Other Mounted Objects

Brutalist wall sculpture in the manner of Curtis C. Jere / Silas Seandel / Tony Melendy. Signed by artist, but unable to make out their name.

Rito Rock Installation Sculpture by Andres Monnier Unique Piece. Dimensions: D 78 x W 78 x H 200 cm. Materials: Travertine. Treko Concrete is a...

Wooden cross Guanajuato, Mexico Wood, paint 22 x 13 inches, (56 cm x 33 cm) 18th century A wonderful old wooden cross with a painted crucified Christ figure, an angel, possibly Mary Magdelene...

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

A huge witches broom burl from a very old conifer tree with massive proportions and beautifully aged color and surface mounted on a circular iron base. A s...

Psicodelia Sconce by Andres Monnier Dimensions: D 130 x W 15 x H 40 cm Materials: black marble Andrés Monnier, born in Guadalajara but based in Ensenad...

Rusted dreams - sculpture by Atelier Haute Cuisine Dimensions: 200 x 200 cm Materials: Iron Atelier Haute Cuisine transformed an old swimming po...

Statuette of the Madonna embellished with 18 kt gold and precious stones, Italy, 1980. Made by a goldsmith craftsman relative of mine who created a unique object. He used 18K gold, ...

A large fantastic wood 'scholar's rock' The formation of natural knots, gnarled and twisted projections Of the variety greyish brown-toned wood, imitating a vertical scholar’s rock. Much appreciated by Chinese scholars for contemplation, artistic and poetic inspiration. Also in the west these fantastic wood formations resembling organic microcosm habitat Never stopped to inspire some surrealist artists like Max Ernst or Frantisek Muzika. Measures: 27¾" in. (70.5cm.) high. Approx. 10" in. (25.5 cm.) wide, 7" in. (17.5 cm.) deep. On soft wood stand. For comparison see Christie’s sale NY, 19 Sep 2002, lot 104 “Fine Chinese Archaic bronzes...

Lustrous Pyrite Cube on Marl Matrix Rock Specimen from Spain Weight: 121.53 Gram DIM: 4.3 x 4.1 x 4.8 Cm Origin: Spain The mineral pyrite, or iron pyrite, also known as fool's gol...

A pair of 18th century Italian gold leaf church altar vases decorated with fossil shells, siliquaria, and natural forming baroque pearls. The vases originally came from a church in A...

Urbmon 802 Wall Hanging Sculpture by Chandler McLellan Dimensions: W 35 x H 119,4 cm. Materials: Walnut. Various sizes are available by commission. Price will depend on size. 119,4...

Threebù 3 Flame Red Totem by Marcantonio Dimensions: D 45 x W 45 x H 135 cm. Materials: Polyethylene and metal. Weight: 12,5 kg. Available in different color options. Prices may var...

Courtesy Frame Wall Decoration by Laboratorio Dimensions: D 15 x W 55 x H 60 cm. Materials: Satin/galvanized steel and Calacatta Red marble. Laboratorio is a container where ideas a...

Incredible AIRIN CANEDO multimaterials sculpture circa 1990.

Pendulum pendant sculpture by Vaust Open edition Dimensions: D 25 x H 18 cm Materials: artificial stone hand carved Also available: Custom material selection can be offered upon request and after approval by designer. Hand moulded concrete pendant sculpture. A pebble referencing the exposed...

Core 2 wine bottle holders by Christian Zahr Dimensions: W 29 x D 11 x H 29 cm Materials: Concrete Each piece is handmade. Core 2 wine bottle holders is the fruit of a resear...

Set of 3 particules elémentaires wall sculptures by Léontine Furcy. Unique pieces. Materials: Rough chamotte white sandstone, and raw chamotte red oxide back. Dimensions: Red: L...

Handmade red Rami Sospesi sculpture by Le Meduse Unique piece Dimensions: W 50, D 60, H 78 cm Materials: Buxus wood painted Each model is unique because it is handmade, it can ...

Handmade Dischi Volanti sculpture by Le Meduse Unique piece Dimensions: W 25, D 40, H 160 cm Materials: iron painted. Each model is unique because it is handmade, it can be rep...

Handmade Red Rami Sospesi sculpture by Le Meduse Unique piece Dimensions: W 50, D 60, H 78 cm Materials: Buxus wood painted Each model is unique because it is handmade, it can ...

Particules Elémentaires Tribu 85.22 Wall Sculpture by Léontine Furcy Unique piece. Materials: Rough chamotte white sandstone, black pencil decor oxide back. Dimensions: L 13 x H 1...

The very bearable lightness of bronze - Big sculpture by Atelier Haute Cuisine Dimensions: 220 x 205 x 180 cm, 150 x 120 x 130 cm Materials: Fiberglass Atelier Haute Cuisine was ins...

Set Of 6 Long Flat Decorative Objects by Mylene Niedzialkowski Dimensions: Between 8 and 30 cm approximately. Materials: Raw brass. Long flat jewelry in solid brass, handmade and de...

The very bearable lightness of bronze - Sculpture by Atelier Haute Cuisine Dimensions: 150 x 120 x 130 cm Materials: Fiberglass Also available: Big size. Atelier Haute Cuisin...

The Very Bearable Lightness of Bronze - Big Sculpture by Atelier Haute Cuisine Dimensions: 220 x 205 x 180 cm Materials: Fiberglass Also Available: smal...