The last imperial dynasty from 1644 to 1912 was a time of change in China, beginning with the invasion by Manchurian forces that ended the Ming dynasty and established the Shunzhi Emperor. The expansion of exportation and trade that had bolstered the arts during the Ming era continued, as Qing dynasty furniture involved the same attention to craftsmanship with expert construction techniques in hardwood pieces that were assembled with mortise and tenon joints rather than nails or glue. Together, these eras comprise a golden age of Chinese furniture design.
Ming-style furniture is simple and elegant with clean lines. Chairs of the period and other Ming furniture made an impression on Scandinavian modernist Hans Wegner and his streamlined seating, for example. Whereas Qing-style furniture is elaborate, with an increasing influence from the West leading to lavish carving inspired by the European Baroque and Rococo styles. And while many of the forms that define examples of the latter are common within classical Chinese furniture, such as curving and folding chairs as well as large screens, Qing designs are laden with ornamentation. Frequently, the carved motifs and inlaid designs in mother-of-pearl were auspicious, such as peonies for wealth or dragons for luck. Bats were symbols of happiness in the design of Qing furniture, with one of the characters in the word for bat, bianfu, being a homophone for fu, or “fortune.”
While several types of wood were used in the construction of Qing beds, tables, storage pieces and seating, today’s collectors know that the most prized were the rare rosewoods zitan and huanghuali. They were both sourced from Hainan, China’s largest island, and are marked by a rich luster that occurs naturally, without the application of lacquer or other decorative materials. Many of the most popular woods were imported from southeast Asia, adding to their value. Red sandalwood was also sought after for its durability and connection with Chinese medicine, with some chairs being made for health benefits.
Find a collection of antique Qing tea tables, stools, benches, decorative objects and more furniture on 1stDibs.
Large White Marble Statue of Chinese Flying Apsara
Located in New York, NY
Statue of flying Apsara playing the pipa, finely sculpted from white marble, measuring 51 by 23 by 25 inches. Apparenlty unsigned. In good condition with surface dirt, scratches and...
Marble
Chinese Auspicious Gourd Carpenter Line, c. 1850
Located in Chicago, IL
Given the beauty and thoughtful design of traditional Chinese furniture, it’s no wonder that Qing-dynasty carpenter’s tools were accorded the same att...
Iron
Chinese Stone Shoemaker's Weight with Mother, Cub, and Embroidered Ball
Located in Chicago, IL
Carved from a solid piece of stone, this weight was originally used by a Shoemaker to press down large pieces of leather. Surrounded by intricate scrollwork and peony blossoms, a gua...
Stone
Purple Peking Glass Charger on Stand
Located in Stamford, CT
A Chinese Peking glass charger on new stand, late 19th century.
Glass
$643Sale Price|35% Off
'Three Friends' Brush Rest and Lotus Leaf c1725, Qing Dynasty, Yongzheng Era
Located in seoul, KR
Modelled as a yellow bird, green deer, and yellow monkey grouped together on a brown-glazed stand. These brush rest with a bird, a monkey and a deer probably refers to the rebus 'may you receive high rank and emolument' or 'general long life, happiness and wealth' A ceramic tray shaped as a lotus leaf with finely detailed veining. Accented by a lotus pod–form vessel and soft green glaze, it evokes a tranquil waterside scene. Period : Qing Dynasty, Yongzheng Period Production Date : C 1725 Made in : Jingdezhen Destination : Netherland Found/Acquired : Southeast Asia , South China Sea, Ca Mau...
Pottery