1920s Sculptures

French Art Deco ceramic fox sculpture by Gustave Gillot (1888-1965) for Berlot-Mussier), France, 1920s. Illustration of the fable "The Fox and the Grape" by Jean de La Fontaine. Heig...

Classic 1920s adjustable height leather and cast iron pommel gym horse, amazing design, proportion and patina. Retains original 'HORSE-HOOF" feet, adjustable height from 26" to 40", cast iron wheels signed and dated 1921, Hamilton Caster mfg co, perfect for home gym...

Signed on the side of the base, "F. Flacone" and "Orientale 1800", dated "1925". Carved out inscription on the bottom of the base, "Chiavari". (Chiavari is a small town in the Pro...

German Art Deco Joseph Franz Pallenberg Bear Patinated Bronze ca. 1920’s Signed “Jos. Pallenberg”. Black patina, original black marble base. Dimensions: Height: 8 inches (...

Vietnamese Art Deco Lacquered Bronze Bust of Asian Woman by Nguen Than, Ca. 1920 Signed by the artist. DIMENSIONS Height: 7 inches Width: 3.5 inches Depth: 3 inches ABOUT SCULPTUR...

French Art Deco antelope ceramic sculpture by Charles LEMANCEAU at Sainte-Radegonde, France, 1920s. Width: 13.4"(34cm), Height: 10.6"(27cm), Depth : 2.75"(7cm). Marked "Se Radegonde"...

French Art Deco Ceramic Valkyrie Sculpture by Charles LEMANCEAU at Saint-Clement's, France, 1920s. Width: 22.6"(58cm), Height: 15.2"(38cm), Depth: 5.7"(15cm). Signed "Lemanceau" on t...

Rare Art Deco Goldscheider ceramics figurine The dancer wears a blue-green dance dress cut low in front and at the back with a wide, short skirt...

Lovely Art Deco shy naked women made of bronze and mounted over a green marble base. It is signed L. Betti and foundry Etling Paris. Perfect piece of Autom...

Young bear bronze figure. Probably paperweight or car mascot - hood ornament. Very nice details. Very good foundry quality, with original brown patina.

Very rare Viennese ceramic figure from the late 1920s: Young, fancy dancer in a tight costume with a shoulderless and backless top held by a pearl necklace and short harem pants, bl...

Rare French Art Deco bronze & oak crucifix from the Sainte-Claire de Mur de Barrez monastery (Poor Clares, read below), France, 1920s. Close to the work of Ateliers de Marolles. Heig...

French Art Deco ceramic fish sculpture by Santiago Rodriguez Bonome, France, 1920s. Superb work with Bonome's specific colors : green, red and blue. Height: 15.6"(39.5cm) , Width: 14...

Very stylized French Art Deco terracotta sculpture by Jean-Charles GUERO, France, 1920s. Young lady bust. Height : 14.4"(36.5cm), Width : 12.2"(31cm), Depth : 7.1"(18cm). Signed "Gue...

Very rare Goldscheider Art Deco ceramic figure of the 1920's: Representation of a young variety dancer in pose. She wears a short, low-cut, blue ruffled dress, the skirt ends of whi...

Rare Goldscheider Art Déco ceramic figure of the 1920's: Depiction of a young vaudeville dancer posing in a short, low-cut, backless, light pink dress with ruffled flounces and a bow...

Impressive "high" Art Deco bronze dark-brown patinated sculpture of Pomona by Gustave Gillot (French, 1888-1965) of an excellent quality. Signed by the sculptor and stamped "Edition Pomona" on the plinth. Pomona, the ancient Roman goddess of fruit trees, gardens and orchards is watching over, protects and cares for their cultivation. Pomona is associated with the flourishing of the fruit trees, in artistic depictions she is generally shown with a platter of fruit or a cornucopia. A statue of Pomona is set atop the Pulitzer Fountain in Manhattan's Grand Army Plaza...

A large plaster sculpture of a Lioness and a Lion. Vivid details with a lot of 'movement' and muscularity. It is titled L' Affut (trans: lying ...

"Little Clown" by Demetre H. Chiparus (1886-1947). Bronze sculpture and marble base. Bryan Catley (1978) "Art Deco and Other Figures" p. 66.

French Art Deco terracotta sculpture by Ruth Milles (1873-1941), Carl Milles sister. School of Paris. France, 1927. "Suzanne", Breton character. Measures: Height 8.7" (22cm), width 5...

ART DECO PATINATED BRONZE TIGER A stunning patinated spelter sculpture of a fierce, roaring feline that embodies exceptional realism and expression. This masterpiece is expertly cra...

Ignacio Gallo (Spanish/French, 1850-1935) was a Spanish sculptor, who was active as a sculptor and engraver in Madrid and Paris in the interwar period. His works show animal scenes, ...

Rare Large Goldscheider Art Deco Ceramic Figurine of the 1920s: Young lady with short hairstyle in a short, low-cut strap dress with large floral decoration, posing lasciviously and...

Large French Art Deco golden eagle sculpture by ROLAS, France, 1920s. Spelter and marble. Height : 27.4"(69.5cm), Width : 18.5"(47cm), Depth : 9.6"(24.5cm). Some small bites on the ...

A rare model Franz Bergman Art Deco sculpture that will date to around 1925. Excellent condition with the enamelling to the base also being in excellent untouched original condition....

French Art Deco Terracotta Sculpture by Demetre Chiparus (1886-1947), France, 1920s. This exquisite French Art Deco terracotta sculpture, created by the renowned artist Demetre Chipa...

Very rare Art Deco goldscheider ceramics figurine The young lady with a brunette page-boy head, shown is the German actress Emmy Sturm (1900-1977), is wearing turquoise silk pajamas...

Signed “E. Seger”. Black patina. Dimensions Height: 8 inches (20cm) Width: 7.5 inches (18.75cm) Depth: 8.5 inches (21.25cm) THE BIBLE STORY Samuel 17:34-36 Originally, Saul would not allow David to fight Goliath (17:33). Saul’s reason was simply that Goliath would be stronger than David. David was young and he did not have the experience to fight such a capable enemy as Goliath. David was likely to die, and his death would benefit nobody. Often people wrongly imagine that they are acting in faith (in other words, that they are trusting God). Really, they are acting in a foolish manner, as if the danger is not real. They are not trusting in God, but in their own thoughts, hopes and desires. David’s reply to Saul shows us his attitudes. This reply explains clearly why David had offered to fight Goliath. In other words, it shows how David considered himself able to defeat Goliath. Like many boys and young men in Israel, David had worked as a shepherd. That is, he looked after sheep. He was responsible to look after those sheep in every way. In particular, he had to protect them from wild animals. Lions and bears are some of the fiercest large wild animals. They were common in Israel at the time of the Bible. They are much stronger than a man (see for example 1 Kings 13:24 and 2 Kings 2:24). Only the bravest and strongest men were able to kill a lion (Judges 14:5-6; 2 Samuel 23:20). However, David had killed both a lion and a bear. He had killed animals that were stronger than him. David did not believe that the strongest man would win the fight. David had a close relationship with God; he was trusting God to rescue him (17:37). David was not pretending that there was no danger. However, God’s Holy Spirit was active in David’s life (16:13). By the power of his Holy Spirit, God had given David the faith (trust in God) to fight Goliath. Because David really was trusting God, there was no reason for him to be afraid of Goliath. THE ARTIST Ernst Seger (1865 1939), born in Neurode (Nowa Ruda, now Poland), studied sculpturing from 1884 at the Kunstschule in Breslau under Robert Härtel. From 1886 he worked in the Atelier of Christian Behrens, where he created the Eichendorff-Memorial for the Silezian City of Neisse. From 1893 to 1894 Seger stayed in Paris where he worked in the atelier of Auguste Rodin. However, Seger finally chose a ‘Jugenstill’ and a more ‘naturalistic’ or ‘Neuklassizismus’ style. His sculptures, modelled like the Greek antiques, were later greatly admired by the National Socialists. At the end of 1894 Ernst Seger went back to Berlin, founded his own atelier and created the Kaiser Wilhelm I memorial for the Silesian City of Glatz. In 1897 Seger created the sculpture ‘Jugend’ (‘Youth’), which was displayed at the ‘Große Berliner Kunstausstellung’ in 1898, at the ‘Große Berliner Kunstausstellung’ in 1899, at the ‘Münchener Glaspalast Ausstellung’ in 1899 and at the ‘Münchener Glaspalast Ausstellung’ in 1908. As a sculptor Seger regarded this as his first relevant work, his breakthrough. A copy of the sculpture in bronze, 1.60 metres high, was placed in the ‘Scheitniger Park’ in Breslau (now Wroclaw). In 1898 Segers ‘Diana’, the Roman Goddess of the Hunt, the Moon and Childbirth, was unvealed in Park Szczytnicki, Breslau, Polen (earlier ‘Schneitniger Park’). Until 1945 the sculpture stayed in the Schneitniger Park, Breslau. This part of the park is still called ’Dianagarten’. After the turn of the century the elegant female dancers and nudes by Seger gained great popularity. In 1905 Ernst Seger created -together with the sculptor Bernhard Sehring- the ‘Bismarck Brunnen’ (‘Bismarck Fountain’) in Breslau. This memorial-fountain (which still exists) represents the allegories ‘Kampf’ and ‘Sieg’ (‘Battle and Victory’). Seger’s ‘Verwundete Amazone’ (‘Wounded Amazon’), displayed at the Grosse Münchner Kunstausstellung in the Glaspalast in 1908, was placed in the garden of the ‘Kaufhauses Wertheim’ in Berlin. In the same year he was appointed as a professor. Seger’s marble sculpture ‘Kypris’, created in 1916, was placed in the Alten Nationalgalerie in Berlin. In 1925 the City of Berlin acquired his sculpture ‘Anbetung’ and placed it at the Johannaplatz. ‘Storchenbrunnen’ (‘Stork-fountain’), was placed in 1931 at the Adolf-Scheidt-Platz in Berlin. In 1935 the American newspaper publisher William Randolph Hearst bought Seger’s sleeping ‘Ganymede’. During the Third Reich Ernst Seger was commissioned numerous Hitler busts...

"Saint Thérèse de Lisieux" by Demetre H. Chiparus (1886-1947). Bronze and ivory on marble base. Alberto Shayo (2016) "Chiparus Master of Art Deco" p. ...

Goldscheider Spanish dancer with a fan signed by Joseph Lorenzl, Austria, 1922. Model 5232.

Dancer in an oriental costume with traditional Korean looking headdress, with raised, bent legs and arms performing a dance pose, a Chinese pagoda leaning against her leg. The figure...

About ‘VICTORY OF BOGOTA Henri Louis Bouchard was an important French Romantic sculptor, known for works commemorating heroic moments in the hist...

Admirable Rosenthal figurine group by Josef Limburg Manufactory: Rosenthal / Selb / Bavaria / Germany Dating: manufactured circa 1925 Material and technique: porcelain / chinaware / painted / glossy finish Design: Josef Limburg 1923 'Young Love' Two naked cherubs kissing each other; a seated putto hugs the second boy crawling towards him and kisses him on the mouth; modest painting; The group of figures is based on a flat rock...

Exceptional Art Déco Goldscheider Figurine by Josef Lorenzl The young man dressed as a jester with a fool's cap sits on a green base. An owl sits on his left outstretched hand. With the right index finger raised, the fool seems to regulate the bird. Referring to his name, 'Eulenspiegel', which literally translated means: 'owl mirror...

A double figurine cast bronze of a guy in chains below a nude girl holding him in chains. Title is (the repatriation of LLDA) mixed patina finish on black/gold marble base. Heavy cas...

Eugene (Jenő) Körmendi-Frim (1889–1959) was a renowned Hungarian-American sculptor, coming from a family of artists. His brother, Erwin Kormendi-Frim (1885 – 1939) was famous Hungarian painter known for his still life’s and portraits in a style developed under the influence of Cézanne. His cousin was Philip Alexius de László, (Hungarian: László Fülöp Elek, 1869 –1937), an Anglo-Hungarian painter known particularly for his portraits of royal and aristocratic personages. Eugene (Jenő) studied at the Academy of Budapest, and then traveled to Paris to work with Auguste Rodin and Jean Paul Lorenz. In 1939, he visited America for the New York World’s Fair with his wife, Elizabeth, a painter and ceramist. During their tour, World War II broke out in Eastern Europe and they were unable to return home. Eugene found a position as sculptor-in-residence at Notre Dame University that allowed them to stay in the United States. He created many statues while at the university, including a war memorial in Valparaiso, Indiana, and a twenty-two foot-statue depicting Christ as the “Light of the World...

A good size deco figurine of a ballerina standing on one foot. Has part of one finger missing. Measures: Height at 20 3/4" and 16" long. Base is signed by the artist D.Alonzo circa 1...

Rarest Goldscheider Vienna figurine Veil Dance Model 5570 by Stephan Dakon circa 1926, 14.17 inches Designed by Stephan DAKON (1904-1992) / one of most important designers having been active for Goldscheider manufactory in period of 1920-1940 / design of this model circa 1926. Manufactured circa 1926 Model number 5570 / 45 / 8 Marks: Goldscheider Wien (= Vienna) stamp mark existing. Made in Austria / Hand-decorated Painter's sign D1 III M - additional mark after 1925 Signature of modeller 'Dakon' on the back of the base Subject: 'VEIL DANCE' lady in elegant dance pose The lady dancer is holding a long piece of cloth, the veil, on both ends with nearly outstretched arms. The fabric forms a long loop that is reaching down to the floor. She tilts her upper body slightly to the left and with her head in laid back position she is looking down with nearly closed eyes. The dancer is clad in a one-piece suit...

Art Deco sculpture called Diana with Fawns. Made of bronze, silver plated and patina in brown and green. Made by Marcel André Bouraine (1886-1948). Sign...

Vase in Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that ...

Rare Goldscheider Art Deco ceramic figure of the 1920's: Representation of a dancer in pose. She wears a headdress that tapers to a point at the front and frames her face, and a sh...

Large nude Le Bertetti Turin, executed by Clelia Le Bertetti figure no. 13 signed at the base.

Rare goldscheider figure of the 1920s: The standing dancer wears a pink cylinder hat on her short brown locks. The flower-patterned top of her costume is tight-fitting and sleeveless. Tilting her head slightly to the right, she pulls up her shoulders and lifts the front hem of the frilled skirt...

French Art Deco stoneware bear by Paul MILET, 8, rue Troyon, Sèvres, France, 1920s. Height : 32.5cm - 12.8 in. , Width : 34cm - 13.4 in., Depth : 13.5cm-5.3in. A pinhead lack of cove...

Art Deco silvered bronze sculptural group with two female putti figures reclining together in an embrace, surrounded by flowers and filigree. Sculpture has a beautiful silver finish, and rests on the original rouge marble base. Signed on the right front “Raphael Peyre”; and foundry mark “B.L. Paris” with “Cire Perdue” (lost wax) in an oval cartouche in the back. The piece is very heavy (51 pounds), crating recommended for shipment. Charles Raphaël Peyre...

Rare Goldscheider Art Deco ceramic figure of the 1920's: Posing, graceful dancer in oriental costume: short-sleeved, belly-free top, floor-length, wide skirt and headscarf playing a...

Rene Lalique clear & frosted glass 'Tete De Paon' car mascot. This model features the head of a peacock. The bird is mounted onto a rectangular, black glass base. Moulded maker's mar...

French Art Deco couple of does by Charles LEMANCEAU at Saint-Clément's for Le Bon Marché, France, 1920s. Illustrated in the Saint-Clément's catalog, 1925, page #1 under the number #1...

the first was modelled as a female nude with a robe draped over her shoulder, 44cm high, signed R Cameron Like Asian Yin and Yang, this large erotic sculpture merges masculine Renais...

Finest Viennese ceramic art from the 1920s: The standing young lady holds a black mask in front of her in her folded hands and looks dreamily to the side. She wears a blue and rose two-piece suit with a slouchy top and ruff...

Very rare Goldscheider Vienna Figurine of the 1920s A standing dancer looking to the side with arms crossed and raised in front of her is shown. The young lady wears a Russian costume, decorated with elaborate blue embroidery, with a high fur cap and a highly tailored, fur-lined coat with wide sleeves, tight trousers and high, black heeled boots...

Art Deco or Cubist Bronze sculpture of a French bulldog bookend or paperweight. Made of bronze, mounted over a marble base. Made in France, 19...

Exceptional Art Deco Goldscheider figurine by Josef Lorenzl. Designed by Josef Lorenzl (1892-1950), one of the most important designers having been active for Goldscheider manufactory in the period of 1920-1940. Model 5193 was created 1923-1924. Made circa 1925-1930 Specifications: The young man dressed as a jester with a fool's cap sits on a black base. An owl sits on his left outstretched hand. With the right index finger raised, the fool seems to regulate the bird. Referring to his name, 'Eulenspiegel', which literally translated means: 'owl mirror...

Rare Art Ceramic Figure of the 1920s: Depiction of a young musician dressed as Pierrette, sitting on a pedestal with her lute, wearing a wide red costume with knee-length harem pants...

A rare art deco Royal Doulton pottery speaker cover made for Artandia Limited mounted with a cockatoo and designed by renowned artist Charles No...

Rene lalique opalescent glass 'naiade' statuette. Grey stained details. Features a naiad crouching, holding a shell(?) up to her ear. In Greek mythology, the naiads are a type of fem...

Stags by Lejan, France, 1920s. Ceramic. Successful aesthetic shape, for a model that very rarely appears on the marketplace. Measures: Width: 24"(60.7cm), height: 13"(33cm), depth: 5...

Rare Goldscheider Ceramics Figure of the 1920s. Representation of a young dancer in a knee-length dress with a white flounce neckline, elaborate...