Expressionist Decorative Objects

This charming, unique glazed ceramic sculpture, designed to serve as a candleholder, was created by one of the master ceramicists at the famous Werkstatte in Vienna, or by an American craftsman influenced by their work. The shepherd boy...

Abstract expressionist bronze sculpture on wood base. France, 1930s.

This abstract green glass sculpture by Gio Colucci (1892–1974) is a rare expressionist piece from the 1950s. Shaped with soft and organic curves, the sculpture reveals the artist’s s...

Entropy a compelling and unique bust by American Ceramic Arist, Bedford, c. 1960's. Expertly handcrafted earthenware, stains, oxides. "I use the word entropy as a metaphor for change...

Large bowl on an oval ground plan with flared, wavy and curved walls on four swept-out feet in the shape of leaves, flower and leaf decoration in relief on the bowl base and on the o...

Viennese seseion ceramic box Ceramic Origin Austria circa 1900 Very good condition and no restorations Sealed at its base Some chips on the lid ring due to wear and tear. Pink, black and yellow color with orientalist character on its cover. We are Saint John, a company dedicated to the trade...

The ceramic charger is an example of the kind of work by which John Glick became so famous. He was seduced by the effects of the reduction kiln, which decreased the levels of oxygen during firing, inducing the flame to pull oxygen out of the clay and glazes changing the colors of the glazes depending on their iron and copper content. In this way he achieved the rich gradients of ochre and umber and variations in stippling and opacity. It is signed by the artist and stamped with Plum Street Pottery on the verso. John was an American Abstract Expressionist ceramicist born in Detroit, MI. Though open to artistic experimentation, Glick was most influenced by the styles and aesthetics of Asian pottery—an inspiration that shows in his use of decorative patterns and glaze choices. He has said that he is attracted to simplicity, as well as complexity: my work continually reflects my re-examination that these two poles can coexist… or not, in a given series. Glick also took influences from master potters of Japan, notably Shoji Hamada and Kanjrio Kawai, blending their gestural embellishments of simple forms with attitudes of Abstract Expressionism. He was particularly drown to the work of Helen Frankenthaler whose soak-stain style resonated with Glick’s multi-layered glaze surfaces, which juxtaposed veils of atmospheric color with gestural marks and pattern. He spent countless hours developing and making his own tools in order to achieve previously unseen results in his work with clay and glaze. Glick’s “Plum Tree Pottery” (now a designated historic landmark in Farmington Hills, Michigan) studio opened around 1965 and closed in the summer of 2016. It was a private studio space for John and a number of his students and assistants. He believed his shapes evolved guided by forces apparently outside his control. This was instinctual, intellectual and due to his openness to change, fusing into what he thought was the most positive force behind a potter’s approach: evolution and growth. Some have called it inspiration. John was not only a major figure in the Detroit creative community, but in the ceramics world at large. According to Shelley Selim in her book on John, “John Glick: A Legacy in Clay” John remains: “one of the most recognizable names in the field of studio pottery – known for lecturing, publishing, and offering workshops widely – and his work has been featured in well over a hundred local, national and international exhibitions since he was a college student in the late 1950s.” Along with this John has mentored over thirty studio apprentices over five and a half decades, received numerous grants and awards for his work, and has been prolific, with an estimated 300,000 ceramic wares throughout the world. He received his Masters from Cranbrook Academy of Art in Bloomfield Hills, Michigan, working with Maija Grotell, a legendary and influential teacher. Grotell was noted for her deep interest in the human connection to nature’s rhythms and patters. These ideas often grounded her dialog with her students including Glick, affecting, a profund and lasting influence on his future work. This famous Art Academy was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), Paul Evans (Brutalist-inspired sculpted metal furnishings), Eugene Caples (small bronze images/abstract), Morris Brose (Bronze Sculptures), Herb Babcock (blown glass), Larry Butcher (mixed media) and Lauren Anais Hussey...

A finely modelled standing figural Cubist statue rendered in warmly patinated bronze, titled "Harlequin". Signed G/6.

Plaster bust of a man in the style of Swedish designer Nils Sjogren. The sculpture features a man with a moustache and curly hair mounted on a freeform wood base. Dimensions 5" widt...

This Expressionist sculpture in emerald green polychrome glass is a rare 1950s original by Italian-French artist Gio Colucci (1892–1974). An emerald green sculpture...

A pair of brass bowl in stepped concentric form designed by Dagobert Peche (Austrian, 1887-1923) and for Wiener Werkstatte circa 1910s-1920s. In the iconic style of Vienna Secession,...

Style: Vienna Secession If you have any questions we are at your disposal. We have specialized in the sale of Art Deco and Art Nouveau styles since 1982.If you have any questions we ...

Expressionist bronze sculpture, female head figure on Lucite base, France, 1930s.

Incredible Expressionist bronze sculpture on stone and bronze base. France, 1940s.

DESCRIPTION Beautiful, graceful lines on this "Circle of Love" statue made by Royal Haeger Pottery Company between 1980s-1990s. It would be a real statement piece as mantel, console,...

A fabulous vintage Signed studio pottery vase. A charming composition of an open tin can, but in a rich brown.

Bronze sculpture "Fallen Angel" on wood base. France, 1940s.

Decorative art in cast bronze - Bronze candlestick featuring a giraffe and acacia tree. Similar candlesticks in different sizes & motifs on request. Cost on application. Can also be ...

Beautiful and unique Expressionist bronze sculpture, on marble base. France, 1930s.

Beautiful and charming little teddy bear in black golden line from the famous designer designer Walter Bosse (1904 - 1979) Beautiful original patina from the mid-20th century. H...

Although unsigned, this magnificent Austrian expressionist art ceramic sculptural vase with three receptacles is attributed to Vally Wieselthier for Wiener Werkstatte, ca. 1920. Valerie "Vally" Wieselthier (Austrian-American, 1895 – 1945) was an outstanding ceramic artist. She was born to a Jewish family in Vienna, Austria. Her father, Wilhelm Wieselthier was a lawyer. Valluy attended theWiener Frauenacademie in Vienna from 1912 to 1914 and studied at the Vienna School of Applied Arts with Rosalinda Rothhansl, Kolo Moser, Jodef Hoffmann and Michael Powolny from 1914 to 1920. In addition, she worked as an auxiliary nurse during the First World War. From 1917 to 1922, she worked for the Wiener Werkstatte. From 1922 to 1927, she ran her own ceramic workshop in cooperation with the Augarten porcelain factory, which was newly founded in 1923, but also with other companies such as Friedrich Goldschider, Gmundner Keramik and Lobmeyr. Her expressive and humorous porcelain figures attracted attention at the Exposition Internationale des Arts Décoratifs et industriels modern in Paris in 1925 and are considered typical examples of the Art Deco style style. From 1928, the artist increasingly moved her center of life to the United States. She went to the International Exhibition of Ceramic Art in New York City in October 1928. In 1933, she moved to Chicago with Paul Lester Wiener...

Oriental Dancer, Jugenstil Vienna bronze sculpture, 1900s Richard Thuss Austrian Gilt Bronze Figure of an Oriental Woman Dancing Stamped under a foot VNO. Gilt has been restored. It ...

Austrian (Bohemia) Secessionist tapered square glass vase with black scroll & leaf design & oval panels with colored urn & flowers (att: Urban Janke & Ludwig Heinrich Jungnickel.

Bowl on an oval ground plan with flared, wavy and curved walls on four swept-out feet, fruit and leaf decoration in relief on the bowl base and on the outside, colored glazed in an e...

Stell sculture by Nicolas Vlavianos.