Early 20th Century Figurative Sculptures

This is a gilt bronze sculpture of a happy nude lady. She is lifting her left arm/hand and holding a mirror while looking at herself in it. She is standing over a sloped shaped rock ...

An erotically charged early 20th century Art Deco cold painted bronze figure of a seductively dressed young lady holding a riding crop behind her back standing in a domineering pose and wearing a revealing basque with gartered stockings, raised on an oval shaped Brazilian green onyx plinth, signed Zach. Bruno Zach (German, 1891–1935) - Bruno Zach was a prolific creator of tall, athletic, independent women in bronze...

Art Deco sculptural Luminaire by Pierre Le Faguays titled "Les Porteuses d'Eau" ( The water carriers) depicting to females figures carrying an Alaba...

Painted ceramic "Aida Odalisque" by Josef Lorenzl signed Goldscheider. Art Deco period, Vienna, circa 1925.

Terracotta lion sculpture. Measures: Width 34 cm. Height 25 cm.

Large Art Deco sculpture of boy looking over the fence. Signed A. Kelety. Silvered bronze-mounted over green marble. Russian Boy with Classic snow hat, same c...

Art Deco gilded bronze sculpture on a black marble base by Pierre Le Faguays, depicting a girl with puppets "Les Marionettes". Signature: Le Fag...

This large porcelain figurine was manufactured by the Rosenthal Porcelain Factory and is entitled 'Korean Dancer' and made in circa 1927 in the period Art Deco style. This figurine was designed by the Austrian sculptor Constantin Holzer-Decanti who worked for the factory until 1927 and was inspired by the well known dancer, Anita Berber...

Believed to be an Austrian cold painted Vienna bronze "End of Trail" statue on marble base after James Fraser. Item features beautiful cast bronze figure,...

Goldscheider Spanish dancer with a fan signed by Joseph Lorenzl, Austria, 1922. Model 5232.

Beautifully sculpted by Tore Strindberg, one of Sweden's leading sculptors in the early 20th century, and sensitively cast and gilded by the Otto Meyers fou...

Magnificent Art Deco sculpture of 2 flying birds on the waves with lovely iridescent colors. In perfect condition, dating back to the '20.      

A rare work by Oskar Lindenberg, a German sculptor who produced few pieces during his productive years, this beautiful nude male bronze captures its s...

Finest Viennese ceramic art from the 1920s: The standing young lady holds a black mask in front of her in her folded hands and looks dreamily to the side. She wears a green two-piece suit with a slouchy top and ruff...

Signed on the plinth “Silvestre” Original wooden base. Dimensions Height: 11.75 inches (29.37cm) Width: 23.25 inches (58.12cm) Depth: 6 inches (15cm) PAUL SILVESTRE (French...

Very rare Goldscheider Vienna Figurine of the 1920s A standing dancer looking to the side with arms crossed and raised in front of her is shown. The young lady wears a Russian costume, decorated with elaborate blue embroidery, with a high fur cap and a highly tailored, fur-lined coat with wide sleeves, tight trousers and high, black heeled boots...

This antique bronze sculpture was done by Ernest Beck of Austria in approximately 1920 in a classical Revival style. The sculpture is a study of 'Nathan' a...

Signed on the plinth “Lucile Swan” Valsuani Foundry stamp. Original black patina. Dimensions Height: 14.5 inches (36.25cm) Width: 5 inches (12.5cm) Depth: 2.5 inches (6.25cm) LUCILE SWAN (American, 1887-1965) was born in Sioux City, Iowa. She attended the Art Institute of Chicago from 1908 to 1912. In December 1912 she married painter Jerome Blum...

This exquisite KPM Porcelain Mythological Group of feasting Bacchus depicts Dionysus (also called Bacchus - a nature god of fruitfulness and vegetation, especially known as a god of ...

This pair of Art Deco bronze figural bookends are signed, but the artist could not be identified. It is presumed this pair of bookends was made in Austria in approximately 1920 in th...

Rare female articulated mannequin from an artist’s studio in Paris, circa 1910-1920. The charming figure is carved from lime tree and signed on the back: Marquette Artistique C.M.B –...

A fine French early 20th century patinated bronze group of "The Forbidden Fruits, after Jean Verschneider (French, 28 August 1872 - 20 December 1943)...

Masterfully conceived and executed, this highly rare, perhaps unique, bronze sculpture captures a young male nude figure twisting to his right to pluck the strings of his lyre. Perhaps a reference to Orpheus who was able to charm all living creatures, the sculptor Earl Cummings...

An Art Deco bronze sculpture by Darcles entitled “Nu Allonge” (Reclining Nude) on a marble base. Created in 1925 and embodying all the stylistic elements of the Deco Era and executed...

Whirling, spectacular circular marble centerpiece with a bronze sculpture of two dancing girls holding hands by the French artist Andre Gilbert, circa 19...

Axel Locher (1879-1941): Dancer, Art Deco bronze sculpture. Signed: Axel Locher. L. Rasmussen, Copenhagen. Measures: Height: 25.5 cm. In perfect condition.

Hand carved white alabaster sculpture of a nude woman reclining inside a clam shell with three winged putti carrying her aloft from shell laden waters. Signed to verso by the Italian...

This wonderful porcelain sculptural group depicting children playing in an 'adult wedding’ conveys with surprising accuracy the emotional component of the moment, conveyed in the expression of children's faces. Dimensions: Height: 7.13 inches (17.82cm) With: 11.75 inches (29.37) Depth: 4.5 inches (11.25cm) Royal Vienna Porcelain. The Royal Vienna Porcelain Manufactory (German: Kaiserlich privilegierte Porcellain Fabrique) was a porcelain manufacturer in Alsergrund in Vienna, Austria. It was founded in 1718 and continued until 1864. The firm was Europe's second-oldest porcelain factory after Meissen porcelain, and for 25 years the two remained the only European...

French Art Deco patinated bronze sculpture, by E. Popineau, circa 1920, cymbals dancer. Signed. Also stamped by foundry, la Stele. 36.25" high. 17" wide at hands. Francois-Emile ...

Art Deco, Cubist figure of a lying lady. Called by the Artist The Lying Nymph. Made between 1921-1926. Terracotta over a black wooden base. Bio: Pablo Curatella Manes (December 14, 1891–November 14, 1962) was a prolific Argentine sculptor. Born in La Plata in 1891 to Clara Manes, a Greek Argentine immigrant, and Antonio Curatella, from Italy, Curatella Manes first acquired an interest in sculpture during his frequent childhood visits to the newly inaugurated La Plata Fine Arts Museum. He entered the labor force in 1905, as a typographer in a printing house, though an accident some months later ended his career in that industry. Drawing on his childhood interest, he was taught the basics of sculpture by Arturo Dresco, who owned a local atelier. The Curatellas relocated to Buenos Aires, where the young sculptor enrolled in the National Fine Arts School in 1907. A rebellious streak promptly led to his expulsion, though Curatella earned an apprenticeship in 1908, under Lucio Correa Morales, with whom he worked on a number of works commissioned by Public Parks Director Charles Thays. Following the 1910 elections, he created a commemorative gold medal for Vice President-elect Victorino de la Plaza, who secured a scholarship for Curatella that took him to Florence and Rome. Curatella traveled extensively in Italy, as well as much of Western Europe, touring the region's museums and cathedrals. On his return to Argentina in 1912, National Fine Arts School director Ernesto de la Cárcova nearly ordered the funds' repayment, objecting to travel and activities not covered by the scholarship, desisting from the punishment after being shown a folio of Curatella's prolific work. His first Buenos Aires exhibit, in 1912, was followed by a return to Europe. He settled in the Montparnasse section of Paris and studied under Aristide Maillol and Emile-Antoine Bourdelle, but was forced to return home after the outbreak of World War I. In his native La Plata he opened an art gallery, the Salón de Otoño (Autumn Salon), in 1916. A brief return in 1917 to Paris, where Curatella worked under Maillol, Maurice Denis and Paul Sérusier, was eventually followed by a second scholarship, with which he settled in Paris in 1920. Studying under Henri Laurens, Juan Gris, Constantin Brâncu?i and Le Corbusier, Curatella explored Cubism, and his sculptures became more avant-garde; he also established his first atelier, where he acquired the habit of creating and destroying sculptures in a single day. He married French painter Germaine Derbecqre in 1922 and in 1926, was given a post in the Argentine Embassy. Returning to Argentina in 1929, he exhibited Las Tres Gracias...

Bronzed Statue Material: Ceramic bronze Source: Czech - Art Deco Period: 1920-1929.  

Alabaster sculpture of two eagles fighting, signed C. Olivieri, with marble pedestal, Italy, circa 1900. Pedestal in marble dimensions: 115 cm hei...

Clearly influenced by the geometric forms and exaggerations of French Cubism, this rare and striking bronze presents an African mother nursing her child,...

Beautifully cast and finished with a lovely, lustrous patina, this bronze lidded box depicts all 12 of the Zodiac symbols -- four on the lid and two ...

Interesting Vienna bronze figurine: Semi-nude lady holding a hoop It is a finest figurine. The bare-breasted lady stands on round flat bronze base which is attached to column made ...

French Art Deco sculpture patinated Bronze on black marble. We are the rare source that specializes in French Art Deco for over three decades, since 1991 with restoration, repair and...

Tinos bronze, Denmark, 1930s.

A good size deco figurine of a ballerina standing on one foot. Has part of one finger missing. Measures: Height at 20 3/4" and 16" long. Base is signed by the artist D.Alonzo circa 1...

Presenting a stunning belgian Art Deco Charles Catteau BFK ice skater sculpture. Made circa 1925-1930 by Charles Catteau for the famous Belgian cer...

Signed “E. Seger”. Black patina. Dimensions Height: 8 inches (20cm) Width: 7.5 inches (18.75cm) Depth: 8.5 inches (21.25cm) THE BIBLE STORY Samuel 17:34-36 Originally, Saul would not allow David to fight Goliath (17:33). Saul’s reason was simply that Goliath would be stronger than David. David was young and he did not have the experience to fight such a capable enemy as Goliath. David was likely to die, and his death would benefit nobody. Often people wrongly imagine that they are acting in faith (in other words, that they are trusting God). Really, they are acting in a foolish manner, as if the danger is not real. They are not trusting in God, but in their own thoughts, hopes and desires. David’s reply to Saul shows us his attitudes. This reply explains clearly why David had offered to fight Goliath. In other words, it shows how David considered himself able to defeat Goliath. Like many boys and young men in Israel, David had worked as a shepherd. That is, he looked after sheep. He was responsible to look after those sheep in every way. In particular, he had to protect them from wild animals. Lions and bears are some of the fiercest large wild animals. They were common in Israel at the time of the Bible. They are much stronger than a man (see for example 1 Kings 13:24 and 2 Kings 2:24). Only the bravest and strongest men were able to kill a lion (Judges 14:5-6; 2 Samuel 23:20). However, David had killed both a lion and a bear. He had killed animals that were stronger than him. David did not believe that the strongest man would win the fight. David had a close relationship with God; he was trusting God to rescue him (17:37). David was not pretending that there was no danger. However, God’s Holy Spirit was active in David’s life (16:13). By the power of his Holy Spirit, God had given David the faith (trust in God) to fight Goliath. Because David really was trusting God, there was no reason for him to be afraid of Goliath. THE ARTIST Ernst Seger (1865 1939), born in Neurode (Nowa Ruda, now Poland), studied sculpturing from 1884 at the Kunstschule in Breslau under Robert Härtel. From 1886 he worked in the Atelier of Christian Behrens, where he created the Eichendorff-Memorial for the Silezian City of Neisse. From 1893 to 1894 Seger stayed in Paris where he worked in the atelier of Auguste Rodin. However, Seger finally chose a ‘Jugenstill’ and a more ‘naturalistic’ or ‘Neuklassizismus’ style. His sculptures, modelled like the Greek antiques, were later greatly admired by the National Socialists. At the end of 1894 Ernst Seger went back to Berlin, founded his own atelier and created the Kaiser Wilhelm I memorial for the Silesian City of Glatz. In 1897 Seger created the sculpture ‘Jugend’ (‘Youth’), which was displayed at the ‘Große Berliner Kunstausstellung’ in 1898, at the ‘Große Berliner Kunstausstellung’ in 1899, at the ‘Münchener Glaspalast Ausstellung’ in 1899 and at the ‘Münchener Glaspalast Ausstellung’ in 1908. As a sculptor Seger regarded this as his first relevant work, his breakthrough. A copy of the sculpture in bronze, 1.60 metres high, was placed in the ‘Scheitniger Park’ in Breslau (now Wroclaw). In 1898 Segers ‘Diana’, the Roman Goddess of the Hunt, the Moon and Childbirth, was unvealed in Park Szczytnicki, Breslau, Polen (earlier ‘Schneitniger Park’). Until 1945 the sculpture stayed in the Schneitniger Park, Breslau. This part of the park is still called ’Dianagarten’. After the turn of the century the elegant female dancers and nudes by Seger gained great popularity. In 1905 Ernst Seger created -together with the sculptor Bernhard Sehring- the ‘Bismarck Brunnen’ (‘Bismarck Fountain’) in Breslau. This memorial-fountain (which still exists) represents the allegories ‘Kampf’ and ‘Sieg’ (‘Battle and Victory’). Seger’s ‘Verwundete Amazone’ (‘Wounded Amazon’), displayed at the Grosse Münchner Kunstausstellung in the Glaspalast in 1908, was placed in the garden of the ‘Kaufhauses Wertheim’ in Berlin. In the same year he was appointed as a professor. Seger’s marble sculpture ‘Kypris’, created in 1916, was placed in the Alten Nationalgalerie in Berlin. In 1925 the City of Berlin acquired his sculpture ‘Anbetung’ and placed it at the Johannaplatz. ‘Storchenbrunnen’ (‘Stork-fountain’), was placed in 1931 at the Adolf-Scheidt-Platz in Berlin. In 1935 the American newspaper publisher William Randolph Hearst bought Seger’s sleeping ‘Ganymede’. During the Third Reich Ernst Seger was commissioned numerous Hitler busts...

Very decorative early French Art Deco sculpture out of France made circa 1920. This signed terracotta sculpture depicts a pretty lady of the court caressing her greyhound, made with ...

A fine French early 20th century Art Deco white marble figure of a kneeling nude beauty, attributed to Affortunato Gory (Gori) (Italian, 1895-1925). The kneeling nude figure of a you...

Experience the timeless beauty of Affortunato Gory's "Baigneuse," a captivating bronze sculpture that epitomizes the elegance and grace of the Art Deco era. This exquisite piece dep...

Female Oriental Figurine Wearing Costume: Tall Odalisque Designed by Josef Lorenzl (1892-1950) / one of most important designers having been active for Goldscheider manufactory in...

Exquisite vintage Curt Schlevogt Bohemian art glass woman in the wind sculpture from the Ingrid series. Beautiful Art Deco design. Displays beautifully....

Beautiful 20th century Art Deco bronze man with a bow signed by G.Gori from the 1925. Very nice brown patina. Very elegant statue. Perfect condition.

This charming treatment shows a girl of perhaps seven or eight sheltering from the rain under a large umbrella. Chiparus is celebrated for his exciting exotic dancers in bronze and i...

A brilliant example of early French cubist sculpture, this depiction of an African drummer, her hands beating the two-sided drum and her head looking up as she sings or chants to the music, illustrates the fractured, reinvented reality that Picasso and Braque invented just ten or twenty years before. The abstracted breasts of the figure bring to mind the mature Cubism of Ossip Zadkine, Jean Souverbie...

Charles Vyse British Studio Art Pottery figure of cineraria boy, circa 1925.

This beautiful bronze Art Deco sculpture was created in the 1920s during the height of the Deco period by the sculptor Gerda Gerdago (1906-2004). Gerdas career began as a costume de...

Colorful & Modern dressed bronze enamel figure of a dancer. Her face, neck, shoulder, and hands are made of ivory. She is standing over a green onyx oval base. The lower part of the ...

Jan and Joel Martel “L’Accordioniste” The Accordion Player. in cast stone sculpture with painted wood base France, circa 1925. One of the most imp...

Silver statue 'Bowling player' with a wooden base, used as award or trophy Maker: W.J.L (unidentified) Made in 1923 Fully hallmarked. Dimensions: Approximate 13 x 8.5 x 17 cm ...

Very rare Art Deco figurine of a lute playing pierrot In a wide bright robe with Art Deco decoration. Wearing hat and ruff and playing a lute. A white ca...

Art Deco Pair Pineapple Antique Decorative Rustic Finials Sculpture Los Angeles. Pair of Pineapples Metal Hand forged Cast and hand made Garden finia...

Goldscheider Art Deco figure of nude woman in partially glazed red clay, 1920s-1930s. In very good condition. Measures: 35 x 11.5 cm. S...

This Art Deco glazed earthenware figurine is unsigned and only numbered, but believed to have been made in either Germany or Austria in circa 1920. This figurine is done in a thick c...

Art Deco Italian figure of a woman dancig with a music instrument. Sculpture of a dancing nude girl. Bronze with a dark green patina. Mounted over a marble base.