Glass Vases

Unique in its details submerged vase Flavio poli for Seguso. Light-dark amber color. Light-dark green color. A mix of emotions in looking at these colors that bring a 1950s sculpture...

Cenedese vintage midcentury modern tall and rare pair of Murano solid light blue colored / coloured faceted glass obelisks, made circa 1970. Wonderful Italian glass and perfect as an...

Elegant hand blown Sommerso and lattimo yellow Murano glass vase / centerpiece, Italy, 1950s. Triple cased glass (yellow, over white lattimo glass over yellow glass). It has an scall...

A glass vase made in 1960s Italy. This dazzling vase was made by Murano Glass, a renowned manufacturer from Venetia, a region famous for thousands of years of artisanal glassblowing....

Light blue Murano glass vase by Venini, designed by Alessandro Mendini in the 1980s Ø cm 18,5 h cm 12,5 Alessandro Mendini from the end of the 70s was among the innovators of Itali...

French Art Deco frosted glass vase by SPV Société Parisienne de Verreries, 112 boulevard Auguste Blanqui (Paris), France, 1920-1935. Close ...

Set of two hand blown vases in olive green and purple attributed to Leerdam glass works, The Netherlands, 1960's. Glass maker Floris Meydam was chief designer at Leerdam Glass Facto...

From a private collection from a prestigious London residence, we are pleased to offer this exceptional Regency Anglo-Irish cut glass pedestal vase or bonbonnieres and cover dating f...

The hormone of love has its tiny glass pill. A design placebo created by Fabio Novembre in VENINI’s workshop. Indications and dosage: admire it in small dos...

A Loetz Cobalt Papillon Art Glass and Pewter Art Nouveau Vase. Circa 1900 The shapely design with flared base having four evenly spaced indentations...

Unique piece of a splendid Murano glass vase in gold Handmade in Venice by local artisans One of a kind.

1/2 Ltr forms The 1/2 Ltr forms are created using leftover materials from the 105 Ltr production. Each edition is limited to the quantity that can be made from the leftovers. In the...

Oriente vase designed by Dino Martens for Aureliano Toso circa 1970s-80s Cased glass with bold and colorful interior patchwork Sprinkled copper aventurina...

A lovely large pair of authentic antique 19th-Century hand blown mercury glass decorative vases from England. These stunning vases have stylish shapes with hand painted floral design...

Crafted by the celebrated French glassmaker René Lalique, this enchanting Ceylan vase is molded from opalescent glass with a blue stained wheel. The design...

An attractive early 20th-century cameo glass vase acid cut and hand etched with birds, floral and foliage decor in a deep brown against a pink background, exhibiting excellent hand-f...

Ercole Barovier Murano Rostrato green and clear gold flecked glass basket vase Exquisite green Rostrato Murano art glass basket vase with a tw...

Art Deco Vase “Espalion” made in cased jade green glass by René Lalique in 1927. Engraved signature on bottom. Perfect condition. Extremely rare color height: 18 cm Félix Marcilha...

A fine, very large scale antique French art glass vase. In green tones. With acid-cut back cameo grapes, grape leaves, & vines. Signe...

A stunning Art Nouveau iridescent glass vase applied with green trailed thread patterning attributed to Palme König and dating from the early 20th century....

Beautiful and unusual, vintage Murano hand blown rich cobalt blue with excavated surface texture Italian art glass flower vase. The piece is documented to Cenedese company, with labe...

REDUCED FROM $580....Tall large Murano black glass and aventurine vase attributed to Vincenzo Nason & Cie for their Avventurina Collection. Lovely mode...

Hand-blown, mid-century style, smoke glass vase with spike design in the manner of Barovier, Italy.

Beautiful teal-colored Murano glass bubble vase. Fabricated by Archimede Seguso for Vetri D'Arte in the 1980's, Italy. This beautiful Venetian glass vase is made with hand-blown gl...

Murano Glass Lattimo Filigrana Waterfall Bowl/Vase by Ercole Barovier likely BeFirstBoldy com This is an unusual piece that we are told by collectors is by Ercole Barovier. Blown i...

Scandinavian glass artist, tall and slim art glass vase. Mouth-blown. Heavy vase. Amber and green glass with embedded air bubbles. From the 1960s. Unstam...

A blown glass vase designed by Ture Berglund and produced by Skansens Glasbruk, Sweden, 1940s. Dimensions: 4.125” H x 4” diameter Diameter of opening: 1”

A Fine Tall Early Schneider Glass Vase, 1918-21 The candy cane "Berlingot" mark in the foot was only used between 1918 and 1921. Additional information: Date : 1918-1921 . Thi...

Of all the glassworks produced in the late 19th century, cameo glass was the most challenging to perfect. Only a handful of artisans succeeded in mastering this intricate craft, with...

Glass vase with enameled decor small bells blue and green. 1910 Wiener Werkstätte Austrian vase with polychrome Enameled decoration. Probably a creatio...

French Art Nouveau green cameo glass vase cut with leafy branch relief design. Signed: Daum Nancy. The Daum family worked at the beginning of Art Nouveau and creators of one of ...

Vase in the shape of a drum on an oval, short base, slightly tapering towards the top in depth, at the top as an opening an arcuate cutout with a slight beaded edge. Colorless glass ...

A massive and impressive glass decanter attributed to Empoli in Italy. Very much in the style of Blenko Glass. It consists of sculptural handblown amber glass with large stopper.

An impressive early 20th Century American iridescent glass vase of slender form with green hearts shining through an attractive golden iridescence, signed L C Tiffany Favrile and numbered to base. ADDITIONAL INFORMATION Height: 23 cm Condition: Very Good Condition Circa: 1905 Materials: Iridescent Coloured Glass SKU: 6667 ABOUT Louis Comfort Tiffany Louis Comfort Tiffany (February 18, 1848 – January 17, 1933) was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass. He is the American artist most associated with the Art Nouveau and Aesthetic movements. Tiffany was affiliated with a prestigious collaborative of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Colman. Tiffany designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewellery, enamels and metalwork. Early Life He was born in New York City, New York, the son of Charles Lewis Tiffany, founder of Tiffany and Company; and Harriet Olivia Avery Young. He attended school at Pennsylvania Military Academy in West Chester, Pennsylvania, and Eagleswood Military Academy in Perth Amboy, New Jersey. His first artistic training was as a painter, studying under George Inness in Eagleswood, New Jersey and Samuel Colman in Irvington, New York. He also studied at the National Academy of Design in New York City in 1866-67 and with salon painter Leon-Adolphe-Auguste Belly in 1868-69. Belly’s landscape paintings had a great influence on Tiffany. Career Louis started out as a painter, but became interested in glassmaking from about 1875 and worked at several glasshouses in Brooklyn between then and 1878. In 1879, he joined with Candace Wheeler, Samuel Colman and Lockwood de Forest to form Louis Comfort Tiffany and Associated American Artists. The business was short-lived, lasting only four years. The group made designs for wallpaper, furniture, and textiles. He later opened his own glass factory in Corona, New York, determined to provide designs that improved the quality of contemporary glass. Tiffany’s leadership and talent, as well as his father’s money and connections, led this business to thrive. In 1881 Tiffany did the interior design of the Mark Twain House in Hartford, Connecticut, which still remains, but the new firm’s most notable work came in 1882 when President Chester Alan Arthur refused to move into the White House until it had been redecorated. He commissioned Tiffany, who had begun to make a name for himself in New York society for the firm’s interior design work, to redo the state rooms, which Arthur found charmless. He worked on the East Room, the Blue Room, the Red Room, the State Dining Room and the Entrance Hall, refurnishing, repainting in decorative patterns, installing newly designed mantelpieces, changing to wallpaper with dense patterns and, of course, adding Tiffany glass to gaslight fixtures, windows and adding an opalescent floor-to-ceiling glass screen in the Entrance Hall. The Tiffany screen and other Victorian additions were all removed in the Roosevelt renovations of 1902, which restored the White House interiors to Federal style in keeping with its architecture. A desire to concentrate on art in glass led to the breakup of the firm in 1885 when Tiffany chose to establish his own glassmaking firm that same year. The first Tiffany Glass Company was incorporated December 1, 1885 and in 1902 became known as the Tiffany Studios. In the beginning of his career, he used cheap jelly jars and bottles because they had the mineral impurities that finer glass lacked. When he was unable to convince fine glassmakers to leave the impurities in, he began making his own glass. Tiffany used opalescent glass in a variety of colors and textures to create a unique style of stained glass. He developed the “copper foil” technique, which, by edging each piece of cut glass in copper foil and soldering the whole together to create his windows and lamps, made possible a level of detail previously unknown. This can be contrasted with the method of painting in enamels or glass paint on colorless glass, and then setting the glass pieces in lead channels, that had been the dominant method of creating stained glass for hundreds of years in Europe. (The First Presbyterian Church building of 1905 in Pittsburgh, Pennsylvania is unique in that it uses Tiffany windows that partially make use of painted glass.) Use of the colored glass itself to create stained glass pictures was motivated by the ideals of the Arts and Crafts movement and its leader William Morris in England. Fellow artists and glassmakers Oliver Kimberly and Frank Duffner, founders of the Duffner and Kimberly Company and John La Farge were Tiffany’s chief competitors in this new American style of stained glass. Tiffany, Duffner and Kimberly, along with La Farge, had learned their craft at the same glasshouses in Brooklyn in the late 1870s. In 1889 at the Paris Exposition, he is said to have been “Overwhelmed” by the glass work of Émile Gallé, French Art Nouveau artisan. He also met artist Alphonse Mucha. In 1893, Tiffany built a new factory called the Stourbridge Glass Company, later called Tiffany Glass Furnaces, which was located in Corona, Queens, New York, hiring the Englishman Arthur J. Nash to oversee it. In 1893, his company also introduced the term Favrilein conjunction with his first production of blown glass at his new glass factory. Some early examples of his lamps were exhibited in the 1893 World’s Fair in Chicago. At the Exposition Universelle (1900) in Paris, he won a gold medal with his stained glass windows The Four Seasons He trademarked Favrile (from the old French word for handmade) on November 13, 1894. He later used this word to apply to all of his glass, enamel and pottery. His first commercially produced lamps date from around 1895. Much of his company’s production was in making stained glass windows and Tiffany lamps, but his company designed a complete range of interior decorations. At its peak, his factory employed more than 300 artisans. Recent scholarship led by Rutgers professor Martin Eidelberg suggests that a team of talented single women designers – sometimes referred to as the “Tiffany Girls” – led by Clara Driscoll played a big role in designing many of the floral patterns on the famous Tiffany...

Incredible AVeM Murano glass multicolor vase circa 1950 vase "Bizantino"

This antique hookah base, crafted from ruby glass in the 19th century, was designed specifically for the Persian market. The transparent glass is overlaid with a rich ruby layer, cre...

A large and impressive Lalique Masque De Femme pattern covered vase, France, 20th century, engraved 'Lalique France' to cover and numbered 99...

Enhance your private interior with this extraordinary Daum Nancy France bud basket crystal vase, a striking example of artistic mastery. Crafted circa 1970, this rare and captivating...

Beautiful and large, antique Murano hand blown Millefiori Murrina flower mosaic Italian art glass double handles vase. Documented to the Fratelli Toso company, circa 1900-1920. Amazi...

A ca. 1920's French Art Nouveau "Epinettes" cameo glass vase by La Verre Français. The acid engraved yellow and maroon glass shows "epinettes", flowers resemb...

21st century Karim Rashid Queen vase Murano glass various colors Queen designed by Karim Rashid is a curvaceous vase that combine regality with visual wit. Proposed in combination w...

This antique vase is unsigned, but made by the Loetz glass factory of the Czech Replublic in approximately 1900 in the period Art Nouveau style. The vase is done in the gold irridesc...

This Post-Modern Murano glass vase has a very elegant and delicate light blue tone. Becouse it’s not industrial production, the vase shows some little irregularities in the form.

A very large Daniel Lotton art glass bowl or vase. With pulled feather decoration in pink overlay on a blue ground. Simply great craft! Date: 1...

A rare set of vintage Royal Copenhagen vases designed by Per Lutkin for Holmegaard in a beautiful green and blue tinted hand blown glass. All signed and engraved. Per Lütken was a ...

Organic lipped glass vase designed by Gino Cenedese and Maurizio Albarelli for Cenedese et Albarelli, circa late 1970s. Irregular and voluptuous fish-like lips make this piece a rare...

Large Loetz glass Titania vase, circa 1900.

Unique large Murano glass vases. Designed by Gino Cenedese and Maurizio Albarelli for Cenedese et Albarelli, circa late 1970s. Deep gradient amethyst colouring, fading to a pinkish c...

Vicke Lindstrand Rare and Large 'Dykare' or 'Diver' Vase in Etched Glass for Orrefors, Sweden, 1930s. A very rare and mesmerizingly beautiful 'diver' vase by Vicke Lindstrand for Or...

Josef Hoffmann cut and ground clear crystal bowl / vase made by Ludwig Moser & Söhne, Karlsbad for Wiener Werkstätte circa 1915 - 1920. Stamp signature to underside: [MOSER KARLSBAD ...

Large, mold-blown, baluster-shaped body on a separate stand, bulbous after the constriction and slowly narrowing again, wide mouth rim with metal mount, drawn silver thread decoratio...

A beautiful larger vintage midcentury Murano faceted art glass bowl attributed to Mandruzzato, circa 1970s. The combination of ruby red and yellow tinted uranium over clear 'Sommerso...

A beautiful glass vase with a frill inlet designed by a Murano Glassworker in Venice Italy in the 1980s. A vase made by hand with green glass with details made of blue glass. The col...

In the 1930s, Sweden was the world's epicenter for the production of high quality, engraved glass pieces in the Art Deco manner, well illustrated by this vase depicting a nude male f...

A stylish and luminous iridescent art glass vase by Wilhelm Kralik Sohn, Bohemia, circa 1900. This handblown piece features a vibrant cranberry-to-amethyst ground, richly accented by...

Great piece by Tomas Hora. Glass object or vase inspired by Vaserely. Chech republic, 1999 good condition, signed and stickered Thomas Hora and Kamenicky Senov. measurements: H 19 cm...

Beautiful, and large, vintage Murano hand blown soft grayish lavender purple and white Zanfirico ribbons Italian art glass sculptural handkerchief / fazzoletto flower vase. Documente...

A wonderful D'Argental cameo art glass vase, France, late 19th century. San Giorgio Island scene with gondola and Palazzo San Giorgio in the background. Milky glass with shades of or...

Made in Rosice, Czech Republic, in 1969. It is made in thick blown glass. This vase is a vintage piece, therefore it might show slight traces of use, but it can be considered as in...

Deep blue Murano glass vase with gold base. Found in Italy, this circa 1960s Murano glass vase features a saturated heavy blue flared and ridge...