Ceramic Sculpture Rupestre 01 by Gino Marotta for Superego Editions

Ceramic sculpture by Marcello Fantoni, 1950. Glazed ceramic. Single piece. Original signature. Cooking defect. Biography Marcello Fantoni was born in Florence on October 1, 1915. Gr...

Ceramic (Grés) centerpiece designed and produced by Carlo Zauli in 1970. Unique piece. Signed. Biography: Carlo Zauli (Faenza, 1926-2002) is one of the great names in post-war Italian sculpture. Like other masters of previous generations, from Martini to Fontana and Leoncillo, his technical training was in the field of ceramic art. Zauli moved away from its formal principles in the sixties, however, when his work moved towards a complex form of sculptural research of great expressive richness. The shift from informal territories towards a reasoning about geometrical forms as rhetorical structures brought him into the heart of the sculptural debate of those years. The solo exhibition at the Montenapoleone Gallery of Milan in 1957 fitted in perfectly with other works that were part of a trend towards an integration of the arts (frieze for the palace in Baghdad, 1958; frieze for the government printing office...

Earthenware. Manufactured by Superego Editions, Italy. Underside with transfer print ‘A. Branzi/Superego/Editions’. 2007. Biography Superego editions was born in 2006, performing...

Casket sculpture model Sasso designed and produced by Giorgio Vigna. In copper, signature and date on the inner edge . Biography Giorgio Vigna was born in Verona in 1955 and artistically formed among his hometown, Venice, Rome and Milan. He is an artist who, at the boundary between reality and imagination, creating natural forms capable of manifesting primary and primordial aspects. Adventures of earth and water, fire and wind where combines natural and artificial, poor and precious. Vigna moves on the border between the real and the imaginary, between what is and what appears. His works, from sculptures to jewelry, the works on paper or the site specific installations, reflect the breadth and depth of his constant research. Using various materials such as glass, metals and paper, treated always new and surprising mode. Vigna explores and seeks them to reveal hidden possibilities.The forms are the primary expression of the elements he works with. Strong and natural, universal and timeless, full of symbolic meanings. In 2003 Giorgio Vigna created the site specific installation La Radura for Nancy Olnick and Giorgio Spanu which started the Olnick Spanu Art Program. In 2013 the Museum of Castelvecchio in Verona hosted the exhibition Stati Naturali, for which Giorgio Vigna has created for the fountain of Carlo Scarpa the permanent installation in glass Acquaria, donated to Verona Municipality. In 2017 he has created for the Galleria dell’Accademia in Venice the work Fuochi di Rugiada, made by Vetreria VENINI. Since 2018 he has been called to be part of the Scientific Committee of Le Stanze del Vetro, a project of the Giorgio Cini Foundation with the support of Pentagram Stiftung. In 2022 he donated his thirty-year archive of drawings and sketches linked to his experience with the materia of glass to the Giorgio Cini Foundation onlus. In June 2023 it inaugurated the solo exhibition Analogie at the Eremitani Museum in Padua, the natural continuation of the journey begun in 2022 with the Sassi exhibition at the Oratorio di San Rocco in Padua. His work has been exhibited in galleries and museums in Argentina, Austria...

Large Mid Century Warren Hullow Sea Form studio pottery object/sculpture, great vintage condition, no notable issues. Dimensions: 8”W x 8”D x 4.5”H Other Warren Hullow and Isabel Pa...

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...

Untitled 19 Stoneware Sculpture by Laura Pasquino One of a kind Dimensions: D 50 x H 49 cm Material: White and beige stoneware, glaze. Laura Pasquino Incorporating references from ...

No.84 stoneware sculpture, Tonfisk by Ciona Lee One of a Kind Dimensions: Ø 24 x H 34 cm Materials: Speckled stoneware, Matte White Glaze Variations of ...