Pair of Orientalist Bronzes of Standing Turks, Signed Guillot

Franz Bergman Austrian Cold Painted Bronze Merchant This Franz Bergman Austrian cold-painted bronze sculpture is a stunning example of early 20th-century Viennese craftsmanship, known for its intricate detail, vibrant colors, and storytelling compositions. Standing 7 inches high, 5.5 inches wide, and 3.75 inches deep, this finely cast bronze piece portrays a Middle Eastern or North African street vendor, captured in a moment of animated movement as he prepares or serves food. Expertly cold-painted in rich hues, the scene is set on a detailed rug base, adorned with traditional geometric patterns, adding depth and authenticity to the composition. The vendor stands over a small ornate table...

Tibetan bronze standing gilt bronze buddha offering protection China, 20th century A fine example, the Buddha standing on lotus base with the "no fear" abhaya mudra, the figure is ...

19th Century Diminutive Bronze & Marble Portrait Bust of Franz Liszt Germany, Late 19th Century A splendid bronze bust of famed composer Franz Liszt in...

Pair of late Staffordshire Recumbent figures Dalmatians USA, 20th 1950s A good pair of a later Staffordshire hand painted and enameled porcelain figures of reclining Dalmatians....

A pleasing pair of 19th century French bronze statues of Renaissance style huntsmen, signed. Guillot (French, 1865-1911).

Beautiful bronze sculpture made by Anatole J. Guillot, French sculptor of the second half of the 19th century. The brightness of the bronze enhances the sinuosity of the forms giving a beautiful light-shadow effect traceable especially among the small carvings...

Pair of large bronze standing deer on bases, late 19th century.

Pair of Orientalist bronze busts by Cordier, 1861 French, 1861 Man: Height 42cm, width 32cm, depth 18cm Woman: Height 40cm, width 26cm, depth 16cm This impressive pair of bronze busts were made by the renowned French sculptor Charles-Henri-Joseph Cordier (1827-1905). Known for his Orientalist works in bronze and marble, Cordier gained inspiration from his visits to Algeria. The male figure of this pair is after a study made during one of these visits. The figures form a wonderfully contrasting pair. The male bust wears a more sombre, downturned expression, whilst the female smiles almost sleepily. Both faces are expertly carved to achieve a human likeness, and the two figures are similarly dressed in embellished shirts and robes. The patination is exceptional throughout, providing light and shade to the facial features and garments. Gilding can also be seen on the woman’s earring...