Two Large Sculpted Marble Relief Plaques of St John and St James

This charming set of three antique German plaques are each cast from high quality 19th century iron, meaning that the detailing on them is of a very hig...

Four antique bronze plaques depicting water-nymphs, by Ferdinand Barbedienne French, 19th century. Measures: Height 47cm, width 12cm, depth 2.5cm Finely cast in relief from patinated bronze with parcel gilt patina, these French 19th Century panels each depict a Classical female water-nymph. The relief structure and design is after four panels from the important marble fountain from the Renaissance period in Paris called the Fontaine des Innocents. This was created by the French sculptor Jean Goujon...

Large antique sculpted marble figure of Caesar Augustus Italian, early 20th century Measures: Height 186cm, width 118cm, depth 44cm Known as the ‘Augustus of Prima Porta,’ the o...

These elegant enamel plaques was painted in Limoges, a town in the south-west of France. While Limoges was highly regarded for its painted enamel wares in the 15th Century, in the following periods there was a decline in production. In the mid-19th Century, however, items like this pair began to be created, reviving the techniques of enamel painting that were perfected in the medieval period. The plaques depict two women, both with wavy blonde shoulder-length hair, and similar facial features. The women may be sisters, possibly even twins. One woman wears a pale pink dress...

A monumental 19th century French hand carved white marble architectural bas-relief depicting two floating cherubs / cupids supporting a cartouche. The cartouche centered by a detaile...

Superb in conception and execution, this pair of terra cotta plaques, depicting the pairing of a harp and guitar in the manner of Gris or Braque, is...

Pair bronze relief wall plaques framed woman with cherub. By Boston Metallic Compression Casting Co. Who ever re-framed in the 1994 included a rubbin...

Polished brass pair of herons in flight wall hanging after C. Jere