Expressionist Decorative Objects

The clock stands tall within a mahogany cabinet, giving it a stately and refined appearance. The wood has a high-gloss finish, which beautifully reflects light and suggests careful p...

This artistic head of a man, created by an unknown artist, is extraordinary and expressive. This lovely head was passed down from the estate of an art collector and connoisseur of be...

Hand painted terracotta and bronze clock design by Stanislaw Czapek for Friedrich Goldscheider. Austria, 1903. Vienna Secession. Goldscheider mark, signed Capeque. The Latin inscription on the front is from the famous poem "The Song of the Bell" by Friedrich Schiller...

Oriental Dancer, Jugenstil Vienna bronze sculpture, 1900s Richard Thuss Austrian Gilt Bronze Figure of an Oriental Woman Dancing Stamped under a foot VNO. Gilt has been restored. It ...

Beautiful abstract bronze sculpture. France, 1930s,

Bronze sculpture on marble base, sitting man figure. France, 1940s.

A vintage ink pen / rotary phone dialer / paper weight made of lacqered polished brass with an ink pen insert. The pen is model number 5037 and was de...

Viennese seseion ceramic box Ceramic Origin Austria circa 1900 Very good condition and no restorations Sealed at its base Some chips on the lid ring due to wear and tear. Pink, black and yellow color with orientalist character on its cover. We are Saint John, a company dedicated to the trade...

This abstract green glass sculpture by Gio Colucci (1892–1974) is a rare expressionist piece from the 1950s. Shaped with soft and organic curves, the sculpture reveals the artist’s s...

Expressive wall relief of abstracted human figures is dynamically sculpted in rough white clay, which shows its texture by the hand markings of the artist almost into a three-dimensi...

Rare and unique bronze sculpture, on custom lucite base. France, 1940s.

Beautiful and charming little teddy bear in black golden line from the famous designer designer Walter Bosse (1904 - 1979) Beautiful original patina from the mid-20th century. H...

Pair of ceramic planters signed Austria. Vienna Secession period, circa 1900.

Large Impressive cold painted Austrian bronze study German Long Hair Pointer Dog, with intricate detail and very fine color. Signed under with Bergmann´s mark. Condition: Good Origi...

Ceramic vase signed Turn-Teplitz. Attributed to Paul Dachsel, Austria, circa 1900.

The ceramic charger is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery #129 on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

A Maasai girl, upon reaching adolescence, undergoes a traditional rite of passage known as "Enkipaata" a ceremony marking her transition into womanhood and preparing her for the resp...

DESCRIPTION Beautiful, graceful lines on this "Circle of Love" statue made by Royal Haeger Pottery Company between 1980s-1990s. It would be a real statement piece as mantel, console,...

Viennese Secession Orientalist Bronze From our Sculpture collection, we are delighted to introduce this rare China Man Bronze Tankard by Alfonso Cancia...

1986 Deborah Ballard "Stress" Ceramic Figural Art Sculpture Made from fired white clay by Deborah Ballard (b.1951). Deborah is a Native American who was born in Dallas. She had a ...

Decorative art in cast bronze - Bronze candlestick featuring a giraffe and acacia tree. Similar candlesticks in different sizes & motifs on request. Cost on application. Can also...

A pair of cast stone abstract sculptures depicting female bodies with exaggerated curves seating in different reclining poses. The sculptures are finished...

Massive granite block carved into a fine African head. The work attributed to 20th century sculptor Arthur Dupagne 1895-1961 - Belgian School. Arthur D...

A finely modelled standing figural Cubist statue rendered in warmly patinated bronze, titled "Harlequin". Signed G/6.

This Expressionist sculpture in emerald green polychrome glass is a rare 1950s original by Italian-French artist Gio Colucci (1892–1974). An emerald green sculpture...

Antique Vienna Bronze Parrot Bird Sculpture Inkwell

“In Step” is a very personal piece for me — a bronze sculpture that captures the quiet tenderness between a mother elephant and her calf. I was moved to sculpt this moment after watc...

With its striking spiraled horns and noble bearing, the Kudu bull is one of the most elegant antelope species in Africa — a true icon of the bushveld. This bronze sculpture captures ...

G Turner 1978 marble sculpture with Lucite base. Features a woman holding onto her children. Singed along the edge of base. Measures: Sculpture 30" H x 12"...

This pair of antique vases were made by the well known WMF company of Germany in approximately 1900 and done in a Seccessionist style. The vases ...

Gail by Thomas Giebink larger than life wood art sculpture figure woman in chair Thomas Giebink has been working on his “Circus Fantastical” series for 40 years, creating pieces tha...

Austrian Belgian black marble dish with a wonderful copper repousse band with decoration typical of the Vienna Secession, that evokes the background ...

Set of Two Early 1940s White Matte Pottery Bowls by Hamilton Achilles Wolf Set of two hand thrown mid-century pottery bowls by California artist Hamilton...

A fine porcelain covered sugar bowl (that doubles perfectly as a table box). In the Melone (pattern) designed by Josef Hoffmann in 1929. In white porcelain with gold highlights. B...

Vintage Expressionist Terracotta Vessel. France, circa 1950. Unique and One-of-a-Kind.

This striking theater mask by German artist Wolfgang Utzt was crafted in 1992 for a production of the play Ragtime. Expertly formed from treated leather, the mask embodies Utzt’s dis...

The Maasai Warrior joins my series of figurative works inspired by Africa’s tribes, each piece a reflection of cultural pride and enduring legacy: Standing tall, proud, and resilient...

Whimsical bespoke paper mache bust. Sourced from an artists estate so to me, it looks like she was going for a Keith Haring inspired piece.

"Caldare" is a specific object — a bronze pot on a white painted iron base with a stove —designed by Franz West in 1991 for the Meta Memphis Collezione, produced in a limited edition...

Austrian Secessionist Hand-Forged Copper Leaf Motif Bowl/Vide-Poche Austria, Circa 1920s Of good size, this hand forged and engraved copper organic mod...

Incredible abstract sculpture by Tafadzwa Tandi made out of a solid piece of serpentine stone. A 3rd generation artist of Zimbabwe, Tafadzwa learned the...

Antique Vienna Bronze Bear with Blanket Item e7280 A beautiful bronze statue of a wandering bear spreading out his blanket to rest. A hat and wal...

Pottery by artist Walter Darby Bannard, 1978 blue - 8" tall x 4 1/2" wide - 1979 white - 6" tall x 5 1/2" wide - 1978 yellow - 4" tall x 5 1/2" wide - 1978 beautiful glaze, color ...

Vienna secession desk set in original condition. Black glass and brass (the watch was restored).

Abstract agate sculpture on wood base.

Beautiful sculpture by renowned artist Linda Prokop. This piece “Just Making Sure” by the acclaimed artist is infused with a dynamic sense of expression and style. Whimsically styled...

An armoured being, looking polished and bright. In fact, spilling out all that is inside, showing the real intention of the soul. notes: * limited edition: (8 + 2 artist’s proof ) * ...

F. Barbedienne Foundry bronze sculpture of a young boy head, circa late 19th Century. Figural bronze sculpture bust of a young boy, 19th Centu...

CLAUDE FAVIER Sculpture in Bronze. Similar to Zuniga - A deeply moving figurative piece. Numbered 18/50 A compliment to many spaces, a wonderful decorative piece or sculpture on ...

The ceramic charger is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

Original and unique Wiener Werkstatte hand-painted design.

Early 20th century patinated bronze sculpture of carrying man by belgian sculptor Victor Demanet and BL Paris By: Victor Demanet, BL Paris Material: bronze, copper, metal Technique:...

Beautiful bowl in Secessionist style /Deco marked A Bachruch SUCC with Diane's Austrian silver mark . Has ebony wood ends and also marked ( 1) in bottom .

A Vienna faience porcelain figurine representing motherly love by Schauer. Bench and figures are porcelain. Faces and arms are in a bisque (flat) finish. Marked on the bottom Vienna ...

A bronze statue of a blacksmith on a marble base by Adolph Joseph Pohl. Made in Austria, circa 1920s.

Beginning of the Hunt: Limited edition of 24 - Height 83 cm Bronze Maasai Sculpture on Sandstone Base — Traditional Patina This bronze sculpture captures a Maasai warrior in a rare ...

Zuri, which is beautiful in Swahili, is a Bronze African Abstract Nude female sculpture and marks a significant moment in my creative evolution—an expansion from sculpting wildlife i...

Black Rhino Bust, Bronze Sculpture on Sandstone Base in Brown Green Patina – Limited Edition of 12 The Black Rhino is one of Africa’s most formidable creatures, yet also among its m...

Zulu Warrior Bronze Sculpture with Verdigris patina on sandstone base. Zulu warriors were renowned for their disciplined formations and innovative tactics in battle, epitomized by t...

Sable Antelope Bust in Bronze Bronze sculpture on sandstone base – Limited edition of 12 It is hard to forget the first time you see a sable antelope — the glossy black coat, the pr...