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Fulper Arts & Crafts Hammered Green Split Strapped Handled Vase, 1900

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Tiffany Studios Favrile Decorated Three Handled Vase
By Louis Comfort Tiffany
Located in Dallas, TX
Tiffany Studios Favrile decorated glass loving cup with three coiled handles. Circa 1910 Engraved "L.C. Tiffany - Favrile, 3633D Measures: Height:...
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Monumental Schneider Mottled Glass Two Handled Vase Circa 1920
By Charles Schneider
Located in Dallas, TX
Monumental Schneider Mottled Glass Two-Handled Vase, circa 1920 Marks: Schneider, MADE IN FRANCE, G 16/2 Height: 22.75 inches (57.8 cm) Diameter: 12.25 Inches Art Deco decorated form...
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Muller Freres Luneville Cameo Landscape vase 1900
By Muller Fres Lunneville
Located in Dallas, TX
A sumptuous art nouveau French cameo lake landscape acid etched cameo vase with applied handles. Sunrise or sunset with a yellow orange background with engraved trees, bushes and mou...
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Gallé Cameo Glass Anemone Vase, circa 1900
By Émile Gallé
Located in Dallas, TX
Galle Cameo Glass Anemone Vase, circa 1900 Art Nouveau Marks: Gallé Height: 9.5 inches (24.1 cm) Diameter: 4.5 Condition: Vase features red and pink anemones over a white to yellow...
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Loetz Rubin Matte Iris Handles Ewer Vase, Rare 1898
By Loetz Glass
Located in Dallas, TX
Loetz Rubin Matte Iris - 1898 (aka: rubin metall) Registered Model: PM I-7875 Ruby ground; metallic-bronze iridescent finish (iris) with purple highlights. Measures: Height 7.75 inches Width 4.25 inches Condition: Excellent AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. In 1836, Johann Eisner established a glassworks in the Southern Bohemian town of Klostermühle, today part of the Czech Republic and called Klášterský Mlýn. His heirs sold the glassworks to Martin Schmid in 1849, and two years later Schmid sold it to Frank Gerstner, attorney-at-law, and his wife Susanne. Susanne was the widow (‘Witwe’ in German) of Johann Loetz, a glassmaker about whom we know very little. Gerstner transferred sole ownership to Susanne shortly before his death in 1855, and she successfully led and expanded the company during the subsequent 20 years, manufacturing mainly crystal, overlay and painted glass. In 1879, Susanne transferred the company – now called ‘Johann Loetz Witwe’ – to Maximilian von Spaun, the son of her daughter Karoline. One year later, von Spaun hired Eduard Prochaska and the two of them modernized the factory and introduced new, patented techniques and processes. The Historicist Period The first fruits of this collaboration were exciting innovations in Historicism glass, including Intarsia and Octopus glass and the very popular marbled (‘marmorisierte’) glass which imitated semi-precious stones like red chalcedony, onyx and malachite. Success at exhibitions in Brussels, Munich and Vienna were crowned by awards at the Paris World’s Exposition in 1889. In 1897, von Spaun first saw Tiffany Favrile glass exhibited in Bohemia and Vienna, and this convinced him that the art nouveau style was also the way to go for Loetz Witwe. The next eight years were to be the most artistically significant and profitable period in the entire history of the company. The Art Nouveau Period – the Glory Years Loetz Paris-Expo1900Loetz Paris-Expo1900The glassworks created large numbers of its own new designs of iridescent, trailing art nouveau glass, sometimes in collaboration with well-known artists and designers like Marie Kirschner and Franz Hofstötter (aka Franz Hofstätter). The zenith of Loetz art nouveau glass was epitomized by the so-called Phänomen series of designs, much of it designed by Hofstötter, which won a Grand Prix (alongside Tiffany, Gallé, Daum and Lobmeyr) at the Paris World’s Exposition in 1900. The company’s success during this period had two prime drivers – the technical expertise of Prochaska and the business acumen of von Spaun. Loetz Witwe created many of its own designs, and also supplied glass commissioned by major customers like E. Bakolowits (Vienna) and Max Emanuel...
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Antique 1890s Czech Art Nouveau Vases

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Schneider Le Verre Francaise Carved Handled Art Deco Vase
By Le Verre Francais
Located in Dallas, TX
A Tall Le Verre Francaise Schneider Art Nouveau Two Handled Cameo Vase with Bell Flowers in Orange, Red and Yellow. France Circa. 1925, Incised mark "Le Verre Francais," Height: 1...
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Fulper Drip Glazed Arts & Crafts Ring-Handled Vase USA, 1917–1934, Shape #574 An exquisite Fulper Drip Glazed Arts & Crafts Ring Handled Vase, crafted in the USA between 1917 and 1934. This fine example of American Arts and Crafts pottery...
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