Porcelain Figural Centrepiece of the Three Graces, Marked

Cute Italian bronze figure of a pigtailed little girl laying on her belly with her legs crossed enjoying a book. Weathered patina. Early 20th c...

A unique modern style hand-forged wrought iron tree form centerpiece with 12 hand-polished rock crystal spheres in various sizes. Each rock crystal sphere are resting on individual s...

Set of three graduated flower table decorations centered by a Quartz geode, supported by chrome rod, all resting on square marble bases. Large Flower Dimensions: H. 27" x W. 5.25"...

Attractive antique French terracotta and carved marble figural tazza-form centerpiece, circa 1900. A hand carved marble bowl rests over a terracotta sculpture depicting three finely sculpted frolicking standing putti, raised on a beautiful round marble plinth...

Moulded in a dense body in typical muses modeller style and with slightly drab glaze. She stands by a fruiting vinestock and carries an open basket of grapes in her right hand, her e...

A very good quality late 19th Century Vienna porcelain style charger, having wonderful classical scrolling gilded decoration to the boarders, with a scene depicting the 'Three Graces...

Nicely modeled standing on a tree trunk.

Scappino, or Scapin, a zany (zanni) character from the commedia dell'arte: a buffoon, schemer and scoundrel, and the title character in Molière's Les Fourberies de Scapin, first staged in 1671. The Bow figure shows him standing to right against a tree stump, right leg forward; right arm concealed in a tabarro (cape), and a mask in his left hand. He wears a white doublet, gilt frogged in the Hungarian manner, neck ruff, pale yellow-washed breeches above buckled shoes; a pouch on a red-brown strap and a dagger in a scabbard at the waist. Low square plinth base washed in typical pale Bow ‘lettuce’ green. No discernible translucency. H. 5.0 in (12.6 cm). Provenance: Taylor Collection; Simon Spero London, 2008; the Faith and Dewayne Perry Collection. The Scapino figure was presumably based on the Meissen modelled 1743-45 by Peter Reinicke, assisted by Käendler, and from the series produced for Johann Adlf II, Duke of Weissenfels, after an engraving by Francois Joullain (1662-1753) for Riccobin’s Historie du Théatre Italien, 1728. The modelling and features of the Bow figure suggest the work of the ‘Muses Modeller’, and the pallete, gilding and detail are also those of the muses modeller figures. This figure illustrated Bradshaw, 1992, as circa 1753, Plate 10 (A12), p.64. Scapino is depicted musically in William...