Early 1900s Vases

Form blown baluster-shaped body on a round, flush stand, bulbously widening and contracting to a short, wide neck. Cobalt blue underlay with silver-yellow-green crumb inclusions, 2 s...

Mold-blown body widening conically upwards, on a flush, round stand, a constriction forming the narrow shoulders with a wide opening, flared rim of the mouth, polished pontil with th...

Antique Meissen Blue Onion vase in hand-painted porcelain. Approx. 1900. Measures: 23.5 x 13 cm. In excellent condition. Stamped. 3rd factory quality.

Rare pair of folk art memory vases, antiques 1900-1910 Folk art vases from multiple inserted small tokens, mementos like porcelain doll heads. Good antique condition. Some missing pieces and also chips around the fringes. Very decorative pieces. Dimensions 5.5" x 10.23". Memory vases origin: As a cultural artifact of the late 19th and early 20th centuries, memory jugs possess an intersectional history as a form of domestic craft with ties to African and African-American burial practices. Traditionally created by the Bakongo people in Central and West Africa as grave markers...

Josef Hoffmann a “flower basket”, Wiener Werkstätte, 1906.

GUSTAV GURSCHNER (Austrian, 1873-1970), a sculptor, attended the School of Applied Arts in Vienna in 1888. Working under several artists, his time in Paris in 1897 proved to be most ...

This Minton Secessionist ware vase stands 176 mm (7 inches) high, and has a diameter at the base of 90 mm (3.5 inches). This design is illustrated ...

Tubular vase body with loaf-shaped, flush stand, colorless glass with flaky white and green color powder inclusions, overlay in dark green, in various sta...

Pair Japanese Bronze Meiji Era vases with multiple birds on branches very detailed with multiple ways to display. Both vases are signed as shown.

Trumped vase designed by Tiffany & Co. Beautiful antique trumpet vase made at the Tiffany studios in New York city, between the 1900 and 1901. ...

Glass vase manufactured by Johann Loetz Witwe PG 1/158 decoration ca. 1901 Austrian Jugendstil This vase is an excellently preserved and exquisite specimen, which illustrates the high art of glassblowing from the manufacturer Loetz. The decoration from the Phenomen Genre family is characterized mainly by the contrasting and matte iridescence, which show new qualities in their color gradient with each incidence of light. The veined and irregularly warped bands with their slightly silvery shimmer are particularly striking. What is exciting is that especially the decoration “PG 1/158” – originally composed of two different decorations – unfolds completely new on each form and thus gives each shape of vase something unique. Through the use of the base in the color green in combination with the different curvatures and indents of this filigree vase...

By Wilhelm Schiller & Son. Austria Majolica vase. Early 1900 Impressed within a raised cartouche in the clay at bottom: WS&S / 7...

Pair of Minton pate sur pate style vases with white relief butterflies black white, and gold porcelain, circa 1900, England.

This tall and rare Tiffany Studios jack in the pulpit vase has an inverted saucer foot with opalescent wafer transition stem to foot. The transparent green glass stem leads to the bo...

177 Pilkington’s Lustre Vase by Charles Cundall This rare diamond shape features flowers and foliage and bears the date code for 1909 From a private collection the firing is excep...

Rare and interesting early Emile Galle cameo vase, c14 inches tall, decorated with 1908 chrysanthemum series probably the "sur café au lait" version,...

Baluster-shaped vase body on a wide, round base, conical wall that widens upwards, on slightly sloping shoulders a short, narrow neck with a slightly flared mouth edge, colorless gla...

Tiffany Studios circa 1900 Fine decorated gilt-bronze and Tiffany favrile glass vase, Of trumpet form, the glass insert decorated with a g...

Rookwood 1902 Art Pottery Standard Glaze Spaniard Portrait Vase 902C (Young) Good sized and very nice standard glaze portrait vase by Grace Young. Excellen...

A glazed earthenware vase with a floral motif, designed and produced by Herman Kähler, Denmark, c. 1900.   

Sculptural ceramic vase made by Herman A. Kähler ceramic works circa 1910 The vase has modeled starfish-arm shaped handles glazed with glossy deep blue luster...

Vase with a large, round stand, widening like a bulge and then conically narrowing to a narrow opening with a flared rim, colorless glass with pink and light green colored powder inc...

Japanese porcelain vase delicately hand painted on an craquelure oatmeal colored ground. The brightly colored design is of prunus blossoms, chrysanthemums and several roosters all ou...

DIMENSIONS: Height: 12.5 inches Width: 6.75 inches Depth: 6.75 inches ABOUT AWAJI POTTERY Awaji pottery was made on the Japanese island of the same name between 1830 and 19...

This is a large hand blown emerald green opaque glass vase with applied open work copper overlay decoration, which is likely to have been manufactured i...

DETAILS: Fully marked on bottom. DIMENSIONS: height: 6.75 inches, width: 4.5 inches, depth: 4.5 inches ABOUT THE ARTIST Paul Dachsel (Czech, born circa 1880) was the son-in-law of Alfred...

A Monumental Japanese Kutani porcelain vase, Meiji/Taisho Period, Signed Akiyama sei. The main body is all hand-painted with wonderful ...

Hand painted with gilt bronze mounts with frogs and florals.

Circa !900 Japanese Large well shaped bronze champleve enameled vase.. Six paneled sides with Asian themed engravings on each panel.With two ringed handles. Original warm amber brow...

Rare, decorative vase by Michael Andersen & Son (MA&S) with beautiful glaze in different colors (yellow, green, grey..) flows down the rounded shape. The upper part has decorativ...

French Majolica triple branches rustic vase circa 1900.

Wardle & Co An English Arts & Crafts Stuart Vase Depicting a Medieval Maiden playing a Lute    

Tall rod vase with a slender, straight neck with a flat, bulbous body in the flush standing area, colorless glass with yellow and reddish colored powder inclusions, overlay in moss green and violet, in various stages highly etched hydrangea decoration, matt surfaces. Cameo signature 'Gallé' on the wall in the lower area between the leaves...

Important pair Art Nouveau Baccarat crystal gilded cameo vases in deep red over pale green depicting a stylish aquatic scene with water lilies. As with most early Baccarat cameo...

Loetz Art Nouveau circa 1900 art glass vases with floral and decorative scroll Silver Overlay. (Pair) Larger: Corset form in iridescent gold glass decorated with scrolling silver overlay and a blank cartouche. Height: 5.25 X 2.75 Diameter Condition: Mint. Smaller: Bulbous smoke stack form in iridescent green-gold decorated with scrolling silver overlay flowers. Marked: Alvin pat 67 Height: 4.25 X 2,65 Diameter Condition: Mint AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. In 1836, Johann Eisner established a glassworks in the Southern Bohemian town of Klostermühle, today part of the Czech Republic and called Klášterský Mlýn. His heirs sold the glassworks to Martin Schmid in 1849, and two years later Schmid sold it to Frank Gerstner, attorney-at-law, and his wife Susanne. Susanne was the widow (‘Witwe’ in German) of Johann Loetz, a glassmaker about whom we know very little. Gerstner transferred sole ownership to Susanne shortly before his death in 1855, and she successfully led and expanded the company during the subsequent 20 years, manufacturing mainly crystal, overlay and painted glass. In 1879, Susanne transferred the company – now called ‘Johann Loetz Witwe’ – to Maximilian von Spaun, the son of her daughter Karoline. One year later, von Spaun hired Eduard Prochaska and the two of them modernized the factory and introduced new, patented techniques and processes. The first fruits of this collaboration were exciting innovations in Historicism glass, including Intarsia and Octopus glass and the very popular marbled (‘marmorisierte’) glass which imitated semi-precious stones like red chalcedony, onyx and malachite. Success at exhibitions in Brussels, Munich and Vienna were crowned by awards at the Paris World’s Exposition in 1889. In 1897, von Spaun first saw Tiffany Favrile glass exhibited in Bohemia and Vienna, and this convinced him that the art nouveau style was also the way to go for Loetz Witwe. The next eight years were to be the most artistically significant and profitable period in the entire history of the company. The Art Nouveau Period –The glassworks created large numbers of its own new designs of iridescent, trailing art nouveau glass, sometimes in collaboration with well-known artists and designers like Marie Kirschner and Franz Hofstötter (aka Franz Hofstätter). The zenith of Loetz art nouveau glass was epitomized by the so-called Phänomen series of designs, much of it designed by Hofstötter, which won a Grand Prix (alongside Tiffany, Gallé, Daum and Lobmeyr) at the Paris World’s Exposition in 1900. The company’s success during this period had two prime drivers – the technical expertise of Prochaska and the business acumen of von Spaun. Loetz Witwe created many of its own designs, and also supplied glass commissioned by major customers like E. Bakolowits (Vienna) and Max Emanuel...

In a model with irregular spherical decor blown body in baluster shape, round offset base, bulging upwards, after a slight constriction flared mouthrim, polished pontil on the bottom. Shape: Production number / pattern not preserved Decor: Crete Diaspora Silver Iris Green glass with silver...

Turn of the century Ukrainian terracotta pottery cooking pots with utilitarian wire netting details. Sold individually. Whether used as a vase for the dis...

Signed Gerhard Heilmann (1859-1946) tall porcelain vase with exotic floral decoration. Copenhagen, Denmark, painted factory marks and artist's name in blue.

Known as a "Jack in the Pulpit" vase, this Favrile glass creation by Tiffany Studios New York begins with a bulbous base in deep hues of striated, swirling iridescent yellow and gold. Shooting upward from the base is an elongated, narrow neck of similar coloration, darkening in coloration as it ascends. From the narrow neck explodes an outward facing glass bloom in brilliant shades of ochre, umber and marigold, made to shimmer by the undulations in the bloom's outer edges, all tinged with iridescence. Item #: T-20052 Artist: Tiffany Studios New York Country: United States Circa: 1900 Dimensions: 17.5'' height, 8.5'' width, 5'' depth Materials: Favrile glass Signed: “L.C.T. Y5463” Literature: A similar vase is pictured in Timeless Beauty: The Art of Louis Comfort Tiffany...

Superb "antique" ceramic vase in the shape of an amphora, with a very beautiful iridescent enamel finish in blue-green / turquoise color. This vase features a finely crafted bronze frame of good quality, in the German Art Nouveau / Jugendstil style. Recently mounted lamp: new electricity. Art Nouveau, France, circa 1900. Attributed to Paul Milet (1870-1950), son of the ceramist Félix Optat Milet and himself a ceramist, trained in the laboratory of the Manufacture de Sèvres. He worked in the factory founded by his father, which he gradually took over. Paul Milet exhibited in Paris and Sèvres. His productions were also distributed through the stores La Samaritaine and Les Galeries Lafayette. Then history repeats itself and it is Paul...

Daum Nancy huge vase Art Nouveau France Lorraine Made in circa 1906. Stunningly manufactured casing glass with brownish, orange, yellow powder meltings. Signed: Daum Nancy Signature with Cross of Lorraine existing. Daum Nancy Cross...

Daum Nancy, France. Art Nouveau Prunellier vase in frosted mouth-blown art glass with orange leaves and black berries in relief. Approx. 1900. Measures: 16 x 5 cm. In excellent...

Large dragon vase Eduard Stellmacher Amphora Riessner Stellmacher & Kessel ca. 1901, marked Around 1900, the manufacture Amphora rose to the top of...

Dimensions Height: 7.25 inches Width: 5.25 inches Depth: 4.5 inches. Markings Fully marked on the bottom with a "B" in an urn-shaped cartouche (for “Bergmann”), and “GESHUTZED” (German: “PROTECTED). ABOUT What distinguishes this unique bud vase from others is a perfect synthesis of a utilitarian object and a Fine sculpture. It is not only the amazing subtlety and taste of the author’s artist skills, but an extraordinary design and an absolutely outstanding original plot. Designed for a single flower only, it is nonetheless a very complex and multifaceted composition filled with warm humor and fantasy. Sitting on a vessel shaped as a gourd, clasping its goat legs with hooves and holding on to the neck with one hand in order not to fall of it; a playful and mischievous faun holds by the tail a fleeing lizard with the other hand. FRANZ XAVIER BERGMANN (Austrian, 1861–1936) was the owner of a Viennese foundry who produced numerous patinated and cold-painted bronze oriental, erotic and animal figures, the latter often humanized or whimsical, humorous objects d'art. Cold painted bronze refers to pieces cast in Vienna and then decorated in several layers with so-called dust paint; the expertise for the mix of this kind of paint has been lost. The color was not fired hence "cold painted". Mainly women working...

Signed and dated 1902. Charming pair Art Nouveau vases in flamed and enameled “sang-de-boeuf” porcelain, resting on a gilded bronze base decorated with flowers and lotus leaves. ...

Slender baluster-shaped vase body on a separate base, conically widening upwards and then narrowing again to form a slender neck with a flared rim, colorless glass with blue and green colored powder inclusions, overlay in violet, in various stages highly etched decor with umbelliferous plants, etched matt on the inside and background on the outside, relief polished. Cameo signature 'Gallé' on the wall in the lower area between the leaves...

A glazed earthenware vase with a floral motif, designed and produced by Herman Kähler, Denmark, c. 1900.  

A very pretty pair of quadrangular-shaped glass vases, decorated with exceptionally detailed gilt-brass ormolu mounts in the Louis XVI style. These vases date from around 1900 and ar...

Small Dragon Vase, Eduard Stellmacher, Amphora-Werke Riessner Stellmacher & Kessel, ca. 1901, Elfenbeinporzellan, marked Around 1900, the manufacture Amphora rose to the top of European ceramics...

Austrian Jugendstil glass vase Johann Loetz Witwe blue orange gold circa 1902 "Cytisus Neuroth" decoration Art Nouveau Bohemian Glass The "Cytisus" decoration is certainly one of ...

Romanian cooking pots. A standard household item in turn of the century Romanian territories, these large terracotta vessels were used for both...

Large baluster-shaped vase with a large, round base, conically narrowing to a tubular vase body with a wide beaded ring just below the narrow opening with...

Large French French Faience fleur-de-lys vase, circa 1900.

A fine pair of French ormolu-mounted marble vases. Made c.1906-11. Each stamped with Jollet & Cie. foundry cachet. Beautifully designed and high quality. Would make a very nice pair of lamps if electrified. Le Maison Colin was a very prestigious foundry founded in Paris in 1843 and it was located at 29 rue Sévigné. Renown for their high quality castings, it exhibited in various World’s Fairs including the 1893 Chicago World’s Fair and the 1900 Exposition Universelle in Paris were it was awarded gold medal. The Maison worked with several of the top Parisian bronziers of the era including, amongst many others, Frédérick Eugène Piat (French, 1827-1903), Albert-Ernest Carrier-Belleuse (French, 1824-1887), Eugène Marioton (French, 1854-1925), René Rozet...

Josef Hoffmann a “flower basket”, Wiener Werkstätte, 1906

A rare and very unusual pair Doulton Burslem Coaching art pottery vases dating from around 1909. The earthenware vases are of tall square column form standing raised on a wide square platform base and is decorated with a two coachman figures to the body with banners, one reading The Coachman and the other An Old Jarvey. A further decoration of horse drawn coaches...

Beautiful French bronze vase from the Art Nouveau period, made during the early 1900s, fine French manufacture. The vase is made entirely of bronze,...

Flush foot, raised, widening body with a shoulder-shaped narrowing at the top, with a short, wide neck and flared, rounded mouth rim. Burgundy red overlay on the outside, etched leaf...