now resting on their iron stands. Charming position w...

Circa 1900. We offer this fantastic Set of Study Hands Saint Sculptures. This set of pieces belonged to a sculptor of religious figures who used these models to create the christian ...

A beautiful set of four (4) terracotta head bust sculptures. Four female head sculpture carvings glazed in terracotta. Beautiful decorative objec...

Antique male statue hand carved from a single wood log from Kodi Sumba. Originally used to protect the home from evil spirits and placed into the ground in front of the house as a gu...

Presents very well, each trophy( possibly a grand tour souvenir ) of matte lemony gilt with water gilt accents. The set an allegory to Arts, music , sciences, and architecture, Of c...

Distinct Hand Carved Art Deco Sculpture of a Religious Man with child. Early 20th century. Distinct and skillfully hand-carved art deco wood sculpture...

Very pretty and decorative early 20th century French articulated life-size mannequin's arm in dark brown painted and plastered heavy solid wood. To lay or hang and use for extraordi...

Original sculpture, representing the head of Christ, made by Daniel BOUESSO. It represents Christ wearing the crown of thorns, with his eyes closed. His face is filled with a certain serenity. This head is placed on a visible cross above and on either side of his skull. The sculpture is made in a tribal taste, reminiscent of African art. A dark wood (Wenge) is used as a support. The back bears the name of the artist: Daniel BOUESSO. Daniel Bouesso is a Senegalese artist of the second half of the 20th century. He comes from the Haouassas ethnic group. This sculptor is mainly known for his representations of African figures.

Heavily carved barrel head in the black forest style.

Large carved wood 'Man & Woman' figural African Folk sculpture. An expressive pair of human figures exquisitely handcrafted from richly colored wood and mounted independently on a me...

Round Bronze Plaque Depicting A Male Profile On A Wooden Support From The 1900s. Particular and signed object. Not easy to find, as it was commissioned by...

Interesting 18th Santos figure with glass eyes, but without hands or feet, this piece was part of a large installation. Appears all original with he...

Rare antique Virgin Mary sculpture. Perfect for a collection of sacred antique items. High artistic quality of Italian sculpture. Made entirely o...

Antique male statue hand carved from a single wood log from West Borneo. Originally used to protect the home from evil spirits and placed into the ground in front of the house as a g...

Antique male statue hand carved from a single wood log from West Borneo. Originally used to protect the home from evil spirits and placed into the ground in front of the house as a g...

Antique male statue hand carved from a single wood log from West Borneo. Originally used to protect the home from evil spirits and placed into the ground in front of the house as a g...

19th Century Hopi carved Kachina doll. Circa 1900: cottonwood with earthen pigments, 7 3/8 in. H., with a stand. Collection inventory number on back of skirt.

A clock with "Parisian" movement, with pendulum and half hour chime, white enamel dial with garlands of roses, inserted in a bronze patinated white (antimony) metal sculpture, with g...

18th/19th Century Chinese Wood Sculpture Of A Emperor or General. Retains Some Polychrome Decoration And Horsehair Beard, Male Figure Seated On ...

CARL GUTT (1867-?) "GALANT SCENE" German sculptural group, in fruit wood and carved ivory, circa 1892. Based on a wooden base. Small flaws. Dim.: (s...

Aharon Bezalel Cast Bronze, modernist, brutalist. c 1969, Wonderful form and artistry.

Mythical Hercules and The Hydra Wood Sculpture 11 tall x 6 w x 12 d Original preowned vintage condition. See images provided.

Mid 17th century Northern European carved figure of a saint. This striking statue depicts a saint who is dressed in robes, whilst holding his hand over his heart. This figure is freestanding and is stood within a leaning position which makes him stand out. It has been beautifully carved from oak and has remnants of its original paintwork. Likely to have stood within a church for many years and would have been removed due to renovation reasons. This historical figure...

A truly stunning pair of 17th century Wall Brackets from the Provence region of France. Expertly carved with Putti heads having wonderful expressions. Excellent patina.

Chinese Polychrome carved wood Tang horse and rider statue sculpture. Item features a wax stamp to rear, desirable paint loss throughout, solid ...

This stylish and chic German, black forest carving of a serving maiden with elk horn-mounts dates to the 1950s-1960s. The piece is hand-carved and is finished in a warm pecan colorat...

BEAUTIFUL SCULPTURE IN POLYCHROME LINDEN REPRESENTING SAINT GEORGE SLAYING THE DRAGON ORIGIN : SOUTHERN GERMANY, SWABIA PERIOD : LATE 15th CENTURY Polychrome linden wood, silvered flange Measures: Height : 104 cm Width : 21 cm Good state of conservation, original polychromy HISTORICAL Officer in the Roman army, Saint George passed through a city plagued by a voracious dragon that devoured its inhabitants. To appease the monster's hunger, the villagers offered him sheep, but when all the cattle were sacrificed, two young people were drawn. One day, fate designated the king's daughter, forced to be delivered to the dragon. Initiating a fight to save her, Saint George, on his horse, triumphed over the monster by piercing it with his spear. In order to symbolize the victory of faith over Evil, the different versions of the legend end with the death of the dragon. However, the Golden Legend, by Jacques de Voragine affirms that the creature was only wounded and that the saint would have dragged it, chained, at his side. Before leaving the city, Saint George distributed to the poor the money that the king had given him as a reward. After his victory over the dragon, came the passion of the saint. Indeed, Saint George was martyred for refusing to sacrifice to pagan idols during the persecution of Diocletian. The saint suffered numerous physical abuses from which he miraculously survived. He was eventually beheaded and his holy body was retrieved by an angel. DESCRIPTION This polychrome sculpture represents Saint George standing, his foot on the dragon which he strikes down with a spear. This image is one of the most evocative of the iconography of Saint George. He is represented young and beardless, in infantry armor, typically German, due to the length of the poacher who protects the thighs of the saint. The armor covers his whole body, from the neck, with the gorget, to the foot with the sabatons. The armor is realistic thanks to the precision of the parts composing it and this silver highlight which gives it a patina with metallic reflections The saint is wearing a hood with raised brown edges, revealing curly hair down to the bottom of his neck. The face of the saint seems serene, and his attitude controlled, a symbol of chivalrous virtues. Concerning the posture, Saint George raises his right arm and bends the left in order to plant his spear in the mouth of the dragon. He is in contrapposto, his left foot crushing the long neck of the monster. The dragon, on the other hand, is salamander-like with large, pointed ears and a large, jagged crest on its back. The creature opens its mouth and twists its neck in pain. A green color covers its skin, and highlights of red are located inside its mouth and ears. This exceptional piece is the reflection of a remarkable sculptural work, due to the harmony that emerges from the composition, the precision of the details and expressions, as well as the contribution of the polychromy that animates this scene. LITERATURE Louis Réau, Iconographie de l’Art Chrétien...

Anatomic model for class depicting a jaw with a teeth, made out of painted papier machè mounted on round black wooden base. Italy 1880 ca.