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White Sculptural Vase Rosenthal Studio Line Martin Frayer

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  • Asian Flambe Studio Pottery Vase
    By Kyoto Pottery
    Located in Atlanta, GA
    A garlic bottle vase in an archaic Chinese form, but likely Japanese in origin. Several circumventing grooves however, suggest a more modern age. It was done in a brilliant purple glaze over a robin egg blue background glaze. The bubbling and bursting effects during the firing renders the surface an artistic spotting effect. The color pallet recalls the Classic Jun Yao...
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    Antique Late 19th Century Japanese Japonisme Ceramics

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  • Studio Ceramic Vase Brother Thomas Bezanson
    By Brother Thomas Bezanson
    Located in Atlanta, GA
    A ceramic vase crafted by Brother Thomas Bezanson (1929-2007) circa 1970s. The vase takes a classic Chinese "Mei Ping" form but with a modern s...
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    Late 20th Century American American Craftsman Vases

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  • Sculptural Ceramic Funnel Vase by Robert Turner
    By Robert Turner
    Located in Atlanta, GA
    A white stoneware vase by American Ceramist Robert Chapman Turner (1913 - 2005). Made between 1970-80s, the group of white-colored vessels with such a funnel form were called either Beach or Shore, obviously inspired by the ocean. Hand sculptured in a simple form with a neck opens to mouth that also can serve as a handle, the surface was always marked with artistic imperfection intended by the artist, such as incision and kiln bubble and burst. On this vase, the artist made several incision lines randomly, and also sparsely applied some tiny sand-like granules, adding a very subtle texture and allude to the scheme of the ocean. Incised signature "Turner" on the base. The vessel is one of the classic forms with variations in Turner's repertoire since 1970s when he started to make non-functional abstract sculptural pieces. Incised signature "Turner" on the base. "In 1971–72, drawn by the power of African sculpture, and wishing to imbue his work with a greater sense of universality, Robert Turner traveled to Nigeria and Ghana. The trip proved transformational. In West Africa he was deeply moved by the way in which art was ingrained in daily experience, and by the beauty of traditional forms of architecture, pottery, ceremonial objects, and decoration. After his return, Turner began to produce series of distinctive vessel types named after African kingdoms and peoples—Ashanti, Ife, Oshogbo, Akan. The first is a squat, lidded pot; the others are cone and cylinder shapes." Smithsonian American Art Museum Robert Turner's work is in numerous museum collections including the Smithsonian Museum of American Art, Los Angeles County Museum of Art and the Nelson-Atkins Museum of Art, Kansas City. Several examples of this series are illustrated in the book "Robert Turner Shaping Silence A Life in Clay" by Marsha Miro and Tony Hepburn...
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    Late 20th Century American Modern Vases

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    Ceramic

  • Sculptural Ceramic Handled Vase by Robert Turner
    By Robert Turner
    Located in Atlanta, GA
    A glazed stoneware free form vase by American Ceramist Robert Chapman Turner (1913 - 2005) titled "Oshogbo Form III" circa 1970s. The piece was purchased in 1981 and held in the same collection since. The vessel is one of the classic forms with variations in Turner's repertoire since 1970s when he started to make non-functional abstract sculptural pieces. The vessel features an irregular hand-built form with surface markings and overall red glaze, inspired by his trips to Africa. Incised signature "Turner" on the base. "In 1971–72, drawn by the power of African sculpture, and wishing to imbue his work with a greater sense of universality, Robert Turner traveled to Nigeria and Ghana. The trip proved transformational. In West Africa he was deeply moved by the way in which art was ingrained in daily experience, and by the beauty of traditional forms of architecture, pottery, ceremonial objects, and decoration. After his return, Turner began to produce series of distinctive vessel types named after African kingdoms and peoples—Ashanti, Ife, Oshogbo, Akan. The first is a squat, lidded pot; the others are cone and cylinder shapes." Smithsonian American Art Museum Robert Turner's work is in numerous museum collections including the Smithsonian Museum of American Art, Los Angeles County Museum of Art and the Nelson-Atkins Museum of Art, Kansas City. For another example of the form similar to this piece, see page 40 in "Robert Turner Shaping Silence A Life in Clay" by Marsha Miro and Tony Hepburn.
    Category

    Vintage 1970s American Modern Vases

    Materials

    Ceramic

  • Modern Studio Vase Bizen Ware by Jun Isezaki
    Located in Atlanta, GA
    A bottle form vase by Japanese studio ceramic artist Jun Isezaki (Born in 1936). A modern Bizen yaki stoneware piece that is strongly rooted in history and ...
    Category

    20th Century Japanese Organic Modern Ceramics

    Materials

    Ceramic, Wood

  • Tall Studio Pottery Ceramic Glazed Vase Warren Mackinzie
    By Warren MacKenzie
    Located in Atlanta, GA
    A tall cylinder shape stoneware vase by American studio potter Warren MacKenzie (1924-2018). The vase displays a slightly ambiguous shape between circle and sqaure and it features tw...
    Category

    Late 20th Century American Modern Vases

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    Ceramic

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  • Rare White Rosenthal Studio Line 'Structura' Vase by Martin Freyer
    By Martin Freyer
    Located in Budapest, HU
    Rare white Rosenthal Studio line 'Structura' vase by Martin Freyer 'Structura Paper' Series that Rosenthal made in the 1960s. Hans Martin Freyer (1909-1975) was a German painter and designer. He was born in Hanover, Germany and studied at the at the Technische Universität Darmstadt (Darmstadt University of Technology). In 1933, he spent time in the Balkans, Italy, France and Switzerland. After returning to Germany, he studied at the Universität der Künste Berlin (University of Art Berlin) and the Reimann School in Berlin. From 1937 to 1938, Freyer worked as a landscape architect, interior designer and set designer in the US. Upon his return to Germany he designed the Volkswagen logo. During the Second World War, Freyer worked as an art designer for stage productions of opera houses, cabaret stages and variety shows. Throughout his career Freyer also worked as a portrait artist, as well as a graphic and industrial designer for surface decorations and structures. He created designs for wallpapers, textiles, decorative materials and light metal. From 1964 to 1974, he designed for Rosenthal Porcelain, developing relief decorations for glass and porcelain vases of the studio-line. His most well-known design is the Pleated Vase...
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  • Glass Vase by Martin Freyer for Rosenthal Studio Line
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  • Op-Art Studio line Bisque porcelain vase, by Martin Freyer Studio Line Rosenthal
    By Martin Freyer, Rosenthal
    Located in Skarpnäck, SE
    A fantastic Bisque porcelain Op-Art vase from Studio line Rosenthal made by the talented Martin Freyer, Germany. A rather large black ceramic vase with incredible design. The vase is...
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  • Tapio Wirkkala Rosenthal Studio Line Matte White Vase
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    Tall cylinder shaped white porcelain vase with flared opening . Designed 1970 by Tapio Wirkkala for Rosenthal Studio Line . Tactile ‘Drops’ designed on its exterior . Matte finish ex...
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    By Christa Hausler-Goltz, Rosenthal
    Located in Bad Säckingen, DE
    A 1970s black bisque porcelain Op Art vase by Christa Hausler Goltz for Rosenthal. This vase is a prime example of the Op Art movement, which was characte...
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  • Bjorn Wiinblad White Porcelain Vase for Rosenthal Studio Line
    By Rosenthal, Bjorn Wiinblad
    Located in Chesterfield, NJ
    Beautiful and large 8 inch tall vase designed by Born Wiinblad for Rosenthal and manufactured in Germany. This white porcelain vase has an intricate sculptural pattern in a matte fin...
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