1930s Sculptures

One of the rarest and most classic Art Deco sculptures ever produced in 1930s America, this striking Polo Player, complete with his original polo mallet, was sculpted by Waylande Gre...

Roger Fabian Ceramic Art deco Ram head Artist Roger Favin Ceramic sculpture Art deco Ram head Circa 1930 Origin France Very good condition- Small restoration on one horn but very wel...

French Art Deco hunter and panther. Bronze figures sitting on green onyx marble and portoro marble.

Almost Brancusi-esque in its sleek economy of form, this very rare porcelain sculpture was created by the Primavera workshop, and depicts a lean, vertical pigeon with a discreet spra...

Amphora, Czechoslovakia. Hand-painted porcelain figurine of a lioness on the rock. 1930/40's. Measures: 22 x 17 cm. In excellent condition. Stamped.

- Porcelain man playing the lute - By Czechoslovakia factory RAKO,which no exists today(1883-2004) - Figure is dated around 1930-1940 - Nice mantel pi...

Murano sculpture by Flavio Poli Origin Italy Circa 1936 Dancing couple Made for Seguzzo Vitreria Excellent condition and unrestored Technique: Blown glass with gold inclusions Flavio...

Sevres pair of pigeons (Vinsare) origin France Art Deco period in perfect condition circa 1930.

Maxime Real del Sarte (1888-1954) for Sevres. Art Deco sculpture of a young woman in glazed ceramics, 1930s. Measures: 25 x 13.5 cm. Signed. In very good condition.

This remarkable ceramic sculpture, probably the best work of Elisabeth Andersen Seaver, one of the famous Cleveland School ceramicists -- depicts an Indian chief with full feather he...

A fabulous early 20th Century Art Deco cold painted bronze figure of a naked dancer in an elegant flowing pose, exhibiting excellent colour and fine hand finished detail, raised on a green onyx base and signed Lorenzl Additional Information Measures: Height: 25 cm Width: 11 cm Depth: 7 cm Condition: Excellent Original Condition Circa: 1925 Materials: Cold painted Bronze & Green Onyx Book Ref Art Deco and Other Figures by Bryan Catley Page No: 225 ABOUT Lorenzl Fleur Josef Lorenzl, Austrian 1892 ~ 1950 Lorenzl Fleur – When looking to the designs of the Art Deco period one talented sculptor and ceramist that cannot be ignored is Josef Lorenzl. A master designer, his bronze statuettes and ceramic figural work epitomise the era perfectly. As with Preiss, Chiparus and Colinet the other great sculptors from this period, Lorenzl was inspired by the female form and the new found freedom that women enjoyed, which he executed beautifully both in his bronze and ceramic designs. Pictured right: A Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory...

Made in Czechoslovakia Made of Ceramic Re-polished Labeled Original condition

Joseph J. Emmanuel (Descomps) Cormier (1869-1950.) 'La Chaîne' a patinated bronze sculpture of woman and child, 1930s, raised on a marble base. Signed J.D. Cormier and stamped 4/...

KLOSTER : Asian Elephant Patinated bronze sculpture showing a standing elephant Signed "KLOSTER" on the base Art Deco period, circa 1930 Probably Switzerland Dimensions: Height...

Beautifully sculpted and highly dramatic, this pair of large Art Deco sculptures in creamy alabaster depict two female nude figures resting on leafy tree boughs, their hair streaming...

Austrian Art Deco Sier Kunst Bull Wood & Brass Sculpture in Haguenauer Manner ca. 1930 DETAILS Marked ‘SK’ in a triangle for Sier Kunst and ‘Made In Aus...

Art Deco Ibex or Ram bookends, signed by the sculptor Max Le Verrier. The bookends are in green and black patinated art metal, France 1930. Literature: Art Deco sculpture by Vic...

Porcelain statue of 3 dancing ladies. Mounted as a lamp High quality glazed porcelain Period 1930-1940 Fraureuth Kunstabteiling Germany Signed on the bottom of the piece Height ...

Illustrated in "Ceramiche Robj" and considered a major design by the renowned sculptor and ceramicist, this large piece was probably made in early 1930s to coincide with the debut of the Exposition Coloniale Internationale in Paris, which attracted almost 9 million visitors in less than a year. Rare and striking, this porcelain table lamp base depicts the globe surmounted by a tightly composed cluster of nude and semi-nude female figures representing cultures around the world. The women depicted here, all glazed in a gorgeous snow-white glaze highlighted in gold, are clearly representing a range of nations in Asia and Africa, probably coinciding with the nations that were part of the French Colonial Empire in the 1930s, before they won their freedom. Much like the one surviving building from the Exposition, now the Cité nationale de l'histoire de l'immigration, which features a massive bas relief mural...

Clearly influenced by the affectionate depictions of working Americans in the Midwest and the South by Social Realists such as Thomas Hart Benton and James Daugherty, this rare sculpture of a Black male figure with banjo was produced by the Shearwater Pottery...

French Art Deco bookends Young Satyrs by C. Charles on marble base, 1930 Lovely pair of Art Deco bookends with lying young satyrs by the French artist C. Charles. These wonderful, pl...

Monumental and dignified, this pair of Art Deco sculptures depict a shepherd and shepherdess, crisply shaped and stylized like the best of 1930s public sculpture, and painted in rich but subdued colors with an effect like sun-bleached stucco. It is our estimation that they were sculpted by Geza De Vegh, the Hungarian-American sculptor who created a range of pieces for the Lenox and Lamberton Scammell porcelain works, both in Trenton, New Jersey, as well as a group of rare ceramic pieces for the Phoenix Company. Importantly, De Vegh's work was very popular among set designers and art directors in Hollywood. His works are evident in the background of important Bette Davis films such as "The Letter," art directed by Carl Weyl; and "Now Voyager...

Stylized and reductive, this beautiful 1930s-vintage ceramic sculpture depicts a sitting mother holding her child very close, her legs crossed...

More of an indictment of the Spanish conquest of North America than a celebration, this quite extraordinary, large bronze inkwell depicts a Conquistador, holding sword and whip, seat...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Georges Henri Tribout (1884-1962). French Art Deco table Lamp in patinated bronze, depicting a seated nude woman holding the reflector cone, mounted on a two-tiered onyx base, Sign...

Two original Art Deco ceramic bookends depicting lion heads, attributed to Jan Schonk who designed for Royal pottery factory Gouda.

Entirely charming and whimsical, the anonymous sculptor of "Pan with Rabbit" has created a masterful portrait of a rotund Pan beguiling a woodland rabbit. Carved from a cylinder of r...

Art Deco Norman Bel Geddes American Magazine Rack, Newspaper Stand made in the 1930s. A chrome-plated stainless steel magazine rack with tension spring holder, metal loop handle sit...

French 1940s Majolica stylized horse with extended legs & head arched towards back in pale blue with white mane & tail (att: PRIMIVERA/GAUDIN)

Aqua blue molded glass tileby Napoleone Martinuzzi (1892-1977) circa 1930 for Venini, molded mark 'NM', depicting a wounded gazelle . An example of this model was employed in a flo...

Unique and powerful, this large plaster maquette for a major monument memorializing the dead, perhaps soldiers lost in World War I, features a trio of Art Deco angels...

- Very unusual set of lady in the lily bowl - Possible air humidifier - At the bottom of the figure are holes for air to come out of the water.    

- Made in Czechoslovakia - Made of terracotta - Author August Otto born 1868 in Oeslau near Coburg, died 1947. - From 1891 to 1915 he was a modeller in th...

This unique Art Deco sculpture -- carved, not molded -- depicts a highly-stylized goat figure with the ears of a satyr rearing up over a mound of Art Deco tendrils. The mythological feeling of the goat is reminiscent of the animals that romped to the strains of Beethoven's Sixth Symphony in "Fantasia," and the detail is very fine. This piece, though not signed, comes from an artist from the Cleveland...

Art Deco large sculpture in ceramic of a Mother and Child by Belgian sculpture, Georges Wasterlain. Glazed reddish-brown stoneware with no chips or d...

Painted and glazed ceramic figures, 1930s. One of them is signed. They are vintage pieces, therefore they might show slight traces of use, but they can be considered as in excellent...

- Material terracotta, hand painted, about 100 years old - Author August Otto was born in 1868 in Oeslau near Coburg, he died in 1947. From 1891 to 1915 he was a modeller in the ter...

Incredible Royal Copenhagen Art Deco porcelain circa 1930 bear vase.

Gracefully posing dancer with head tilted to the right, tight-fitting top with bustier and floor-length, wide, front-slit, beige skirt with poppy decoration, holding it up with the arms on both sides like butterfly wings, so that the right leg placed forward can be seen through the opening. On beige oval base with light green painting...

Ernestine Sirine-Real (1899-1994) "Art Deco Bust of a man", plaster, circa 1930. May be her husband the painter Charles Real (1898-1979).

Art deco bronze dancing girl on marble base, signed KJ.

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Salviati & C Measures: Violet : 33 long x 10 high x 5.5 depth Green: 30 long x 9 high x 5.5 depth The lawyer Antonio Salviati and his dream In 1859 in his premises at Number 731 of Dorsoduro, Venice the “Salviati Dott. Antonio fu Bartolomeo” company was established. This is when, Vicenza-born lawyer Antonio Salviati started the entrepreneurial career, moved by a passion for the precious mosaics of the Basilica of San Marco and fascinated by Murano glass art, he decided to start-up his own production of mosaics and objects in Murano glass. An ambitious and far-sighted goal pushed him along this path: to revive the fate of Murano glass production that has been fallen for decades. A challenge which finds the maximum support from two fundamental figures in the history of Murano glass: the mayor of the island, Antonio Colleoni, and the Abbot Vincenzo Zanetti, founder of the glass museum and of the first art school for glass masters. The first successes and international investments The launchpad was the “First Glassmakers’ Exhibition” in 1864 in which Salviati participated with a monumental mosaic that earns him a prize superior to the Gold Medal. The success achieved affirmed the credibility of the Company which thus started its glass production in Palazzo da Mula. The new corporate and productive reality needed investors and the lawyer started to internationalise the company by addressing the economic and financial market across the Channel. The UK immediately showed huge interest in Salviati’s mosaics – as testified by the mosaic that can be seen on the façade of the current Apple Store in Regent Street, London. It was also in London, on 21st December 1866, that the “Società Anonima per Azioni Salviati & C.” was established with the support of diplomat Sir Austen Henry Layard and historian William Drake. The new corporate set-up was further established with the purchase of a new headquarter, this time on the Riva dei Vetrai in Murano. The universal show of Paris in 1867 celebrated the relaunch project of Antonio Salviati “Venice owes a debt of gratitude to the knight Salviati in the resurgence for one of the most legitimately famous of its industries”. From Esposizione Illustrata di Parigi, 1867 pg. 275. “Venice and Italy have gain huge success in the Universal Exhibition. The resurgence of one of the city’s most famous industries is consecrated in this very occasion by the gold medal awarded by the jury to Mr Salviati […] the crowd […] is gathering around the display cases that hold those pieces of glass that are so transparent and so light as to appear like woven air, impregnated, when in their elegant forms that become rainbows of those iridescent reflections that cover them at the artist’s whim – the author of a real ray of sunshine from the beautiful and splendid Venice”. From Esposizione Illustrata di Parigi, 1867 pg. 311 The fundamental role of training in murano glass Training plays a fundamental role for the Company; attendance at the Art School was made compulsory for “[…] all the young workers of the Factory who don’t only tire themselves in manual work. This was established with the idea not only to lift their dignity and their initially limited aspirations, […] but also to improve their artistic education and thereby facilitate an improvement also in their economic situation”. Together with the art school, a free school was also set up to teach all employees to read and write. Diversification in production and made-to-measure projects In a short time, Salviati & C. diversified its production to include glasses, cups, amphoras, and vials which guaranteed the first prize in the universal exhibition for three consecutive years. Its mosaic production also flourished, being used in world-class projects: from the Houses of Parliament in London, to the Viceroy’s palace in Alessandria in Egypt, to the Opera House of Paris, including the private homes of wealthy New York personality. The entire 19th century for Salviati & C. was represented by development, success and fame in the national and international markets, and the Company became a symbol and reference point of Murano glass art throughout the world. The Salviati legacy at the turn of the century On the death of Antonio Salviati in 1890, first his three children followed one another at the helm of the company and then Maurizio Camerino, previously general manager. It was thanks to him that the decorative mosaic project of the Stanford Memorial Church in Palo Alto (California, USA) took place after 12 years of work. As well as the opening of a sales point in Via Montenapoleone in Milan and the institution of a museum collection of Murano glass from the 19th and 20th centuries. The post-war years, biennials and lighting After Maurizio Camerino’s death in 1931, his three children took over the helm of the company: its solid foundations allowed them to strive for new important goals in the art world, participating in the Biennials of 1932 and 1934. Not even the Second World War could tarnish the strength of the Salviati brand: in the post-war years Renzo Camerino renewed the ruined production headquarter and enthusiastically restored all his commercial contacts. Thanks to his grandson Renzo Tedeschi (newly graduated in Engineering at the Polytechnic of Turin and upon his return from an apprenticeship in the United States), Salviati launched its production in lighting appliances. The following years saw intense growth in the number of collaborations with renowned artists and designers. In 1959, the production site was moved to Fondamenta Radi 16, where it still stands today. The great lighting projects The larger production area allowed the company to further expand the international market in the field of architectural lighting. A number of projects were undertaken, such as the 9-tonne, 22-metres high chandelier in the Chamber of Commerce in Parma, the ceiling illumination in the premises of the World Intellectual Property Organisation in Geneva and the Kowloon Hotel in Hong Kong; not to mention the sound-absorbing windows of the Aula Nervi in the Vatican and the lighting system of the great honour hall of the Philippine Plaza Hotel in Manila in collaboration with architect John Marsteller. The reputation of Salviati & C. was further affirmed by the commission – after an international call for bids – for twelve 11-metre high chandeliers for the Tonhalle concert hall in Dusseldorf, made using an innovative system of modular glass elements – “LS- System” – one of the today company’s cornerstones. Salviati from the modern age to the present The story of Salviati continues in the modern era, keeping the focus on creating an innovative style that had distinguished it since its inception. Participation in international exhibitions increased, such as the Venice Biennials from 1958 to 1972 (the final year in which Murano glass was allowed) thanks to projects by designers of the calibre of Betha and Teff Sarasin, Claire Falkestein, and Luciano Gaspari. In 1962 Salviati was awarded with the highest recognition in the Design world, the “Compasso d’Oro” prize assigned by A.D.I. for the Marco vase designed by architect Sergio Asti. In 1965 the company changed its name to Salviati & C. s.p.a.; then it was purchased by the Gruppo Ferruzzi in 1987 which later on it was transferred to a French company. Since 2015 the company returned to be Venetian with the acquisition by the Umana group. Salviati and its designers Salviati’s designers: Luciano Gaspari, Sergio Asti (Compasso d’Oro 1962), Claire Falkenstein, Ward Bennet, Teff and Betha Sarasin, Ingo Maurer, Ross Lovegrove, Amanda Levete, Tom Dixon, Nigel Coates, Thomas Heatherwick, Luca Nichetto, Ben Gorham...

Marcel Bouraine Art Deco Bronze Bird Bookends 1930s These Art Deco bookends by Marcel Bouraine are playful pieces made of silvered bronze and moun...

A striking chrome on brass Car Mascot, in the form of a Scotsman dressed in a kilt playing the bagpipes. Exhibiting a well polished surface and fine hand fin...

Ceramic Sign: Made in Austria Keramos 2051 19/M Wiener Keramos, later Keramos AG or Keramos KG , was a Viennese ceramics manufacturer that made a name for itself especially in the interwar period . In addition to their own designs, designs from the dissolved Wiener Werkstätte were also produced from 1932 onwards. In over 60 years of company history, around 3000 model designs have been produced by around 60 ceramists. Keramos also carried out commissions from the Wiener Werkstätte, such as vases by Dagobert Peche . History The origins of the Keramos company lie in two companies with the same name. The company Keramos – Invalid Society for Viennese Art Ceramics was founded at the end of 1919 on the initiative of the three ceramists Rudolf Wolf, Heinrich Wolf and Ludwig Rys, who had become invalids in World War I. Production started in September 1920. Art-ceramic lamps, figures, vases and boxes were produced. The company Keramos – Viennese art ceramics and porcelain manufactory was founded in 1920. Josef Hoffmann was a shareholder of Keramos for a long time, as was the sculptor Rudolf Podany, who was engaged from the start and created a large number of designs. From 1921 Anton Klieber was employed, who was also responsible for most of the models. Around 1924 both companies were merged and converted into an AG, commercial director became Otto Köller, the technical directors were the brothers Rudolf and Heinrich Wolf. "Some war invalid ceramists founded a workshop with the help of some artists, which was subsequently financed by the state and later enlarged with its participation and converted into a joint-stock company." The company's headquarters were in the Hofburg , Schwarze-Adler-Stiege, the factory in the 10th district of Vienna, Schleiergasse 17. Artistic collaborators at that time were Eduard Klablena , Otto Prutscher , Karl Perl , Karin Jarl-Sakellarios , IDA Schwetz- Lehmann and Grete Fucik-Fischmeister. On February 23, 1928, the triangular mark was entered in the trademark register. It was now also produced for the Wiener Werkstätte. Difficulties for the company arose from the Great Depression . Around 1932, 50 people were employed and a large number of models from Eduard Klabena and the dissolved Wiener Werkstätte were taken over. The works created by Keramos were labeled with their company brands until after 1941. From 1939 the economic situation of the company was better managed by taking over the production of ceramic winter welfare organization badges, the so-called WHW badges. Before 1941 the company is converted into a KG named Keramos, Wiener Kunstkeramik und Porzellanmanufaktur Brüder Wolf KG . Otto Köller was no longer active from this point on. After the end of World War II, Robert Obsieger recommended Robert Mathis as the new head of Keramos, who took over the management of the ceramics manufactory in 1945. In 1949 Mathis introduced a new company logo, which was used alongside the existing triangle mark, the so-called coat of arms mark. Anton Klieber and Rudolf Podany continued to work as ceramists, and new artists such as Josef Lorenzl and Stephan Dakon , both of whom had previously worked for Goldscheider , as well as Rudolf Chocholka, Karl Grössl and Ina Eisenbeisser were engaged. New models such as dancers, children's figures, animals and nudes were created, as well as the well-known wall masks, young people and poodles from the mid-1950s, which corresponded to the trend at the time. In addition, however, traditional designs such as Madonna statues and busts, saints and angels were still made. Utility ceramics such as crockery, vases, lamp bases, candle holders and flower pots also became an important branch of production, and cooperation with the German manufacturer Carstens at the beginning of the 1960s was just as lucrative. In the course of the 1960s, the sales markets for figurative ceramics became increasingly difficult. So until 1982, production was increasingly shifted to everyday ceramics, since ceramic figures were no longer modern due to changing tastes and the spirit of the times. Ultimately, the economic situation at Keramos became more and more difficult and Klaus Mathis, the son of Robert Mathis and then director, who succeeded his father at the helm of the company at the beginning of the 1970s, initiated the liquidation of the company at the end of 1982 . Staff The following artistic collaborators have worked for Keramos over the years: Hans Adametz , Franz Barwig the Elder , Franz Barwig the Younger , Andreas Beck, Hans Bolek, Angelo Bortolotti, Hertha Bucher , Rudolf Chocholka, Stephan Dakon , Ferdinand Doblinger, Eckstein, Franz Eggenberger , Ina Eisenbeisser, English, Stephan Erdös, Alois Feichtinger, Feyslitz, Hans Friedberger, Grete Fucik-Fischmeister, Kurt Goebel, Anton Grath, Karl Grössl, M. Günther, Otto Hafenrichter, Arnold Hartig , Friedrich Herkner, Trude Hillinger, Leopold Hohl, Hostasch, Karl Jamök, Karin Jarl-Sakellarios , Eduard Klablena, Klar, Anton Klieber, Maria Klinger, Josef Kostial, Josef Lorenzl , Wilhelm Otto Lugerth, Viktor Matula, Gusty Mundt-Amman, Novotny, Carl Perl, Rudolf Podany, Friedrich Pollak, Hugo Postl, Adolf Prischl, Otto Prutscher , Max Rieder , Elisabeth Rieger-Hofmann, Walter Ritter , Willibald Russ, Karl Sailer, Schönberg, Schwarz, Ida Schwetz-Lehmann , Sult, Robert Ullmann , Otto Weigand, IDA Weiss-Moricz, Rudolf Wolf. Exhibitions • Jubilee exhibition of the Wiener Kunstgewerbeverein, Austrian Museum , Vienna 1924. • Arts and Crafts Exhibition, Paris, 1925. • Exhibition of Austrian arts and crafts...

Art Déco porcelain mask "Portrait of a young woman". KPM Berlin, Germany 1930. Design: Hermann Hubatsch (1878-1940) H.Hubatsch was a German sculptor and ceramist. Gold medal world...

Elevate your collection with this striking Art Deco bronze sculpture, standing at approximately 42 centimeters in height. Elegantly poised atop a polished black marble plinth, the pi...

Large expressive, naturalistic Art Déco sculpture "panther with cobra" by Felix Guis, 1930s. Signed by the artist F.Guis. The artist Felix Guis ( 1887 to 1972 ), born in Tunesia ha...

Depiction of Russian prima ballerina Anna Pavlova as the dying swan in an expressive dance solo (Pas seul) by choreographer Michel Fokine, which was conceived exclusively for the dan...

Giant key wall advertisement for key shop. This is an amazing and very decorative giant key, from an old key-shop. The key is most probably made in America d...

Three children walking side by side: in the middle a blond boy dressed as Pierrot with a pointed hat, arm in arm with two girls, one in a red tutu dress, th...

This piece strongly reminds us of Lucien Lafaye (1895–1976), although the sculpture bears no signature. It is made of molded glass and depicts a delicate female face. The entire piec...

This article features a striking statue by René Buthaud, a prominent French sculptor known for his mastery of form and material. Signed and measuring 70 cm in length, this piece exem...

Armand PETERSEN (1891-1969) : "Caïman" "New" white mat porcelain figuring a Caïman walking Rare edition from Bing and Grondahl made at 29 pieces Edited between 1932 and 1955 Wea...

1930s Gorgeous boy with Sledding sculpture by Cséfalvay.

Art Deco Soccer Player Patinated Bronze Sculpture Germany, ca. 1930’s DIMENSIONS Height: 9.5 inches Width: 6.75 inches Depth: 2.75 inches ABOUT A rare, laconi...

Large Art Deco carved wood reclining nude, Stylized Hair / Face, Iconic design, pose. Retains original surface, patina. Possibly held a planter, fish bow...

Admirable Rosenthal Figurine by Wolfgang Schwartzkopff: Spanish dancer in a pose, with her right raised hand supporting her head turned to the left from behind and looking over her l...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...