Arts and Crafts Floor vase by Roskilde Lervare Fabrik, Denmark 1900’s

Roskilde Lervare Fabrik vase manufactured by a well known but very undocumented factory called Roskilde Lervare Fabrik in Denmark in the early 1900’s. This specific vase is marked wi...

Michael Andersen and Son Arts and Crafts ceramic vase with pewter decoration with the running glaze which was very typical for Michael Andersen and also his son Daniel Folkmann Ander...

decorative floor vase from Knabstrup, crafted in Denmark during the 1950s. Renowned for their exceptional ceramics and timeless designs, Knabstrup pieces are highly coveted by collec...

Illuminate your space with the charm and character of Danish Arts and Crafts design with this exquisite antique ceramic table lamp, originating from Denmark in the 1910s. Crafted wit...

Rare decorative sculptural arts and crafts solid oak arm chair with original velvet upholstery with brass nails to hold the upholstery. The chair is made by a unknown Danish craftsma...

Rare pair of Michael Andersen ceramic vases with four owls as decoration on each vase, both of the vases have the classic blymajolika glaze which Michael Andersen is well known for. ...

An Arts and Crafts glass and wrought iron floor vase on stand, the green tinted Vaseline trumpet with a waved rim, attributed to James Powell of Wh...

A stylish Arts & Crafts Bernard Moore high-fired luster solifleur vase with a rounded body on a narrow rounded foot with narrow neck and everted rim. Th...

Teco Pottery Arts & Crafts vase with Four buttressed handles created circa 1903-1910. This piece is designed by W.B. Mundie for Teco Pottery. The vase is...

Weller Coppertone 1920s Vintage Arts and Crafts Pottery Green Ceramic Floor Vase Massive hand thrown arts and crafts ribbed and handled form with super color. Shows well with a profe...

Rookwood Vase, Monumental tapered shape in a Vellum glaze with a beautiful wild rose design, executed by Fred Rothenbusch in 1914, No.1653. Bottom Di...

“A Robineau vase is a true work of art, unique in conception and perfect in execution, for every piece that left this studio was a labor of love.” – Ethel Brand Wise, The American Magazine of Art, 1929 Adelaide Alsop Robineau was a pioneer in American studio ceramics and excelled as an innovator in pottery both technically and aesthetically. As a young woman of high society in the late Victorian era, she gained early accolades as a skilled watercolorist and china painter and taught for a time at St. Mary’s Hall in Minnesota. In 1899, she married Samuel E. Robineau, a French gentleman and collector of Chinese ceramics. He was deeply intrigued by her talent and steadfastly supported and encouraged her throughout her career. The couple collaborated to produce a popular and influential monthly journal together, Keramic Studio, and went on to build a studio on their property in Syracuse, New York, which they named Four Winds. Robineau would also go on to teach for many years at Syracuse University while creating her own work and raising three children. Early in her career, she studied at Alfred University under Charles Binns, who is widely considered to be the progenitor of contemporary studio ceramics in America. His program established a shift in the craft of ceramics as an academic pursuit, rather than one of apprenticeship. Pottery throwers and the artists who decorated the wares traditionally inhabited separate roles in ceramic manufacture, a practice common in Europe. Binns’ philosophy merged the two, such that the potter had total agency of the final product. This marked a historic divergence in the creation of art pottery – one that Adelaide Robineau...