Glitch #03. From the series Glitch

Glitch #04, 2023 by Yongwon Noh From the series Glitch Ceramic Size: 6.7 in. H x 2.7 in. W x 2.7 in. D Weight: 1kg Unpacked Unique Piece Signature written on the bottom of the vase ...

Glitch #05, 2023 by Yongwon Noh From the Glitch series Ceramic Size: 4.3 in. H x 5.1 in. W x 5.1 in. D Weight: 2kg Unpacked Unique Piece Signature written on the bottom of the vase ...

Glitch #02, 2023 by Yongwon Noh From the series Glitch Ceramic Size: 7.4 in. H x 3.5 in. W x 3.5 in. D Weight: 1kg Unpacked Unique Piece Signature written on the bottom of the vase ...

Glitch #01, 2023 by Yongwon Noh From the series Glitch Ceramic Size: 10.6 in. H x 3.9 in. W x 3.9 in. D Weight: 1kg Unpacked Unique Piece Signature written on the bottom of the vase ...

Jjirasi Vase #03, 2023 by Yongwon Noh From the series Jjirasi Ceramic, PVC Sticker and Resin Size: 6.3 in. H x 6.3 in. W x 6.3 in. D Weight: 3 kg Unpacked Unique Piece Signature wri...

Jjirasi Vase #02, 2023 by Yongwon Noh From the series Jjirasi Ceramic, PVC Sticker and Resin Size: 7.8 in. H x 8.6 in. W x 8.6 in. D Weight: 3 kg Unpacked Unique Piece Signature wri...

Venini Morandi series bottle i.e. inspired by the paintings of painter Giorgio Morandi who made the bottles the distinctive image of his works. The Bottiglie Morandiane series was c...

Tadeas Podracky Vase From the series “The Metamorphosis” Manufactured by Tadeas Podracky Produced in exclusive for side Gallery Prague, 2021 Mixed media, plastic, wood, textile, foam, glass Measurements 65 cm x 70 cm x 92 H cm 25,6 in x 27,5 in x 36,2 H in Edition Unique Piece Concept The Metamorphosis collection seeks to enhance the emotional bond to our surrounding environment. During the Coronavirus outbreak Podracký returned to Prague his home town and spent a couple of months in a quarantine in his studio there. Access to materials was minimal but he turned this handicap into a research opportunity and started to work only with material found around the studio or that were easy to access, such as wood, textiles, trash such as old car parts, old ceramic pieces or broken glass sheets. Tadeáš realized that these materials had a certain authenticity and so began reevaluating the way he approached the materiality, challenging himself to dis-acknowledge deeply rooted principles of formal design, interrupting established practices of conventional construction methods. The designer was seeking the authenticity of expression and changed his design methodology based on the intuitive use of materials and emotional decisions regarding structure, shape and the construction process. The aim was to let the object grow through his hands by gluing and combining different elements, reminiscent of the process of a bird...

Ovoid vase from the Neri Argento series Ovoid vase, on truncated conical foot, black glass with gold and silver leaf inclusions, and red paste threads Carlo Scarpa...

Ashtray from the Byzantine series made by the A.VE.M. glassworks. The Byzantine series called ALL FRUITS by collectors was made by A.VE.M. in the 1950s. These works are all one-of-...

Vase from the Chinese series designed by Tobia Scarpa for Venini. Elegant vase with lid made of white etched glass. The Cinesi series was' designed by Carlo Scarpa in the 1940s, hi...

Christina Muff, Danish contemporary ceramicist (b. 1971). Hand modelled stoneware vase from the ‘Seed’ series. The vase is decorated with clay and has a beautiful, dark blue glaze w...