Large Marble Sculpture of a Fisherman boy by professor Lot Torelli

Fine 19th century white carved marble bust of a gentleman with mustache wearing a Toga. Signed: Randolph Rogers, Rome. Randolph John Rogers (July 6, 1825, Waterloo, New York – January 15, 1892, Rome, Italy) was an American Neoclassical sculptor. An expatriate who lived most of his life in Italy, his works ranged from popular subjects to major commissions, including the Columbus Doors at the U.S. Capitol and American Civil War monuments. Born in Waterloo, New York, he spent most of his childhood in Ann Arbor, Michigan. He developed an interest in wood cuts and wood engraving, and moved to New York City about 1847, but was unsuccessful in finding employment as an engraver. While working as a clerk in a dry-goods store, his employers discovered his native talent as a sculptor and provided funds for him to travel to Italy. He began study in Florence in 1848, where he studied briefly under Lorenzo Bartolini. He then opened a studio in Rome in 1851. He resided in that city until his death in 1892. He began his career carving statues of children and portrait busts of tourists. He was not happy working with marble consequently all his marble statues were copied in his studio by Italian artisans under his supervision, from an original produced by him in another material. This also enabled him to profit from his popular works. His first large-scale work was Ruth Gleaning...

A magnificent 19th century Italian carved marble figure of the son of William Tell kneeling under a tree trunk with a punched apple above his head. Raised on a contemporary solid marble pedestal. By Pasquale Romanelli (1812-1887) This model is recorded as the first sculpture exhibited by Pasquale Romanelli, it met with such success that it was subsequently given a prize at the New York Exhibition of 1854 and also at the 1861 first Great Italian exhibition which followed the Unification of Italy in 1860. The statue was bought by Italian king S.M. Vittorio Emanuele II. Signed: Romanelli, circa 1860 Dimensions: Height with pedestal 70.5" (179 cm) Diameter with pedestal 24" (61 cm) Height of sculpture 41.5" (105 cm) Diameter of sculpture 22" (55 cm) Pasquale Romanelli was born in Florence on May 28 1812. When he was 15 years old he entered the studio runned by Master Sculptor Luigi Pampaloni and later moved to Lorenzo Bartolini’s studio in Borgo San Frediano. Lorenzo Bartolini was a teacher at Accademia in 1837 and suggested the young pupil to attend proper sculpture training at the Accademia of Belle Arti. Soon he learned to sculpt in marble at such a high level that Bartolini himself did not need to finish his pieces if they have been carved by Pasquale. In 1840 he got his studio at the San Barnaba Monastry (nearby San Lorenzo church) and in this years he already took part in the political life, sure enough his subjects were connected to his political IDEA of freedom and independence of Italy. In 1850 Lorenzo Bartolini died his heirs had to deal with several sculptures uncompleted and sort out how to finish them without distorting either the original project and the Master’s style. As Bartolini was very jealous of his “last touch”, the heirs chose Pasquale Romanelli to complete most of his works, as he was the only assistant that could match the ability of the master. Just to mention some of this works, according to the tradition, the famous sculpture ”La fiducia in Dio” now housed at Hermitage Museum was sculpted by Pasquale Romanelli from an original model by Bartolini, as well as the “Monumento Demidoff” placed in Piazza Demidoff in Florence. Till the end of his life he worked on several commissions, either public monuments as the sculpture Francesco Ferrucci (Portico degli Uffizi) and private ones, mostly sold abroad. He was a renown portraitist and according to the tradition, luxury carriage...

This enchanting museum quality Carrara marble group is the work of Edward Russell Thaxter (born Yarmouth, ME 1857-died Naples, Italy 1881). The sculpture depicts a young girl sternly scolds her cat, who has just attacked a bird's nest. She clutches the cat to her chest and looks at it disapprovingly, while waving her hand in discipline. Meanwhile, a dead bird lies at her feet and feathers hang limply from the cat’s mouth. This scene is a prelude to the responsibilities of motherhood: the young girl who is now reprimanding her cat will have to ensure that her own children are well behaved in the future. The sculpture rests on a dark green serpentine marble pedestal. Although Edward Thaxter's life was short, he excelled in creating detailed neoclassical sculpture. Signed: E. R. Thaxter Titled: Reproof Circa 1878-1880 Measures: Height with pedestal 76" (193 cm) Height of sculpture 40" (101 cm) Another example of this marble figure is in the Smithsonian National Museum in Washington DC. Artist biography: Edward Russell Thaxter was only twenty-four years old when he died, but in his brief career as a sculptor he garnered praise for his work and was deemed an artist with a promising future. Born in Yarmouth, Maine, he is believed to have chosen to study sculpture after seeing the work of John Rogers. At the age of sixteen, Thaxter moved to Boston and studied with the portrait sculptor John D. Perry. In 1878 Thaxter left for Florence, Italy, where he took a studio and began to create the neoclassical works that won him critical attention. In 1881 he contracted typhoid fever, which left him in a weakened condition, and within the year the young sculptor died in Naples. Thaxter's untimely death was noted with genuine regret in the American press. The critic James Jackson...

A sculpture by Orazio Andreoni from the late 19th to early 20th century portraying a veiled Cupid exudes an exquisite blend of classical artistry and romantic allure. Andreoni, known...

Date: 19th century Origin: Italian Dimension: 32 in. x 15 in.

A very fine Italian 19th century carved carrara marble sculpture Group Titled "LA GIOIA NELL'INNOCENZA DOPO IL LAVORO" (The Joy of Innocence After Labour) by Professor Raffaele Belliazzi (Italian, 1835-1917). The slender figure of the young boy, seated and resting on a rock with his hanging legs crossed and joyfully eating a cluster of grapes picked from his hat that is resting on his lap. The intricate carving of his shirt, jacket, pants, hat and boots with fine attention details such at the stitching, buttons, the hem on his pants, the wear on the soles of his boots and the features on his face makes this one of Belliazzi's finest known works. The sculpure rests on a dark green serpentine marble pedestal with a rotating top. Signed: Profor. Belliazzi, Carrara. Florence, circa 1870-1880. It may be possible to identify the present marble sculpture of a boy eating grapes...

Dimensions: H x W x D: 55 x 65 x 16 cm Description: Large depiction of a fisherman hauling in a filled net. The cast metal figure rests on a slab of black marble and white onyx. A y...

A masterfully carved wooden sculpture of a professor with books sitting on a chair. Beautifully made in details, this adorable sculpture will decorate any room - office, library, liv...