Neoclassical Sculptures

An important set of four large Porphyry Obelisks. Each obelisk is of square section tapering form with a spiked orb finial and embellished with carved roundels of the twelve Roman Emperors in profile. The main body is raised on ball supports putdown on square sectioned plinth bases. Each obelisk is carved with three Emperors profile...

Large gilt, patinated bronze and marble clock set by Raingo Frères French, Late 19th Century Clock: height 73cm, width 29cm, depth 28cm Candelabra: height 66cm, width 30cm, depth ...

Large Carrara marble group of Virgin, Child and The Baptist signed P. Romanelli Italian, 19th century Measures: Figure: height, 170cm, width 70cm, depth 40cm Base: height 93.5cm, width 59.5cm, depth 43cm Executed in stunning Carrara marble, this exceptional sculpture is signed for the Florentine artist Pasquale Romanelli...

This Greek bust depicts the legendary poet and author Homer who is presumed to have penned the two of ancient Greece’s most epic poems: the Iliad and the Odyssey. Scholars are uncertain whether or not Homer actually existed but if he in fact did exist, Homer would be regarded as one of the greatest literary artists of his time. This is an iconic statue for an interior and looks particularly impactful when placed on a column or plinth. Please note the blue plinth...

This sculpture is of rare beauty, a mixture of finely carved white marble and part in cast and chiseled bronze with a brown patina. The theme is presented as the love of parents towa...

Limoges France. Biscuit child bust. Stand with dark blue glaze. Classic style. Early 20th century. Measures: 13.5 x 7 cm. In excellent condition. Stam...

A 19th century marble sculpture of a putto and bird, signed 'Pigal' French, 19th century 48cm high x 33cm wide x 37cm depth Crafted in the nineteenth century in France this fine...

This roman style mosaic on stand is a fragment from history. It was reclaimed from a building in the southeast of England and includes a bespoke steel st...

A lost-wax bronze sculpture by Théodore Rivière, titled 'Carthage' French, Late 19th Century Height 41cm, width 23cm, depth 18cm This superb lost...

Very rare pair of marble sculptures of seated children by Cesare Lapini Italian, Late 19th Century Boy: height 71cm, width 32cm, depth 41cm Girl: height 71cm, width 33cm, depth 35cm These wonderful sculptures were executed by the highly skilled nineteenth century Florentine sculptor Cesare Lapini (Italian, 1848-1893), one of a number of prolific master artists working in Florence in the second half of the nineteenth century who were heavily influenced by the great Neoclassical master Antonio Canova. In the form of a seated boy and girl, titled on their bases 'Volere E Potere,' (willing and able, or where there's a will there's a way), and 'Chi S'Aiuta Dio L'Aiuta (God helps...

Sculpture in calamine. Signed “Aug. Moreau ”. Following models by Auguste Moreau, France, 19th century. It is reminiscent of works such as the bronze entitled "The Fountain" by Mat...

Beautiful antique sculpture by the French artist Jean Valette. The statue depicts a young girl, with a beautiful modest look and a Christian cross on a chain around her neck. The sta...

Stunning antique bronze of the goddess of hunting, of women and of the moon. She also is a great talking piece. The original Diana of Gabii is a lifesize marble statue...

A near life size carved marble figure of the Crouching Venus. This late 19th century copy of the iconic Hellenistic original bases its form on the crouching Venus on permanent displa...

A 19th century marble putto sculpture, signed 'D'Angelis' French, Late 19th Century Height 54cm, width 41m, depth 31cm Executed with great artisti...

Carved and lacquered angels from the 1700s. Angels all original, never restored. Wood carvings in the round, carved, lacquered and gilded with "Mecca" technique. The lacquered com...

Set of four spelter plaques by Ferdinand Barbedienne French, late 19th century Measures: Height 45cm, width 12cm, depth 0.5 cm This set of four pla...

An Ormolu bust of a 16th century Prince, by Rancoulet French, Late 19th Century Height 72cm, width 42cm, depth 22cm Made by the skilled and renowned French artist and sculptor E...

Antique early 20th century set of four 800. Italian silver and ormolu figural groups. Made in Italy, Naples, first half of 20th century. Hallmarked with 800. Silver and 45NA maker'...

An enchanting 19th century marble statue of a young maiden holding a bronze flower. Signed to the base. Batch 65.  

Inspired by the Classical urns from the frescoes in the Hall of Cupid and Psyche in Mantova’s Palazzo Te, this table lamp will Stand out in any kind of décor, with its Fine ceramic and timelessly elegant shape. The innovative touch technology is activated with the lightest touch on the pedestal: a simple gesture lets you switch and adjust the light in a unique tactile experience. The light source is a 7W LED strip with 3000K, 369 Lumen and 100-240V voltage. The maiden with the lamp, the beautiful mortal turned by love into the goddess of souls – Psyche lends her name to a sophisticated play of art, myth and design. The light sculpture Psyche draws from the style of Renaissance artist Giulio Romano, revisiting the ancient vase from his joyful, sensual Cupid and Psyche frescoes - and bathing it in the soft glow of the latest LED technology. With an eye to classical myth and a strong personality, Psyche celebrates the passion of beauty through the centuries. Les First: Light of the Gods A luminous pantheon reinventing myth in a flow of energy and imagination: light sculptures with a strong and versatile personality, a perfect fit for both classical or Minimalist settings, born to satisfy the senses and pay tribute to a timeless beauty. The Lamps 1. The idea: Les First – Top Quality Italian Craftsmanship 2. Technological Innovation: The Dimmable Touch Lamp Technical Information 3. Technical Features 4. Artisanal Production 5. Assembling 6. Packaging and Shipping 7. Maintenance 1. The idea: Les First – Top Quality Italian Craftsmanship All Les First lamps are inspired by the mythological subjects in the frescoes that Renaissance artist Giulio Romano painted in the halls of Palazzo Te for the Gonzaga lords of Mantua. Distinctive design, blending traditional handmade ceramic from potteries of Venetian tradition with specially created, innovative technology, makes the lamps unique in the field of lighting fixtures. Les First’s top quality table-lamps are crafted in the regions of Lombardy and Veneto. Carefully handpicked artisan workshops Craft to specification the various components, that are then assembled in the Les First atelier in Mantova. The finest ceramics and skilled handcraft guarantee top quality together with the uniqueness of artisanal production. 2. Technological Innovation: The Dimmable Touch Lamp The ceramic sculpture, core of the artistic composition, is enhanced by the innovative lighting cylinder of clear Plexiglas. The micro-incisions, laser-engraved by CNC machines on the cylinder’s surface, ensure an even distribution of light across the whole pane. The light is switched and adjusted through an innovative dedicated software, especially created by a technical laboratory in Verona. A microprocessor manages and processes the proximity effect of the user’s hand to control and adjust the light. The system, developed especially for Les First, turns the ceramic sculpture into a dimmable Touch Lamp, whose soft glow can be switched on and off and adjusted simply by touching the lamp’s ceramic base, without a conventional on-off switch. 3. Technical Features: Weight: 8 kg / 17,64 lbs Power consumption: 7 W (LED) LIGHT SOURCE AVAILABLE: 1 Led Strip x 7W Lumen: 369 Colour temperature: 3000 K Color Rendering Index (CRI): 90 LED panel lifespan: 50 000 hours Dimmer: Included Voltage: 24Vdc Environment: Indoor Protection Rating: IP 20 Electric insulation class: 3^ Energetic class: A+ Power Supply Technical Data Supply included: Yes Supply voltage: input 100-240V, 50-60HZ; Output 24Vdc Cord Lenght: 100 cm / 39,37 in Indoor use only. Psyche touch lamp is CE certified. 4. Artisanal Production Les First’s ceramic lamps are artisanal pieces, and only a few components are made industrially. Due to the complex and many-staged hand production, each lamp can show individual characters, features unique to the hand-crafting process that must not be viewed as faults. A slight unevenness in the ceramic surface can result from shrinkage during the firing stage, or from characteristic features of the antique molds. Colors may show variations, with a very individual and pleasing effect, due to the firing process of the crystalline glaze, such as the typical and prized “crackle”. In the case of gold and silver metallic coating, slight irregular cracks can occur on the surface, as the precious metals and clay undergo different dilations during the various firing and cooling stages. Pieces from the same batch can show a slightly different appearance. Such varying reactions to the manufacturing process cannot be entirely predicted even by the most experienced potter, and are part of the unique and enduring charm of hand-crafted ceramic. Each lamp is carefully vetted against out exacting quality standards. Les First holds to the highest quality standards for manual production, as established through centuries of experience in the potteries of Vicenza. The element of imperfection, typical of all hand-made products, is not a fault – but rather the mark of Italy’s ancient handcraft tradition. 5. Assembling Assembling a Les First lamp from its hand-crafted components requires extremely skilled work, and it is never outsourced: the owner personally assembles each piece with the help of his assistants, making sure that the final result conforms to the chosen quality standard. 6. Packaging and Shipping All Les First products are carefully hand-packages, with materials specially designed to ensure the stability and protection of the lamps. The crates are sized to accommodate the lamps and the protective layers of expanded polyethylene and/or high-Expansion foam that ensure the lamps’ protection if correctly handled. These inner layers can vary, according to specific needs. The weight of the packaging must be added to that of the lamp itself. Psyche lamp...

After Jean-Baptiste CARPEAUX (1827 - 1875). "Woman's face", patinated plaster sculpture

Pretty alabaster sculpture of a young man removing a thorn from his foot. Theme taken up many times in the sculpture, the oldest known example of the boy with thorn...

Inspired by the Classical urns from the frescoes in the Hall of Cupid and Psyche in Mantova’s Palazzo Te, this table lamp will stand out in any kind of décor, with its fine ceramic and timelessly elegant shape. The innovative touch technology is activated with the lightest touch on the pedestal: a simple gesture lets you switch and adjust the light in a unique tactile experience. The light source is a 7W LED strip with 3000K, 369 lumen and 100-240V voltage. The maiden with the lamp, the beautiful mortal turned by love into the goddess of souls – Psyche lends her name to a sophisticated play of art, myth and design. The light sculpture Psyche draws from the style of Renaissance artist Giulio Romano, revisiting the ancient vase from his joyful, sensual Cupid and Psyche frescoes - and bathing it in the soft glow of the latest LED technology. With an eye to classical myth and a strong personality, Psyche celebrates the passion of beauty through the centuries. Les First: Light of the Gods A luminous pantheon reinventing myth in a flow of energy and imagination: light sculptures with a strong and versatile personality, a perfect fit for both classical or minimalist settings, born to satisfy the senses and pay tribute to a timeless beauty. The Lamps 1. The Idea: Les First – Top Quality Italian Craftsmanship 2. Technological Innovation: The Dimmable Touch Lamp Technical Information 3. Technical Features 4. Artisanal Production 5. Assembling 6. Packaging and Shipping 7. Maintenance 1. The Idea: Les First – Top Quality Italian Craftsmanship All Les First lamps are inspired by the mythological subjects in the frescoes that Renaissance artist Giulio Romano painted in the halls of Palazzo Te for the Gonzaga lords of Mantua. Distinctive design, blending traditional handmade ceramic from potteries of Venetian tradition with specially created, innovative technology, makes the lamps unique in the field of lighting fixtures. Les First’s top quality table-lamps are crafted in the regions of Lombardy and Veneto. Carefully handpicked artisan workshops craft to specification the various components, that are then assembled in the Les First atelier in Mantova. The finest ceramics and skilled handcraft guarantee top quality together with the uniqueness of artisanal production. 2. Technological Innovation: The Dimmable Touch Lamp The ceramic sculpture, core of the artistic composition, is enhanced by the innovative lighting cylinder of clear Plexiglas. The micro-incisions, laser-engraved by CNC machines on the cylinder’s surface, ensure an even distribution of light across the whole pane. The light is switched and adjusted through an innovative dedicated software, especially created by a technical laboratory in Verona. A microprocessor manages and processes the proximity effect of the user’s hand to control and adjust the light. The system, developed especially for Les First, turns the ceramic sculpture into a dimmable Touch Lamp, whose soft glow can be switched on and off and adjusted simply by touching the lamp’s ceramic base, without a conventional on-off switch. 3. Technical Features: Weight: 8 kg / 17,64 lb Power consumption: 7 W (LED) LIGHT SOURCE AVAILABLE: 1 Led Strip x 7W Lumen: 369 Colour temperature: 3000 K Color Rendering Index (CRI): 90 LED panel lifespan: 50 000 hours Dimmer: Included Voltage: 24Vdc Environment: Indoor Protection Rating: IP 20 Electric insulation class: 3^ Energetic class: A+ Power Supply Technical Data Supply included: Yes Supply voltage: input 100-240V, 50-60HZ; Output 24Vdc Cord Lenght: 100 cm / 39,37 in Indoor use only. Psyche touch lamp is CE certified. 4. Artisanal Production Les First’s ceramic lamps are artisanal pieces, and only a few components are made industrially. Due to the complex and many-staged hand production, each lamp can show individual characters, features unique to the hand-crafting process that must not be viewed as faults. A slight unevenness in the ceramic surface can result from shrinkage during the firing stage, or from characteristic features of the antique molds. Colors may show variations, with a very individual and pleasing effect, due to the firing process of the crystalline glaze, such as the typical and prized “crackle”. In the case of gold and silver metallic coating, slight irregular cracks can occur on the surface, as the precious metals and clay undergo different dilations during the various firing and cooling stages. Pieces from the same batch can show a slightly different appearance. Such varying reactions to the manufacturing process cannot be entirely predicted even by the most experienced potter, and are part of the unique and enduring charm of hand-crafted ceramic. Each lamp is carefully vetted against out exacting quality standards. Les First holds to the highest quality standards for manual production, as established through centuries of experience in the potteries of Vicenza. The element of imperfection, typical of all hand-made products, is not a fault – but rather the mark of Italy’s ancient handcraft tradition. 5. Assembling Assembling a Les First lamp from its hand-crafted components requires extremely skilled work, and it is never outsourced: the owner personally assembles each piece with the help of his assistants, making sure that the final result conforms to the chosen quality standard. 6. Packaging and Shipping All Les First products are carefully hand-packages, with materials specially designed to ensure the stability and protection of the lamps. The crates are sized to accommodate the lamps and the protective layers of expanded polyethylene and/or high-expansion foam that ensure the lamps’ protection if correctly handled. These inner layers can vary, according to specific needs. The weight of the packaging must be added to that of the lamp itself. Psyche lamp...

19th century pair of grand tour marble and bronze tazza, of neo-classical design. Set upon a grand Sienna with marble base, with finely chased lappet cast mounts over a stepped ba...

Inspired by the Classical urns from the frescoes in the Hall of Cupid and Psyche in Mantova’s Palazzo Te, this table lamp will Stand out in any kind of décor, with its Fine ceramic and timelessly elegant shape. The innovative touch technology is activated with the lightest touch on the pedestal: a simple gesture lets you switch and adjust the light in a unique tactile experience. The light source is a 7W LED strip with 3000K, 369 Lumen and 100-240V voltage. The maiden with the lamp, the beautiful mortal turned by love into the goddess of souls – Psyche lends her name to a sophisticated play of art, myth and design. The light sculpture Psyche draws from the style of Renaissance artist Giulio Romano, revisiting the ancient vase from his joyful, sensual Cupid and Psyche frescoes - and bathing it in the soft glow of the latest LED technology. With an eye to classical myth and a strong personality, Psyche celebrates the passion of beauty through the centuries. Les First: Light of the Gods A luminous pantheon reinventing myth in a flow of energy and imagination: light sculptures with a strong and versatile personality, a perfect fit for both classical or Minimalist settings, born to satisfy the senses and pay tribute to a timeless beauty. The Lamps 1. The idea: Les First – Top Quality Italian Craftsmanship 2. Technological Innovation: The Dimmable Touch Lamp Technical Information 3. Technical Features 4. Artisanal Production 5. Assembling 6. Packaging and Shipping 7. Maintenance 1. The idea: Les First – Top Quality Italian Craftsmanship All Les First lamps are inspired by the mythological subjects in the frescoes that Renaissance artist Giulio Romano painted in the halls of Palazzo Te for the Gonzaga lords of Mantua. Distinctive design, blending traditional handmade ceramic from potteries of Venetian tradition with specially created, innovative technology, makes the lamps unique in the field of lighting fixtures. Les First’s top quality table-lamps are crafted in the regions of Lombardy and Veneto. Carefully handpicked artisan workshops Craft to specification the various components, that are then assembled in the Les First atelier in Mantova. The finest ceramics and skilled handcraft guarantee top quality together with the uniqueness of artisanal production. 2. Technological Innovation: The Dimmable Touch Lamp The ceramic sculpture, core of the artistic composition, is enhanced by the innovative lighting cylinder of clear Plexiglas. The micro-incisions, laser-engraved by CNC machines on the cylinder’s surface, ensure an even distribution of light across the whole pane. The light is switched and adjusted through an innovative dedicated software, especially created by a technical laboratory in Verona. A microprocessor manages and processes the proximity effect of the user’s hand to control and adjust the light. The system, developed especially for Les First, turns the ceramic sculpture into a dimmable Touch Lamp, whose soft glow can be switched on and off and adjusted simply by touching the lamp’s ceramic base, without a conventional on-off switch. 3. Technical Features: Weight: 8 kg / 17,64 lb Power consumption: 7 W (LED) LIGHT SOURCE AVAILABLE: 1 Led Strip x 7W Lumen: 369 Colour temperature: 3000 K Color Rendering Index (CRI): 90 LED panel lifespan: 50 000 hours Dimmer: Included Voltage: 24Vdc Environment: Indoor Protection Rating: IP 20 Electric insulation class: 3^ Energetic class: A+ Power Supply Technical Data Supply included: Yes Supply voltage: input 100-240V, 50-60HZ; Output 24Vdc Cord Lenght: 100 cm / 39,37 in Indoor use only. Psyche touch lamp is CE certified. 4. Artisanal Production Les First’s ceramic lamps are artisanal pieces, and only a few components are made industrially. Due to the complex and many-staged hand production, each lamp can show individual characters, features unique to the hand-crafting process that must not be viewed as faults. A slight unevenness in the ceramic surface can result from shrinkage during the firing stage, or from characteristic features of the antique molds. Colors may show variations, with a very individual and pleasing effect, due to the firing process of the crystalline glaze, such as the typical and prized “crackle”. In the case of gold and silver metallic coating, slight irregular cracks can occur on the surface, as the precious metals and clay undergo different dilations during the various firing and cooling stages. Pieces from the same batch can show a slightly different appearance. Such varying reactions to the manufacturing process cannot be entirely predicted even by the most experienced potter, and are part of the unique and enduring charm of hand-crafted ceramic. Each lamp is carefully vetted against out exacting quality standards. Les First holds to the highest quality standards for manual production, as established through centuries of experience in the potteries of Vicenza. The element of imperfection, typical of all hand-made products, is not a fault – but rather the mark of Italy’s ancient handcraft tradition. 5. Assembling Assembling a Les First lamp from its hand-crafted components requires extremely skilled work, and it is never outsourced: the owner personally assembles each piece with the help of his assistants, making sure that the final result conforms to the chosen quality standard. 6. Packaging and Shipping All Les First products are carefully hand-packages, with materials specially designed to ensure the stability and protection of the lamps. The crates are sized to accommodate the lamps and the protective layers of expanded polyethylene and/or high-Expansion foam that ensure the lamps’ protection if correctly handled. These inner layers can vary, according to specific needs. The weight of the packaging must be added to that of the lamp itself. Psyche lamp...

A sculpture of Psyche Revived by Cupid's kiss. After Canova. Beautifully carved in fine statuary marble. Late 19th century.

This pair of Limoges porcelain bisque busts featuring Brongniart children derives from a masterpiece of children's portraiture by Jean-Antoine Houdon (French, 1741-1828): the busts of Louise (1772-1845) and her brother Alexandre (1770-1847), children of the famous architect Alexandre-Théodore Brongniart. Crafted of terracotta, Houdon's busts were presented at the Salon of 1777. Very popular, the two busts were reproduced in bisque, terracotta, marble and bronze. They were acquired at the end of the 19th century by the Louvre Museum. Our Limoges busts...

Set of four large Academic style torchères emblematic of the continents French, late 19th Century Height: 228cm, diameter 50cm Torchères alone: Height 197cm, diameter 34cm Bases alone: Height 31cm, diameter 50cm The four large torchères in this set are designed in the manner of Mathurin Moreau, one of the leading Academic sculptors of the nineteenth century. The patinated metal sculptures were cast by Miroy Frères...

This nice and decorative pair of herons is made of silvered bronze. This is a French work, in the style of the famous Maison Bagués, circa 1940.

19th century biscuit porcelain figurine featuring a young woman holding a bunch of flowers in her skirt. This figurine is representative of ...

Lost wax casting. Marble base. The god of love is distinguished from classical mythology by the quiver of arrows on its back and by the wings that are butterfly instead of feathered...

Gustafsberg / Gustavsberg, Sweden. Angel in biscuit. Dated 1930. Measures: 21.5 x 17 cm. In excellent condition. Stamped.

This contemporary solid bronze sculpture of a ram's head is inspired by the art of Ancient Rome and Ancient Greece with a reference to neoclassicism. The artist is able to attribute ...

A Neoclassical Portrait Bust By Lewis Alexander Goblet (1764-c.1823) Possibly exhibited at the Royal Academy in 1821 Carved from Carrara marble, the bust supported on a waiste...

On a round base stands the figure of the God of Love, Cupid. The sculpture in bronze, with the iconographic attributes corresponding to this figure in classical mythology, was made b...

A charming and very decorative Italian white ceramic figurative circular centerpiece depicting a group of dwarfs around a palm tree, in a toasting festive attitude. This Italian anti...

French gilt metal sculpture on Neoclassical pedestal by Ernest Rancoulet French, early 20th century Measures: Height 165cm, width 34cm, depth 34cm This fine sculpture group is b...

Antique Patinated Bronze Sculpture of Diana by Ferdinand Barbedienne French, late 19th Century Dimensions: Height 60cm, width 22cm, depth 22cm This...

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

This fine pair of French, silver, allegorical tazzas are tortoiseshelled. They include detailed wreaths on the walls of the base. A finely dressed woman holds each dish proudly above...

19th Century polychromed terracotta pair of Angels. The pedestals shown in the photos are not included. Measurements: Angels figure: 69 cm (23,6...

A large and impressive pair of Royal Dux neoclassical figures of water carriers.

Inscription on the foot: "HEINRICH IMHOF FEC ROMA 1849".

A beautifully carved antique statuary Carrara marble statue of Adonis. The male figure is depicted in the nude leaning against a tree. Adonis was the mortal lover of the goddess Aph...

Gilt bronze of the Aetolian hero Meleager/Meleagros standing on a square marble plinth with a black round stone base. The cloak, strongly moved by the wind, wraps around his arm, in ...

A 20th Century Italian white marble bust of a smiling girl, a carved Carrara marble figural sculpture, signed on the base by the Italian artist Aurelio Bossi, 1884-1948, whose sculptures are displayed at Pinacoteca di Brera in Milan, whereas at the Duomo Milan Cathedral there is his Statue of Cardinal Borromeo, while two busts adorn the facade of the chapel of the Niguarda Hospital. This antique female...

A impressive late 18th century French sandstone sundial mounted on a custom lade iron stand. The Latin numerals finely carved at both sides an...

A male portrait bust in the Roman manner by Lawrence MacDonald (1799-1878) Carved in Carrara marble, rising from a round socle supporting a waisted column, the bust having resemblances to Arthur Wellesley, the Duke of Wellington as a young man. Signed by the artist, 'L. MacDonald, Romae, 1847'. Dated 1847 Dimensions: H: 26 in / 65 cm W: 19.5 in / 49 cm D: 10 in / 26 cm Lawrence MacDonald (1799-1878) Macdonald worked as an ornamental sculptor for the architect James Gillespie Graham before entering the Trustees' Academy, Edinburgh, in 1822. In Rome, in 1823 he was one of the founders of the British Academy of Art. He returned to Edinburgh in 1826 and became a member of the Royal Scottish Academy in 1829. Four years later he settled in Rome, and from 1844 he worked in Bertel Thorvaldsen's former studio. He became the city's most fashionable portrait sculptor and, according to the Art Journal, his studio was filled with 'the peerage done into marble, a plaster galaxy of rank and fashion'. His sitters included the essayist Henry Taylor...

A pair of very finely carved 19th century alabaster figures of muses, in classical dress, each standing on circular pedestals intricately carved with flowers and beading, Italian, c....

A pair of porcelain allegorical figures of neoclassical style ladies, on scroll-molded bases by Aelteste Volkstedter Porzellanfabrik Triebner & Co....

Psyche revived by Cupid’s kiss. After Canova. Beautifully carved in fine statuary marble. The winged young man who has just landed on a rock where a ...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). In terracotta with black marble medallion centered by a white marble profile...

Great Thorwaldsen bust. Marble figure of the sculptor Thorwaldsen Extremely expressive characterization, which, in an extraordinary detail, also reflects the facial expressions of hi...

Couple of children. Polychrome pine wood, Century XVIII. Pair of polychrome pine wood carvings that represent two children in an attitude of playing a musical wind instrument, both seated, with their hands towards their faces, and slightly raising one leg to add some movement to a posture that, otherwise, it would be perhaps too static. Due to their postures and attitudes, they would be part of a large and quality altarpiece, judging by the size, the details, the hair, the proportions, etc., elements in which the musical angels were not something strange. Note that those present do not have wings, calling themselves in these cases "putti" and being, in the same way, figures of habitual presence in religious environments despite having emerged from Renaissance classicism and its sources from Antiquity. The proportions of the sizes, the anatomy, the symmetry, the certain plasticism of the hair, etc. are elements that speak of an influence of Neoclassicism in these sculptures. Likewise, a certain resemblance to works from the 18th century of the Castilian school can be appreciated." Size: 22 x 42 x 85 cms / c/peanas 37 x 37 x 180 cm. Weight is merely orientative. Bases and wooden instruments...

A large and important fine quality pair of 19th century gilded ormolu and bronze candelabra, each with scrolling foliate six branch sconces, supported by cornucopia held by a pair of semi clad opposing putti. Raised on gilded ormolu egg...

Neoclassical cast stone equestrian statue circa 1950.

A charming pair of cast iron putti figures. Early to mid-20th century, great untouched patina.