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Rubboli Lustre Majolica Vase with Mythical Beasts Decor

About the Item

Sculptural, large ceramic Neo-Renaissance Rubboli vase is finished in cobalt, red and gold lustre. Hand-painted decor follows the classical shape of the piece, with abstract pattern accentuated the base and the top of the vase, and traditional designs of mythical beasts surrounding central medallion motifs. The vase is a stunning, museum quality example of the revival of the magnificent Italian Renaissance decoration of the 16th century. Late 19th century collecting craze for Renaissance majolica, especially lusterware, prompted the Italian potters to hunt for the secret formulas that were lost four hundred years earlier. Studios owned by such ceramicists as Cantagalli, Molaroni, Rubboli, Santarella, and others attempted to duplicate antique lusterware pieces for the general public. Each studio developed their own closely guarded formulation. In 1870s Paolo Rubboli opened his own pottery in Gualdo Tadino in Umbria, the town that had been a center for pottery production for centuries thanks to the superior clay and iron deposits, an important ingredient in the creation of the luster glazes. Paolo had, for many years, worked at some of the greatest ceramics factories in Italy, including the Ginori Porcelain factory in Doccia. Supposedly, while working at Ginori in 1863 - 1865, he met the great chemist, Luigi Carocci, who gave Rubboli the secret formula for creating the lusterware glazes. In 1890 Paolo passed away, and his wife and two sons, Lorenzo and Alberto, continued to maintain the family pottery; in 1920s they formed Società Ceramica Umbra (The Ceramic Society of Umbria) with many famous potteries and ceramicists working as a consortium in the region of Umbria at the time. In 1936 the brothers decided to end the partnership and dissolve the company; thus the A.R. and L.R. monograms were born, identifying the newly formed and independent workshops of Alberto and Lorenzo Rubboli. Alberto continued to work almost until the time of his death on May 19, 1975. Mark A.R. Italy dates the piece to 1936-1975.

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