Serveware, Ceramics, Silver and Glass

Edwardian Regency sterling silver coffee set. Made by Tiffany & Co. in New York, ca 1910. This set comprises coffeepot, teapot, creamer, sugar, and waste bowl. Tapering and fluted ov...

This is a wonderful antique Edwardian sterling silver hand-mirror with marks for 925 sterling silver, the maker's mark of the renowned silversmiths Tiffany & Co., and Circa 1900 in d...

Incredible Dinner Size Saint Dunstan by Tiffany and Co. Sterling Silver Flatware set - 72 pieces. This set includes: 8 Dinner Knives, 10 1/4" 8 Dinner Forks, 7 3/4" 8 Regular Knives...

Antique Tiffany & Co. sterling silver Florentine pattern salt spoon. Maker: Tiffany & Co Pattern: Designed by Paulding Farnham Style: Renaissance Revival Introduced 1900, but the patent application not filed until May 9, 1904, issued June 7, 1904 Since Pat.1900 was incorporated into the dies, the company must have anticipated filing for a patent at least that year. George Paulding Farnham...

Incredible Dinner Size Rat Tail by Tiffany and Co. Sterling Silver Flatware set - 75 pieces. This set includes: 12 Dinner Knives with plain pistol grip handle, 9 3/4" 12 Dinner Fork...

We are delighted to offer you this exceptional sterling silver centerpiece by the world renowned Tiffany and Company. It has a fluted edge and a scalloped rim that gives it a lot of...

Antique Tiffany & Co. sterling silver Florentine pattern demitasse spoon Maker: Tiffany & Co Pattern: Designed by Paulding Farnham Style: Renaissance Revival Introduced 1900, but the patent application not filed until May 9, 1904, issued June 7, 1904 Since Pat.1900 was incorporated into the dies, the company must have anticipated filing for a patent at least that year. George Paulding Farnham...

Mid-Century Modern-Period, sterling silver thermometer in working condition, Tiffany and Company, New York, circa 1950s. Works are made by...

Chrysanthemum sterling silver oyster ladle. Made by Tiffany & Co. in New York, ca 1920. Round bowl with twisted fluting and curved and reeded stem with d...

Charming Edwardian sterling silver picture frame. Made by Tiffany & Co. in New York, ca 1910. Oval window in same flat surround. On front acid-etched daisy chain with dense leaf and ...

We are happy to offer you this sterling silver salt cellar and shaker by the world renowned Tiffany & Co. It has a distinctly Tiffany Mid-Century design; understated and sophisticate...

Superb Hamilton AKA Gramercy by Tiffany & Co. sterling silver dinner size flatware set, 92 pieces. This set includes: 8 dinner size knives, 10 1/4" 8 dinner size forks, 7 5/8" 8 reg...

Large, sterling silver ice cream slicer/server. Tiffany and Co., New York, circa 1890s, Wave Edge pattern. Measures 12 inches long x 2 1/2 inches wide (at widest point) x 2 1/2 inche...

Art Deco sterling silver cocktail shaker. Made by Tiffany & Co. in New York, ca 1925. Straight and tapering bowl with curved shoulder, high bracket handle, short neck with overhanging flat-topped cover, and stubby, tapering spout with chained cap. Spare functional design ornamented with tooled bands...

This set of twelve Tiffany Le Tallec Private Stock porcelain dinner plates was made for the prestigious luxury goods firm Tiffany & Co. Produced in France and dating to the mid-20th ...

Victorian Classical sterling silver coffeepot. Made by Tiffany & Co. in New York. Baluster with vertical spout and hinged and domed cover. Stained-wood finial and capped scroll handl...

American Colonial sterling silver bowl. Made by Tiffany in New York, circa 1920. Bowl has curved sides and straight circular foot. Spare historic design that works equally well in Mo...

Set of 4 Tiffany & Co. silver plate metric rulers measuring 7 inches (17 centimeters) long. Comes in an authentic Tiffany & Co. branded aqua-colored felt pouch. Brand new condition. Great unisex gift for any holiday or occasion, birthday, or office. The legendary Tiffany brand was founded in 1837 by Charles Lewis Tiffany...

Victorian Classical sterling silver water pitcher. Made by Tiffany & Co. in New York. Tapering and fluted ovoid body, beaded helmet mouth, and high-looping double-scroll handle. Four...

20th century Sterling Silver Tiffany & Co Strawberry Vine Pie Server. Beautiful serving piece that has a molded handle of vines with strawberries on the end and strawberries and leav...

Elegant service for eight sterling silver demitasses cups and saucers by Tiffany and Co. The sterling cup holders with saucers each with a porcelain inse...

Antique Tiffany & Co. sterling silver Florentine pattern sauce ladle Maker: Tiffany & Co Pattern: Designed by Paulding Farnham Style: Renaissance Revival Introduced 1900, but t...

Edwardian Classical sterling silver hot water kettle on stand. Made by Tiffany & Co. in New York, ca 1908. Ovoid with flutes and ornamental border at rim comprising stylized flowers ...

We are delighted to offer you this sterling silver apple jar by the world renowned Tiffany & Company. Shaped like an actual apple with a core and...

A large, vintage, midcentury sterling silver picture frame by Tiffany & Co. Clearly marked in crisp letters, "Tiffany & Co makers sterling silver 23484". Described as a rectangular w...

Mid-Century Modern sterling silver porringer. Made by Tiffany & Co. in New York. Round with straight sides, flared rim, and chamfered and tapering solid handle. Frieze with birds, bu...

10 Tiffany & Co. Le Tallec Private Stock Porcelain Bread & Butter Plates in Directoir A yellow ground with hand painted flowers and leaves throughout. Gilt florals to the center. ...

This timeless 216-piece flatware set from the famed Tiffany & Co. includes place settings for 12, housed in its original Tiffany & Co. fitted chest. The set is further heightened by the inclusion of gilded utensils, an exclusive rarity. Fashioned to reflect the elaborate entertainment of the Gilded Age, English King...

Traditional sterling silver Revere bowl. Made by Tiffany & Co. in New York. Curved and tapering sides, flared rim, and stepped foot. For serving or presentation. Lots of room for eng...

The incredible multi-motif Olympian pattern, which was introduced by Tiffany & Co. in 1878, is the most elaborate and complex of all Tiffany flatware designs. Each piece of Olympian ...

“Poliedri” chandelier designed by Carlo Scarpa and produced by the Italian manufacturer Venini in, 1958. Made of opaline Murano glass. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Tiffany & Co. sterling silver flatware set from 1923 in Art Deco style and in Windham pattern, with a beautiful geometric design, consisting of the following 48 pieces: - 12 place...

Antique Tiffany & Co. sterling silver Florentine pattern large spoon. Maker: Tiffany & Co Pattern: Designed by Paulding Farnham Style: Renaissance Revival Introduced 1900, but the patent application not filed until May 9, 1904, issued June 7, 1904 Since Pat.1900 was incorporated into the dies, the company must have anticipated filing for a patent at least that year. George Paulding Farnham...

Large and Modern sterling silver serving tray. Made by Tiffany & Co. in New York, ca 1923. Round with well, gently tapering shoulder, and molded rim. Fully marked including maker’s s...

Antique Tiffany & Co. sterling silver Florentine pattern dessert spoon Maker: Tiffany & Co Pattern: Designed by Paulding Farnham Style: Renaissance Revival Introduced 1900, but...

Antique Tiffany & Co. sterling silver Florentine pattern fork. Maker: Tiffany & Co Pattern: Designed by Paulding Farnham Style: Renaissance Revival Introduced 1900, but the patent application not filed until May 9, 1904, issued June 7, 1904 Since Pat.1900 was incorporated into the dies, the company must have anticipated filing for a patent at least that year. George Paulding Farnham...

Tiffany & Co., sterling silver bowl in Mid-Century Modern style, in pattern number 24023 from the 1950s, with an elegant, geometric design. It measures 8 7/8'' in diameter by 3 1/8'' in height, weighs 22 troy ounces, and bears hallmarks as shown. The legendary Tiffany brand...

Silver lends an unparalleled level of elegance to the home and truly elevates your dining experience. Exquisitely crafted with Tiffany & Co.?s renowned standard of excellence, this C...

Pair of Victorian Classical sterling silver bowls. Made by Tiffany & Co. in New York. Each: Round with plain well and curved and fluted sides. Turned-down lobed rim. Four ball suppor...

Modern sterling silver serving tray. Made by Tiffany & Co. in New York. Round with stepped rim. Smart and functional with nice heft. Fully marked including maker’s stamp, pattern no....

Edwardian Modern Classical sterling silver serving bowl. Made by Tiffany & Co. in New York, ca 1910. Oval and serpentine with tapering sides and reeded rim. Cover raised with taperin...

Superb Renaissance by Tiffany & Co sterling silver Flatware set - 156 pieces. This multi-motif pattern was designed by Paulding Farmhan and was introduced in the year 1905. This set came from the Herbst Estate...

Mid-Century Modern sterling silver box. Made by Tiffany & Co. in New York. Rectangular with straight sides. Cover flat and hinged with flat molded rim. Box interior cedar lined and p...

8 George Jones for Tiffany & Co. Scallop Rimmed Dinner Plates, circa 1900 Signed Cobalt blue ground with hand painted florals to the rim and the center. Signed "W. Birbeck" Gilt squiggly accents throughout the plate and around the rim. Marked to the underside base. Additional information: Type: Dinner Plate Color: Blue Age: circa 1900 Maker: George Jones Crescent...

Edwardian Modern classical sterling silver serving bowl. Made by Tiffany & Co. in New York, ca 1910. Round and serpentine with tapering sides and reeded rim. Cover raised with taperi...

Tiffany & Co., sterling silver bowl, standing on 4 legs showcasing the Palmette pattern, with a beautiful, geometric design in Mid-Century Modern style, in pattern number 23239 from 1947. It measures 10 1/4'' in diameter by 4 3/4'' in height, weighs 39.8 troy ounces, and bears hallmarks as shown. The legendary Tiffany brand was founded in 1837 by Charles Lewis Tiffany...

A rare vintage Tiffany & Co sterling silver leaf design straws stirring set of 2 spoons. each spoon is engraved Tiffany & Co 92 . The spoons come with their original blue Tiffany's p...

This extensive 248-piece sterling silver flatware service was crafted by the legendary Tiffany & Co. in the classic San Lorenzo pattern. Inspired by and named after the famous Florentine Church of San Lorenzo, the motif displays a highly architectural design that is typical of the Renaissance Revival style. From the fine piercing to the gilt accents, the care and attention given to the crafting of each piece embodies Tiffany's commitment to extraordinary craftsmanship. The complete service for 12 is housed in its two-tiered, custom-fitted Tiffany & Co. chest. The silver flatware of Tiffany & Co. is among the finest in the world, as well as the most enduring. Each hand-finished piece incorporates the timeless designs and quality craftsmanship that makes Tiffany one of the world's leading silversmiths. Since their first international recognition at the 1867 Paris World's Fair, Tiffany has supplied silver to numerous royal families throughout Europe, as well as elite American families including the Astors and Vanderbilts. Each piece is marked "Tiffany & Co. Sterling Pat. 1916" with the date letter "m" for the directorship of John C. Moore, which dates this service between 1907 and 1947. Chest: 23 1/2" wide x 19 1/4" deep x 6 1/4" high This service comprises: 12 entree knives 12 luncheon knives 12 dessert knives 12 entree forks 12 salad forks 12 oyster forks 12 luncheon forks 12 fish forks 12 ice cream forks 24 teaspoons 12 tablespoons 12 gumbo spoons 12 cream / bouillon spoons 12 demitasse spoons 12 salt cellar spoons...

We are delighted to offer for sale this absolutely exquisite, large Sterling Silver Tiffany & Co serving tray with the Globe stamp placing the piece as being made and Exhibited at the World's Fair Chicago 1893 This truly is a piece of history, never have I before owned a piece that was exhibited and made especially for the World's fair, it is a complete honour to handle it, there is a history written below The detail is never ending as you can see in the pictures, it is unrestored, I can have it professionally polished by my silversmith in London should the new owners wish but to be honest, it looks amazing as it is Dimensions Width:- 36.2cm Depth:- 28cm Weight:- 1105 grams The World's Columbian Exposition (also known as the Chicago World's Fair) was a world's fair held in Chicago in 1893 to celebrate the 400th anniversary of Christopher Columbus's arrival in the New World in 1492. The centerpiece of the Fair, held in Jackson Park, was a large water pool representing the voyage Columbus took to the New World. Chicago had won the right to host the fair over several other cities, including New York City, Washington, D.C., and St. Louis. The exposition was an influential social and cultural event and had a profound effect on American architecture, the arts, American industrial optimism, and Chicago's image The layout of the Chicago Columbian Exposition was, in large part, designed by John Wellborn Root, Daniel Burnham...

This pair of sterling silver mid-century vases by the world renowned Tiffany & Company will brighten up even the dullest of rooms! They have a fluted rim and open outwards as if they...

Antique Tiffany & Co. sterling silver Florentine pattern small butter knife. Maker: Tiffany & Co Pattern: Designed by Paulding Farnham Style: Renaissance Revival Introduced in 1900, but the patent application not filed until May 9, 1904, issued June 7, 1904 Since Pat.1900 was incorporated into the dies, the company must have anticipated filing for a patent at least that year. George Paulding...

Designed with an eye for balance and proportion, each piece of Tiffany & Co. flatware is a masterpiece of form and function. Outstanding monumental Windham by Tiffany & Co. Sterling Silver flatware set - 186 pieces. This set includes: 12 Dinner Size Knives, 10 1/4" 12 Dinner Size Forks, 7 3/4" 12 Regular Knives, 9 1/4" 12 Regular Forks, 7" 12 Salad Forks, 6 3/4" 12 Teaspoons, 6" 12 Cream Soup Spoons, 6 3/4" 12 Flat Handle Butter Spreaders, 6" 12 Cocktail Forks, 6" 12 Iced Tea Spoons, 7 1/2" 12 Bouillon Spoons, 5 1/2" 12 Demitasse Spoons, 4 3/8" 12 Grapefruit Spoons, 6" 12 Steak Knives, 9" 1 Gravy Ladle, 7 7/8" 2 Serving Spoons, 8 5/8" 1 Cold Meat Fork, straight tines, 8 7/8" 1 Cold Meat Fork, splayed & pierced, 9 3/8" 1 Tomato Server, 7 7/8" 1 Salad Serving set all-sterling, gold-washed, 9 3/4" 1 Pie Server w/stainless blade, 10 1/2" 1 Cheese Server w/stainless blade, 7 1/8" 1 Sauce Ladle, 6 3/4" 1 Steak Carving Set, 2-pc, 8 3/4" & 10 1/2" 1 Roast Carving Set, 2-pc, 11 1/4" & 14" 1 Sugar Tong, 4" 1 Vegetable Serving Spoon, 9 1/4" 1 Preserve Spoon, 7 1/4" Includes BONUS brand new storage chest - styles vary. Also includes some of the original vintage felt...

2 Pc Set Tiffany & Co. sterling silver berry server Spoons in Original Box, circa 1923. 2pc Set circa 1923 Sterling Silver Berry Server Spoons Tiffany &...

Large and Modern sterling silver serving tray. Made by Tiffany & Co. in New York, ca 1923. Oval with deep well, wide shoulder, and molded rim. Fully marked including maker’s stamp, p...

Antique Tiffany & Co. sterling silver florentine pattern large knife. Maker: Tiffany & Co Pattern: Designed by Paulding Farnham Style: Renaissance Re...

Antique Tiffany & Co. sterling silver Florentine pattern knife. Maker: Tiffany & Co Pattern: Designed by Paulding Farnham Style: Renaissance Revival Introduced 1900, but the p...

Mid-Century Modern sterling silver monteith bowl. Made by Tiffany & Co. in New York. Curved sides and reeded curvilinear rim; raised and spread fo...

Chrysanthemum gilt sterling silver box. Made by Tiffany & Co. in New York. Traditional lobed and ovoid bowl with short and inset neck and splayed volute scroll supports. Cover hinged...