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Carstens Tönnieshof Set of Bowl and Vase, West Germany Ceramics, 1960s
About the Item
Set of a bowl and small ever shaped vase was made by Carstens Tönnieshof with complex, textured lava white and buttery yellow glazes on light grey glaze background with gold accents throughout. The bowl has monochromatic black glaze on the bottom surfaces, and the vessel has the same black glaze on inner surfaces. Both bowl and vase have gold trims on the rims. The combination of Modernist shapes of the pieces and minimal color palette allows the set to be a perfect addition to a wide variety of the interiors, and makes it a perfect gift to a Mid-Century Modern pottery collectors or design enthusiasts.
The pieces are signed with "W. Germany" and model numbers on the bottoms. The set is in good vintage condition; the vase stands 8.45" tall, 3.2" wide, and 2.8" deep; the measurements for the bowl are 1.25" tall, 6.25" wide, and 6" deep.
We are offering a set of large bowl and a vase, made by Carstens Tönnieshof in the same glaze finish, in separate listing.
Carstens operated from 1945 to 1987; it was founded by brothers Christian and Ernst Carstens after they lost most of their factories to the DDR. The Carstens Uffrecht factory in East Germany became the manufacturer VEB Haldensleben. The Carstens Tonnieshof factory was located in Freden an der Leine (West Germany), and designers included Trude Carstens (wife of Ernst Carstens), Heinz Siery, Gerda Heuckeroth and Dieter Peter.
- Creator:Carstens Tönnieshof (Manufacturer)
- Dimensions:Height: 8.5 in (21.59 cm)Width: 6.25 in (15.88 cm)Depth: 6.25 in (15.88 cm)
- Sold As:Set of 2
- Style:Organic Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1960s
- Condition:Wear consistent with age and use.
- Seller Location:Clifton Springs, NY
- Reference Number:1stDibs: LU4421142163962
Roman Erlikh
Roman Erlikh is a professional woodworker with over 20 years’ experience. Roman Erlikh Studio creates bespoke and limited edition contemporary furniture and art objects. His first furniture collections were inspired by traditional Art Deco and Biedermeier styles interpreted through a modern lifestyle demands. Stepping away from merely utilitarian view of everyday objects, his recent collections are filled with meaningful textual context while incorporating traditional and modern woodworking techniques. Roman is using practical function as a common denominator to create emotionally charged art objects, blurring the boundary between art and function. While appreciating possibilities of ordinary materials, Roman is developing new mixed media multilayered composite varnishes and utilizes decorative gilding and mica veneer to actively engage ambient light, giving an additional aspect to relation of his objects to their environment. The decision to work in custom format was based on environmental concerns and opposition to culture of mass production and pure consumerism. The choice of materials was heavily influenced by sustainability and environmental concerns. All objects are made locally in the Brooklyn Navy Yard workshop. Elimination of storage and transportation needs for mass-produced furniture in lieu of creating a custom made objects on demand allows us to reduce waste of materials and energy.
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