Japanese Imari Bowl Centerpiece with French Ormolu Mounts, circa 1900

This gorgeous centerpiece has been created by the fortuitous marriage of a 17th century, Kangxi Period Famille verte enameled porcelain charger...

A wonderful set of three Japanese Imari Porcelain "Black Ship" Nanban nesting bowls, Showa Era or earlier, 1930s or earlier, Japan. The bowls wonderfully decorated in the Imari c...

A bold and unusual large 18.5" diameter Japanese gilt ground Imari porcelain charger featuring the Rokkasen, the Six Immortal Poets, Meiji Period, circa 1900, Japan. The impressive charger features a striking image of the Six Immortal Poets, known as the Rakkasen, seated in fenced pavilion within a lush garden setting and surrounded by numerous books and scrolls. Gnarled pine trees and and branches laden with plum blossoms tower overhead, while chrysanthemum and massive peonies bloom among rocky outcrops. The scene is unexpectedly and masterfully executed as if on a byobu, a traditional Japanese six panel folding screen. The screen is opened in a dramatic manner, slightly akimbo, almost jumping off the dish, reminiscent of the "screens within screens" genre that developed during the Edo Period. Despite the folds and changes in perspective, the painting remains harmonious and lyrical, with the fully gilt ground adding a sense of warmth and sumptuousness. The screen is bordered with a geometric bands in the shippo pattern. The shippo pattern features interlocking circles, and symbolizes the Seven Treasures. The shippo pattern on a larger scale serves at the background fo the rest of the charger. The backside of the charger decorated with two bands with underglaze blue designs. The reserve decorated with scattered stylized blossoms in iron red and gilt. The Rakkasen, known in English as the Six Immortal Poets, are a group of 9th century Heian Period waka poets whose works were included and praised by name in an anthology of poetry collected by the courtier, poet, and writer, Ki no Tsurayuki. Waka poems are a strict five line...

A large 18.25" diameter Japanese Imari porcelain charger, Edo to Meiji Period, mid 19th century, Japan. The large charger of near flattened form and decorated in the typical Imari palette of underglaze blue with red, orange and green overglaze enamels and gilt highlights. The design is centered on a roundel with a dense design of scrolling peony blossoms and leaves in underglaze blue. Two large pictorial reserves of Shinto priests...

A boldly decorated large Japanese Imari porcelain scalloped edge charger with koi fish, Meiji Period, late 19th century, Japan. The large, shallow charger features a central design ...

A nicely decorated Japanese Meiji Period Imari charger, late 19th century, Japan. The porcelain charger featuring a design of a hoho bird, or phoenix, per...

Antique Japanese Lobed Satsuma Bowl Meiji Period C.1900 A Kobe Japan Satsuma bowl, of lobed pedestal form hand painted inside and out. A hand-painted natu...

A beautifully crafted large ceramic bowl as a centerpiece by Okumura Shozan (1842-1905) in the Kyo-yaki (kyoto ware) style. A Classic ovoid form with flatly...

A large Japanese Imari bowl and cover, c. 1700, Arita, Edo Period, with 19th Century French ormolu mounts. The deep sided bowl, hand painted with alternating panels of flowering plan...

Meiji period large Japanese Imari bowl centerpiece This large, distinctive, octagonal porcelain Imari bowl is painted in rich, inky blue, co...

An Japanese porcelain plate circa 1930s-1940s. Decorated with over glaze featuring three ladies in waiting. In the garden, the rock grottoes, a cherry tree in blossom, a half hidden banana tree and a few peeking peonies, suggest a subtropical scenery. The ladies were pictured as holding various item, a fly...

A Japanese Ao-Kutani stoneware dish with overglaze decoration in the shape of barbed quatrefoil shape from late Edo period, circa early mid-19th century. Around 1804, 100 years after Ko-Kutani (old-Kutani) ware disappeared abruptly after thriving from 1655-early 1700s, saiko-kutani (revived-kutani) was attempted by many kilns and several distinguished styles developed. Among them, Yoshidaya kiln attempted to revive the original style of Ko-Kutani known as Aote, which employed four dark colors: green, yellow, dark blue/black and aubergine to create bold and striking design. The Yoshidaya production was short-lived and lasted roughly from 1823-1831. This dish is likely dated from this period or shortly after. The overglaze design centered around a crouching tiger under a black bamboo grove in a deep green background, surrounded by luxuriant banana leaves in green and aubergine with black outlines. The base of a similar concentric barbed quatrefoil design is further decorated with black foliage outlines and marked with a square Fuku mark. For a Yoshidaya dish with identical shape but different landscape decoration, see lot 79 of sale 6547 Christie's London. Important Japanese and Chinese Art...