Expressionist Decorative Objects

CLAUDE FAVIER Sculpture in Bronze. Similar to Zuniga - A deeply moving figurative piece. Numbered 18/50 A compliment to many spaces, a wonderful decorative piece or sculpture on ...

This abstract green glass sculpture by Gio Colucci (1892–1974) is a rare expressionist piece from the 1950s. Shaped with soft and organic curves, the sculpture reveals the artist’s s...

My interpretation of a Samburu herdsman stands as a sentinel of tradition, his life a tapestry woven with the threads of pastoral wisdom and the enduring spirit of the African savann...

Vienna secession desk set in original condition. Black glass and brass (the watch was restored).

Secessionist Porcelain Lidded Box by KARL KLAUS (1889-1925) for SERAPIS WAHLISS, Vienna, c. 1911, hand-painted in gold and black enamels in a stylized geometric diamond and holly mot...

Contemporary modern Murano Art glass sculpture, a decorative panel displayed on a dark grey iron base, realized as a colorful Mosaic, grey, yellow, burgundy, white and black murrine, aqua blue, amethyst purple glass...

DESCRIPTION Beautiful, graceful lines on this "Circle of Love" statue made by Royal Haeger Pottery Company between 1980s-1990s. It would be a real statement piece as mantel, console,...

Secessionist hand-hammered continental silver compote.

Whimsical bespoke paper mache bust. Sourced from an artists estate so to me, it looks like she was going for a Keith Haring inspired piece.

This pair of antique vases were made by the well known WMF company of Germany in approximately 1900 and done in a Seccessionist style. The vases ...

Decorative art in cast bronze - Bronze candlestick featuring a giraffe and acacia tree. Similar candlesticks in different sizes & motifs on request. Cost on application. Can also...

Early 20th century Expressionist patinated bronze woman sculpture with marble base signed by italian sculptor A. Monti By: A. Monti Material: bronze, marble, copper, metal Technique...

The Black Rhino is one of Africa’s most formidable creatures, yet also among its most vulnerable. This bronze bust, finished in a deep blue verdigris patina, captures the raw strength and weathered dignity of the rhino’s head, its horn thrust forward like a spear forged by evolution. I first sketched this piece in the field when all I could see was a rhino’s head emerging through the thicket—an unforgettable impression of power and presence. The rhino’s horn, once its ultimate defense, has tragically become the very reason for its decline. In this sculpture, that paradox is frozen in bronze: resilience and fragility bound together. Set on a sandstone base, the piece is both a tribute and a reminder—of nature’s grandeur and mankind’s responsibility to protect it. Bronze Rhino Sculpture...

The ceramic charger with scalloped edge is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed on verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

With its striking spiraled horns and noble bearing, the Kudu bull is one of the most elegant antelope species in Africa — a true icon of the bushveld. This bronze sculpture captures ...

Contemporary modern Murano Art glass Mosaic centrepiece: High quality of execution using the sophisticated technique of glass fusion with a see-through mosaic of murrine (each little...

Ceramic vase signed Turn-Teplitz. Attributed to Paul Dachsel, Austria, circa 1900.

This Expressionist sculpture in emerald green polychrome glass is a rare 1950s original by Italian-French artist Gio Colucci (1892–1974). An emerald green sculpture...

This bronze sculpture captures a Maasai warrior in a rare moment of stillness and anticipation — poised at the very beginning of the hunt. The figure stands tall and slender, his spe...

Bronze sculpture of young girl from Kenya's Turkana tribe in traditional attire and characteristic hairdo. The Turkana tribe, nomadic by nature, are a Nilotic people native to the Turkana District in northwest Kenya, a semi-arid climate region bordering Lake Turkana in the east. My art is inspired by Africa and it’s magnificent wildlife and people. Seeing tribe people’s silhouettes in the blistering summer haze enthused me to branch out into human figurative sculpture. Turkana Girl - Bronze sculpture. Limited Edition of 24. Sculpture Height 65 cm including Sandstone base of approx 17 x 15 x 4 cm. Each piece of bronze art is handcrafted by myself from beginning to end - sculpting, casting in my own foundry and finished individually by hand with it's own unique patina. Patinas may vary slightly. This is edition 1 of 24 and ready for delivery. After this each edition is made on order so will be ready for shipping from South Africa approx 4 to 6 weeks after receipt of order. I am a self-taught South African artist whose work is inspired by Africa’s wildlife, landscapes, and people. My years as a safari guide gave me an intimate connection to the bush — a place that taught me everything I know about shape, form, and movement. You can’t sculpt what you don’t feel, and every moment spent observing wildlife offers a lesson in balance, grace, and presence. I am drawn to bronze — an ancient material with a living surface that changes, deepens, and gains character over time, much like the landscapes and creatures that inspire me. Each patina adds its own mood and individuality, ensuring every piece carries its own quiet story. My work ranges from bird, wildlife, figurative, abstract to African sculpture...

Secessionist sterling silver cigarette / match holder, desk accessory, attributed to Josef Hoffmann, Stunning design, superior quality, hand executed, stamped sterling, also retains ...

Zulu warriors were renowned for their disciplined formations and innovative tactics in battle, epitomized by the "buffalo horns" strategy developed by the legendary Shaka Zulu: a man...

Austrian (Bohemia) Secessionist tapered square glass vase with black scroll & leaf design & oval panels with colored urn & flowers (att: Urban Janke & Ludwig Heinrich Jungnickel.

Style: Vienna Secession If you have any questions we are at your disposal. We have specialized in the sale of Art Deco and Art Nouveau styles since 1982.If you have any questions we ...

The Maasai Warrior joins my series of figurative works inspired by Africa’s tribes, each piece a reflection of cultural pride and enduring legacy: Standing tall, proud, and resilient...

"Caldare" is a specific object — a bronze pot on a white painted iron base with a stove —designed by Franz West in 1991 for the Meta Memphis Collezione, produced in a limited edition...

This is a wonderful antique box from the Vienna Secession period. Adorned with elegant carved details and a wood veneer interior.

A vintage ink pen / rotary phone dialer / paper weight made of lacqered polished brass with an ink pen insert. The pen is model number 5037 and was de...

Expressive wall relief of abstracted human figures is dynamically sculpted in rough white clay, which shows its texture by the hand markings of the artist almost into a three-dimensi...

SALE ONE WEEK ONLY "Robert Bielat was an artist’s artist, a sobriquet applied to those whose work is brilliant but idiosyncratic, deeply compelling in a way that is obvious to those who can see it, but not necessarily so to the market or to the arbiters...

Oriental Dancer, Jugenstil Vienna bronze sculpture, 1900s Richard Thuss Austrian Gilt Bronze Figure of an Oriental Woman Dancing Stamped under a foot VNO. Gilt has been restored. It ...

Beautiful abstract bronze sculpture. France, 1930s,

A pair of brass bowl in stepped concentric form designed by Dagobert Peche (Austrian, 1887-1923) and for Wiener Werkstatte circa 1910s-1920s. In the iconic style of Vienna Secession,...

Expressionist bronze sculpture, female head figure on Lucite base, France, 1930s.

Although unsigned, this magnificent Austrian expressionist art ceramic sculptural vase with three receptacles is attributed to Vally Wieselthier for Wiener Werkstatte, ca. 1920. Valerie "Vally" Wieselthier (Austrian-American, 1895 – 1945) was an outstanding ceramic artist. She was born to a Jewish family in Vienna, Austria. Her father, Wilhelm Wieselthier was a lawyer. Valluy attended theWiener Frauenacademie in Vienna from 1912 to 1914 and studied at the Vienna School of Applied Arts with Rosalinda Rothhansl, Kolo Moser, Jodef Hoffmann and Michael Powolny from 1914 to 1920. In addition, she worked as an auxiliary nurse during the First World War. From 1917 to 1922, she worked for the Wiener Werkstatte. From 1922 to 1927, she ran her own ceramic workshop in cooperation with the Augarten porcelain factory, which was newly founded in 1923, but also with other companies such as Friedrich Goldschider, Gmundner Keramik and Lobmeyr. Her expressive and humorous porcelain figures attracted attention at the Exposition Internationale des Arts Décoratifs et industriels modern in Paris in 1925 and are considered typical examples of the Art Deco style style. From 1928, the artist increasingly moved her center of life to the United States. She went to the International Exhibition of Ceramic Art in New York City in October 1928. In 1933, she moved to Chicago with Paul Lester Wiener...

Rare and unique bronze sculpture, on custom lucite base. France, 1940s.

Expressionist bronze sculpture on lucite base, portraying a female upper torso, France, 1940s

Abstract expressionist bronze sculpture on wood base. France, 1930s.

Incredible Expressionist bronze sculpture on stone and bronze base. France, 1940s.

This charming, unique glazed ceramic sculpture, designed to serve as a candleholder, was created by one of the master ceramicists at the famous Werkstatte in Vienna, or by an American craftsman influenced by their work. The shepherd boy...

A fabulous vintage Signed studio pottery vase. A charming composition of an open tin can, but in a rich brown.

Bronze sculpture "Fallen Angel" on wood base. France, 1940s.

Beautiful and unique Expressionist bronze sculpture, on marble base. France, 1930s.