Pan and the Infant Bacchus, 19th century (after the Antique)

A Gilt-Bronze Group of the Infant Bacchus After Clodion, Late 19th Century Proven...

AFTER PRAXITELES Greek c.400-330BCE The original of this imposing group, was rescued from obscurity in the 16th century and became the basis of numerous copies in bronze, marble and ...

Bronze After the antique, Le Discobole, green patina

19th Century (Mid) Terra Cotta Bust Bacchus. Beautiful piece purchased in France. Age appropriate wear, see detailed photos or message us with questions.

More information coming soon… Entitled Le Triomphe de Bacchus (The Triumph of Bacchus), this terra cotta sculpture from the 1800s is after Claude Michel, aka Clodion. The grouping ...

Patinated terracotta group featuring Bacchus as a child accompanied by three Bacchantes as they celebrate the harvesting of grapes. The Bacchantes, wearing flowing stolas and grapevi...

Antique patinated bronze figures of laughing and crying infants after the original models by Jean-Antoine Houdon (1741-1828). Each in good condition with chip losses to the circular...

A very pleasing 19th century French Bacchus influenced bronze group, depicting two putti playing with a ram, garlands of vine leaves and grapes. Signed.

19th Century Cast Iron Bacchus Doorstop Antique Bacchus Cast-Iron Doorstop he is Bearded and has a Great Cornucopia Top this is a rare piece dating f...

Mid-19th century over life-size carved marble statue of Michelangelo's "Bacchus". Grand Tour copy through the "Point To Point" method directly from the original keeping its masterful proportions and Fine details in an exact size to Michelangelo's work. We have never seen a 19th century copy of this Renaissance Masterpiece of this size and are quite fortunate to be responsible for its stewardship until purchase by a discerning collector The original "Bacchus" is a marble sculpture by the master, Michelangelo, created circa 1496 when the artist was 21. This statue was originally commissioned by Cardinal Raffaele Riario. However, it was rejected by him and eventually found its way to Jacopo Galli, Cardinal Riario’s banker and a friend of the sculptor, who purchased it in 1506. Some 66 years later it was bought for the Medici and transferred to the royal house in Florence, Italy. Currently it can be viewed at the Museo Nazionale del Bargello in Florence. It is one of just two sculptures surviving Michelangelo’s initial period in Rome, with the other being Pieta. The artwork: This somewhat oversized...