19th Century Figurative Sculptures

Antique Italian bronze figure picking a thorn from his foot, circa late 19th century. This figure, known as Spinario (the Spaniard) is based on an ancient Greek statue in the Capitol...

19th Century Studded Leather Dog Collar, of UK or USA origin. Heavy leather with studs and spikes bolted throughout. Name plate is marked "Battling Mike, H.A.S.". Late 19th Century. ...

This is a stone statue of Kannon Bosatsu (the Bodhisattva of Compassion), believed to have been made in Japan during the mid to late Edo period (late 18th century onward). The materi...

Charles Masse (French, 1855-1913) Nude Woman Patinated Bronze Sculpture, late 19th century, the standing figure draped with Gingko leaves, on a green serpentine plinth, signed to bas...

Beautiful weathered carved stone vase with a star, France, circa 1800-1900. Weathered and old repair.

A superb antique Victorian Majolica Jardiniere on stand decorated in green blue and brown glazes on a navy blue ground,  Circa 1860 in dat...

Unique and highly decorative wall coat rack with at least ten hooks. One of the main reasons for people wanting to own antiques is for their decorative appeal and this hand-crafted work-of-art wall rack certainly fits that bill. This good condition wall coat-rack with the finest quality cast iron wall hooks...

A patinated bronze sculpture reproduction of the Laocoon group by the Napolitan world famous Fonderia Chiurazzi, Italy 1880-1900. Rediscovered in 1506 in Rome The Laocoon Group is believed to be created sometime between 42-20 BCE by three sculptors from Rhodos – Hagesander, Athenodoros and Polydorus, after the work of more ancien Hellenistic sculptors. Recreated and issued (with several sizes and creative variations) by Fonderia Chiurrazzi, this piece is more than just an incredibly precise and expressive reproduction of the iconic antic sculpture...

A stunning Minton majolica pottery figure depicting a girl harvester figurine dating from 1864. The figure sits raised on a round pedestal base and holds a large oval shaped basket u...

Antique Victorian Staffordshire flatback figure of a gentleman in Scottish period dress with a hawk perched on his shoulder. In lovely original condition Please note that for shipm...

Eugene Provost (1836-1885) France, 19th century, a charming gilt and silvered bronze sculpture depicting two putti moving a chariot with grapes and vines, on a rectangle shaped base.

A Monumental and Truly Exceptional French Patinated Bronze Bust of Jesus Christ, Circa 1858, Signed J. Clesinger, Rome 1858 & F. Barbedienne Fondeur This monumental and extraordinar...

19th Century French Ormolu & Patinated Bronze Sculpture of a Seated Satyr France, Circa 1875 A good quality 19th Century French Ormolu & Patinated Bronze Sculpture of a Seated Saty...

Bronze Sculpture of Hercules and Antaeus crafted and signed by Carl Kauba. This sculpture depicts the tale of Hercules' battle against Antaeus. Antaeus, son of Gaia and Poseidon,...

Rare and finest Gilded bronze crucifix mounted on a oak cross. The striking details on this highest quality bronze sculpture of Christ are second to none and the antique gilt finish...

This 19th-century French sculpture features a young drummer, captured in a moment of intense focus and energy. Rendered in rich patinas of bronze, the figure is dressed in historical...

19th-century Italian Grand Tour Bronze of the Gladiator, After the Roman Antique Attributed to the Naples Foundry, late 19th century This fine 19th-century Italian Grand Tour bronze...

France,1834-1917 Depicts a neoclassical woman in a diaphanous dress seated upon a swing decorated with leaves and tendrils.

Unique and adorable late 19th or very early 20th-century smaller-size chandelier - Lüsterweibchen. Finely hand-carved from linden wood, a unique piece, made by a master wood carver ...

A rare and stunning antique Staffordshire transfer printed pottery model of a cow and milkmaid figure dating from the mid 19th century. The well potted and hand crafted figure stands...

Nice couple of two small gilded Baroque style wooden ornaments, Italy, circa 1850. Weathered and small losses. Measurement here below of the largest one and includes the wooden base.

A lovely antique 19th Century French gilded bronze doré farandole of cherubs / putti wall swag ornament. This beautiful wall swag has a beautiful gilt patina...

Life-Size Artist Mannequin Italy circa 1870, 19th century articulated lay figure, a carved beech life-size female figure of almost 66 inches, da...

19th century English Staffordshire figure, signed at the bottom.  

Grand tour bronze sculpture of the "Crouching Venus" after the antique. Fine patina. 19th century. Ferdinand Barbedienne (French, 1821-1902). # nude fe...

Superb example of 19th Century Meissen Porcelain. Bacchus and Attendants Figural Group modeled by Ernst August Leuteritz. The porcelain group depicts a youthful Bacchus, leopard skin...

A stunning antique French art nouveau bronze sculpture of the personification of night (La Nuit) (woman sitting on a moon with a star crown) by Henri Louis Levasseur (1853-1934), sig...

Two carved Mayan deity limestone architectural carvings or / elements, 19th century or older The larger measures 7" W x 5.5" H x 4.5" D with a 2.5" protrusion The smaller measures ...

This is a beautifully detailed antique Italian Grand Tour School bronze figural sculpture of Hermes, dating from Circa 1880. Mercury is cast after the original held at the Museo Naz...

Large Grand Tour circa 1860s patinated bronze of the Wrestlers. Rich fine dark brown patina. Marked "F. Barbedienne Fondeur." The Wrestlers also known as The Two Wrestlers, The Uffizi Wrestlers or The Pancrastinae...

A Roman White Marble Statue of Dancing Satyr, 19th Century Provenance: Private Australian Collection. Description: In the Grand Tour Style, the figure with only the trunk remaining...

An exquisite English Royal Worcester porcelain Samuel Clarke Commissioned "Cricklite" candle "fairy lamp" standard - base, the rare figural statue in the form of a Grecian water carrier, modeled by James Hadley (English, 1837-1903), the exceptionally executed, richly detailed Neoclassical figure holding a vessel in her left hand and carrying an urn upon her head, wearing flowing robes, the body in blush ivory, the robes of green/gold hue, with gilt highlights. Circa 1898 Signed, underfoot having green printed mark, "Worcester Shot Enamel England 2 125" and imprinted markings by its side. Dimensions: (approx) 9.5" High, 3" Diameter Provenance: From the estate of Ali A. Abssi (1934-2020) and Florence Hall Abssi (1919-2014), founders of the Ishtar Gate...

Antique bust of Apollo of Belvedere. Finely carved carrara marble. Mid-19th century. Italian. Presented by Joseph Dasta Antiques # nude male greek roman mercury statue...

Perseus or the Birth of Pegasus: large group in patinated regular representing Perseus and the winged horse Pegasus Large sculpture signed E Picault and bearing the mention 'Salon d...

Lot of three Indian terracotta processional figures. Krishnanagar, Bengal, 19th Century. Painted terracotta figures, depicting two males and one female musician...

French Bronze Sculpture of Mercury Signed F. Barbedienne Fondeur, Ca. 1850. This bronze statue of Mercury Volante is a copy of the late 16th Century bronze by the great French/Flemish/Italian sculptor Giambologna. The statue, signed Ferdinand Barbedienne Fondeur...

Fine Italian Carrara marble of a Nymph. The figure stood upon a rocky plinth partially nude with a draped robe seen pouring water from a large urn as she looks on. The beautiful carv...

This exquisite 19th-century French bronze sculpture captures the essence of rural life through the figure of a young peasant boy. The boy is depicted with a charming, rustic appeal,...

Antique Joan of Arc Parian Bisque Porcelain Sculpture Signed John Bell C1848 Measures - 12.75"H x 8"W x 5.75"D This fine Parian bisque porcelain ...

PRESENTING AN ABSOLUTELY STUNNING Large ‘Huntsman/Valet with his Hounds’ Bronze Sculpture by PJ Mene – 1869. This is a LARGE sculpture, weighing over 175 lbs....

A beautiful large Japanese Meiji Period patinated bronze study of an elephant with tigers, signed on the belly, Meiji period, 1868-1912, and late...

Hard to find Staffordshire figure of a young boy on a goat. This would have originally been part of a pair, the other being a young girl on a goat

A 19th century Spanish Colonial santo depicting the Mary, full of presence and quiet devotion. Carved from wood with all original paint, she stands gracefully on her original base an...

A large and impressive late 19th Century bronze study of the famous Venus de Milo sculpture of antiquity with excellent rich brown patina and good hand finished surface detail, inscribed F.Barbedienne foundry ADDITIONAL INFORMATION Height: 95 cm Width: 28 cm Depth: 28 cm Condition: Excellent Original Condition Circa: 1890 Materials: Bronze Foundry: F.Barbedienne SKU: 7741 ABOUT The Barbedienne Foundry is a famous 19th century bronze foundry, whose statues and art objects became rapidly very renowned. This bronze studio co-worked with other trades, and put his name to a great variety of works, such as furnishing in particular. Attending every World's Fair of its time, the Barbedienne Foundry was regularly awarded, notably at the World's Fair of 1855 where it was awarded the Great Medal of Honor. A Parisian bronze maker and caster, Ferdinand Barbedienne (1810-1892) creates a firm in 1839 in collaboration with Achille Collas, the inventor of the mechanical method to obtain copies of sculptures at a smaller scale. With this groundbreaking proceed, they facilitated an unprecedented production. Under the “Collas et Barbedienne” name, they specialized in Antiquity copies and perfected new chemical methods for the color and patina finish of their bronzes. As a true Romantic, Ferdinand Barbedienne is committed to democratization of arts, he thus realizes numerous Antiquity copies and stimulates his contemporaries’ works broadcasting. A great deal of famous sculptures are hence cast by the Barbedienne Foundry. All his life, Barbedienne co-worked with the greatest artists, sculptors or designers of his time, such as Edouard Lievre, Ferdinand Levillain, Attarge, Aizelin, Barye or Fremiet. Statues aside, he products a great deal of decorative artifacts, such as clocks, vases, mirrors, etc. Since 1855, Ferdinand Barbedienne collaborates with the famous decoration designer Louis-Constant Sévin (1821-1888). Joining the firm as a sculptor-designer, he stays loyal to it his life long, always finding more new designs for daily objects, which hence become true art works. Sevin’s creations, specialized in the “Neo-Greek” style, were particularly appreciated for antiquity reference in decorative arts, just like the great mirror preserved by the Orsay Museum. He also teams up with enamelers including Alfred Serre, and develops a set of “cloisonnés” enamels that made the headlines at the World's Fair of 1862 in London, which was the very beginning of the art of enamel’s return. In collaboration with Serre, Barbedienne realized between 1878 and 1889 the Monumental Clock in Renaissance style, decorated with enamels, which is preserved in the Paris City Hall. Venus de Milo Facts about Venus de Milo sculpture. For much of the world, the mystery of the Venus de Milo lies in her missing arms. But there’s much more to this iconic statue than a couple of absent appendages. 1. Venus de Milo‘s title is a bit misleading. It’s popularly believed that this Grecian statue depicts the Greek Goddess of love and beauty, who was often rendered half-naked. However, the Greeks would have called this deity Aphrodite. Nonetheless, the Roman-inspired Venus de Milo caught on. 2. She’s named in part for where she was discovered. On April 8, 1820, a farmer named Yorgos Kentrotas came across the statue in pieces within the ruins of an ancient city on the island of Milos (formerly known as Melos). 3. Alexandros of Antioch is credited with her creation. A sculptor of the Hellenistic period, Alexandros is believed to have carved this masterpiece between 130 and 100 BCE. The inscription on the plinth—the slab on which the statue rested—that identified him as Venus de Milo‘s creator was lost nearly 200 years ago. 4. She might not be Venus. Some have suggested the sculpture is not Aphrodite/Venus, but Amphitrite, the sea goddess who was particularly adored on Milos. Still others have proposed she’s Victory, or perhaps a prostitute. With her arms long missing, would-be context clues have been lost for centuries. A spear could have meant one thing, a spool of thread another. If she held an apple—as some reports claim—it could mean she was Aphrodite, holding the award given to her by Paris before the Trojan War began. To this day, it’s a matter of passionate debate. 5. She became a gift to the King of France. When Kentrotas called upon a French naval officer to help him unearth the spectacular sculpture, he began a chain of events that would eventually lead to the Marquis de Rivière presenting Venus de Milo to Louis XVIII. In turn, the ruler gave the statue to the Louvre, where it is on display to this very day. 6. The loss of her limbs is the fault of the French. Kentrotas did find fragments of an arm and a hand when he uncovered the statue in the ruins, but as Venus de Milo was being reassembled, those arms were discarded for having a “rougher” appearance. Modern art historians believe that the variation of finish does not mean those arms did not belong to Venus, but both the arms and the original plinth have been lost since the piece moved to Paris in 1820. 7. The original plinth was ditched on purpose. Sight unseen, early 19th century art historians decided the newly discovered Venus must have been the work of Greek artist Praxiteles, and publicized the work as such. This attribution would have placed the piece in the Classical period (5th through 4th centuries BCE), which was more respected artistically than the Hellenistic period. To save face and better promote Venus de Milo—even at the cost of misinforming the public—the plinth was removed before it was presented to the King. 8. Venus de Milo was meant to make up for a national embarrassment. During his conquests, Napoleon Bonaparte had plundered one of the finest examples of Greek sculpture, Venus de’ Medici, from Italy. In 1815, the French government returned that beloved sculpture, but in 1820, France embraced the chance to fill the hole its absence left in the French culture and national pride. As such, Venus de Milo was promoted as being even greater than Venus de’ Medici upon her Louvre debut. The ploy worked, and the piece was met with almost universal praise from artists and critics. 9. Renoir was not impressed. Perhaps the most famous of Venus de Milo‘s detractors, the celebrated Impressionist painter dismissed this delicate depiction of grace and female beauty as “a big gendarme.” 10. She went into hiding during World War II. By the autumn of 1939, war threatened to descend on Paris, so Venus de Milo along with some other priceless pieces, such as Winged Victory of Samothrace and Michelangelo’s Slaves, were whisked away for safekeeping at various châteaux in the French countryside. 11. She’s been robbed! Venus is missing more than just her arms. She was originally draped in jewellery including a bracelet, earrings and a headband. These flourishes are long lost, but the holes for fixing them to the piece remain in the marble, giving clues to the missing accessories. 12. She lost her colour. While it’s easy for today’s art admirers to think of Greek statues as white, the marble was often painted in the style of polychromy. However, no trace of the original paint scheme remains on Venus de Milo today. 13. She’s taller than most people. Even with her slight slouch, Venus de Milo stands at 6 feet 8 inches tall. 14. She could be a copy. Art historians have noted that Venus de Milo bears a striking resemblance to Aphrodite of Capua, which is a Roman era copy of a possibly late 4th century BCE bronze Greek original. That would be at least 170 years before Alexandros carved his goddess, leading some to speculate that both statues are actually replicas of an older statue...

An extraordinary and wonderfully rendered 19th century Italian cast bronze depicting a seated Hermes, the Greek god of messengers, travelers, and merchan...

Carved Carrara marble bust of Augustus Caesar. Italian grand tour. Mid 19th century. collection collector paris rome new salon historical fine not signed. museum or...

Fine French orientalist bronze statue of David after the battle with Goliath by Antonin Mercie. This subject received the Medal of Honour when it was shown at the Paris Salon des Beaux Arts. Late 19th century. 42" high. Please, contact us for shipping options. Presented by Joseph Dasta Antiques Antonin Mercie(1845-1916) Mercié entered the École des Beaux-Arts, Paris, and studied under Alexandre Falguière and François Jouffroy, and in 1868 gained the Grand Prix de Rome at the age of 23. His first great popular successes were the David and Gloria Victis, which was shown and received the Medal of Honour of the Paris Salon. The bronze was subsequently placed in the Square Montholon.[2] The bronze David...

Bronze sculpture of a Gaulish chief, signed FREMIET. Bronze sculpture signed FREMIET, representing a Gaulish chief, 19th century, Napoleon III period. H: 37cm, W: 26cm, D: 8,5cm

An exceptional and monumental white marble figural sculpture clock, "A Nubian Slaying The Lion" by Jean-Joseph Jacquet (Belgian, 1822–1898), c...

This rare and damaged copper repoussé relief 18 people in erotic play involving French soldiers of various rank and state of undress. The artwork has a horizontal crack across the center of the scene. The relief is backed by a sold bronze...

A truly wonderful example of the work of Johann Maresch. Signed "JM" on the underside. Maresch was born in 1821, and so his works were done mainly in the 19th century. He worked in...

19th century Austrian porcelain centerpiece bowl or jardinière beautifully enameled in rich colors with floral sprays and gilt highlig...

Marble statue of carved statue of the Buddhist goddess known as Guanyin, sitting in the lotus position. The peaceful and serene expression on her face conveys calm. She ie also know...

A Greco Roman style Italian terracotta statuette from the 19th century depicting Vulcan, the god of fire. This exquisite 19th-century Italian terracotta statuette, crafted in the Greco-Roman style, depicts Vulcan, the god of fire. The statuette stands on a circular base measuring 9 inches in diameter, providing a sturdy foundation for this intricately detailed piece. Vulcan is portrayed with his right arm raised, holding a hammer, poised to strike a dagger placed on an anvil...

This is an elegant monumental Grand Tour bronze sculpture of Michelangelo's David, circa 1880 in date. The full-length portrait statue is of David, the 14ft marble statue depicts the Biblical hero David, represented as a standing male nude, David looks tense and ready for battle after he has made the decision to fight Goliath, but, before the battle has actually taken place. His brow is drawn, his neck tense, and the veins bulge out of his lowered right hand and holding his slingshot over his shoulder. This impressive scuplture is 107cm (3ft 6" ) tall and weighs over 36kgs (79lbs). This high quality hot cast solid bronze was produced using the traditional 'lost wax' process. The attention to detail of this sculpture is absolutely fantastic. Condition: In really excellent condition, please see photos for confirmation. Dimensions in cm: Height 107 x Width 41 x Depth 24.5 Weight 36.3 kg Dimensions in inches: Height 3 foot, 6 inches x Width 1 foot, 4 inches x Depth 10 inches Weight 80.0 lbs Michelangelo's David This astonishing Renaissance sculpture was created between 1501 and 1504. It is a 14ft marble statue depicting the Biblical hero David, represented as a standing male nude. Originally commissioned by the Opera del Duomo for the Cathedral of Florence, it was meant to be one of a series of large statues to be positioned in the niches of the cathedral’s tribunes, way up at about 80mt from the ground. Michelangelo was asked by the consuls of the Board to complete an unfinished project begun in 1464 by Agostino di Duccio and later carried on by Antonio Rossellino in 1475. Both sculptors had in the end rejected an enormous block of marble due to the presence of too many “taroli”, or imperfections, which may have threatened the stability of such a huge statue...

Antique Bisque Porcelain Neoclassical Figure of a Partial-Nude Classical Woman C1850 Measures- 15''H x 4.5''W x 4.5''D

A fine quality French mythological terracotta sculpture, after Clodion (Claude Michel Clodion 1738 - 1814), depicting a young female faun/satyr playing with two Bacchante cherubs, on...

Antoine Louis Barye Theseus Slaying the Centaur Bienor Black Patinated Bronze Group. A French bronze group entitled 'Thesee combattant le centaure Bienor, esquisse' (Theseus slaying...

19th century French marbleized painted crucifix with green mica. The crucifix originally came from a collector in France. The crucifix is painted ...

Antique Italian figurative sculpture signed P. Bazzanti, Florence offers carved alabaster Classical woman, artist signature as photographed, 19th century Measures - 22"h x 8"w x 6.2...