1930s Centerpieces

Murano Technical Avventurina : We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale.   Fratelli Toso, Venice One of the oldest glass factories established in Murano, Fratelli Toso was founded in 1854 by six brothers who loved the art of glassmaking. With over 150 years of experience in the field, the Toso family improved their techniques and nowadays are one of the top award-winning manufacturers of Murano glass. Technical Avventurina : Avventurina is a Murano glass-making technique developed on Murano island in the 17th century. I was first mentioned in a document dating from 1614 as "a kind of stone with gilt stars inside", at which point it already mesmerized people with the unusual and attractive look. The technique owes its name to the fact that its discovery happened by chance thanks to a lucky coincidence, when a glass artisan is said to have accidentally dropped some metal shavings into the glass mixture. Italians say it happened "all'avventura", which in Italian means "by chance". The first documented recipe for the technique dates from 1644, when Murano master glassmaker Giovanni Darduin described how Avventurina glass should be created. The recipe involves adding various metal oxides such as copper and iron to the hot glass mixture, which will cause tiny particles of the metals to crystallize as the glass mixture cools off. Complicating the process, for such crystallization to occur the furnace had to get fully extinguished, and the metal particles would slowly separate from the glass base over a few days during the natural cooling of the glass. This was a very difficult process from a logistical perspective, since every time a glass furnace got extinguished it caused work to be paused, and re-igniting it was quite a big process, as it took time to fully heat it to the desired temperature. As industrial revolution set foot on Murano in the nineteenth century, the process got a remake. Large volumes of fine Avventurina paste were made and then skillfully stretched into glass canes, which were then re-melted for jewelry-making under a small flame, or for glass blowing. This Avventurina paste received worldwide acclaim and re-ignited the fame of Murano Glass workshops due to its use in Salviati mosaics...

Silver Plate Art Deco Centerpiece bowl designed for the Normandy Luc Lanel 1893-1966

Murano Technical Avventurina : We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal.  Fratelli Toso, Venice One of the oldest glass factories established in Murano, Fratelli Toso was founded in 1854 by six brothers who loved the art of glassmaking. With over 150 years of experience in the field, the Toso family improved their techniques and nowadays are one of the top award-winning manufacturers of Murano glass. Technical Avventurina : Avventurina is a Murano glass-making technique developed on Murano island in the 17th century. I was first mentioned in a document dating from 1614 as "a kind of stone with gilt stars inside", at which point it already mesmerized people with the unusual and attractive look. The technique owes its name to the fact that its discovery happened by chance thanks to a lucky coincidence, when a glass artisan is said to have accidentally dropped some metal shavings into the glass mixture. Italians say it happened "all'avventura", which in Italian means "by chance". The first documented recipe for the technique dates from 1644, when Murano master glassmaker Giovanni Darduin described how Avventurina glass should be created. The recipe involves adding various metal oxides such as copper and iron to the hot glass mixture, which will cause tiny particles of the metals to crystallize as the glass mixture cools off. Complicating the process, for such crystallization to occur the furnace had to get fully extinguished, and the metal particles would slowly separate from the glass base over a few days during the natural cooling of the glass. This was a very difficult process from a logistical perspective, since every time a glass furnace got extinguished it caused work to be paused, and re-igniting it was quite a big process, as it took time to fully heat it to the desired temperature. As industrial revolution set foot on Murano in the nineteenth century, the process got a remake. Large volumes of fine Avventurina paste were made and then skillfully stretched into glass canes, which were then re-melted for jewelry-making under a small flame, or for glass blowing. This Avventurina paste received worldwide acclaim and re-ignited the fame of Murano Glass workshops due to its use in Salviati mosaics...

Designed by Tyra Lundgren circa 1930s, this signed pair of whimsical full sized doves was made by Venini in Murano, Italy. The pair are well proportioned, each one unique in design i...

This stunning pair of French High Style Art Deco tazzas were realized in France circa 1930. They feature beveled streamlined bodies that taper at their ...

This magnificent sculptural Art Deco crystal centerpiece, crafted in France circa 1930, exudes sophistication and artistic excellence. Its sleek, streamlined rectangular form is elev...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. The history of "Seguso Vetri D' Arte" is directly linked to the "Vetreria Artistica­ Barovier" company. When the Barovier workshop was forced to reduce production in 1929, due to a financial crisis in America, the original group of ten partners had to separate and Antonio Seguso in 1931, assisted by his sons Ernesto and Archimede opened a small workshop of his own. They were joined by Luigi Olimpio Ferro and Napoleone Barovier the following year. Together the craftsmen establish the "Artistica Soffieria e Vetreria Barovier Seguso & Ferro" company as equal partners. In 1934 Flavio Poli joins the firm as artistic director and within only a brief period of time a distinct style of designs emerged. The close collaboration between Flavio Poli, Archimede Seguso and Alfredo Barbini played an important part in the success of the company. New glass techniques are developed which include never before seen color applications. The companies innovative designs constantly received awards and during the 1935 World Fair in Brussels and the 1936 Milan Triennale they did attract the interest of a new group of clientele. One of them is the French wholesale company "Veronese" from Paris which would play a defining role in the history of the company. The demand for an increase in production requires additional investments and the partners felt that there is a need to multiply their investment tenfold. Luigi Olimpio Ferro subsequently decided to withdraw from the company and his shares are acquired by Flavio Poli, which makes him a full partner. As a result, the company name is changed to Seguso Vetri D’ Arte and it is officially recognized in 1937. A period of great success and prosperity ensues, lasting until the outbreak of World War II. The post ­war period is a time of great change in Europe and the rebuilding of the economical structure in Italy requires major investments which result in the introduction of new import duties and taxes. To safeguard the copyright of the Seguso Vetri D'Arte designs an application for a second entry into the commercial registers of Venice is made by the partners in 1945. Strict export regulations curb international business relations for many years after the war and the company decides to focus on the domestic market instead. In 1946 a large retail location is opened at the Piazza Diaz in Milan where in addition to the art glass, German porcelain and Italian pottery is offered. In 1950 Flavio Poli develops a new sommerso glass technique, which consists of an overlaying of transparent layers of glass. The overlapping creates new shades of color which prior to the introduction of this technique had not been seen. Flavio Poli's most iconic design is the "Valve", which resembles an upright, slightly opened clam shell. The design was introduced in 1951. Mario Pinzoni joins the company in 1953 as a personal assistant to Flavio Poli and his responsibilities as a draftsman included the compilation of archival and the existing production drawing s...

Edwardian-style, sterling silver-mounted wheel cut glass centerpiece bowl, Sheffield Silver Company, Brooklyn, New York, Ca. 1930's-1940's. Glass is beautifully wheel cut with leaves...

This glass tray can be used as a table centre piece. It was designed by Boris Lacroix in the 1930's and is a very fine example of the French Moderni...

This is a most complete and impressive set of Capo di Monte "surout de table". Comprising a pair of 3 arm candlesticks,the 8-piece footed low flower...

Very large 1930 Enameled earthenware dish by DIGOIN-SARREGUEMINES . with the stamp underneath.

This stunning Art Deco centerpiece, decorative bowl, or serving fruit or bread basket exudes a lot of presence and elegance. The rare piece was crafted in France circa 1930. The varn...

Incredible original from 1930 center piece in glass signed Lalique in the base.

Traditional Catalan blown glass vase, circa 1930 Manufactured in Spain. In original condition, with minor wear consistent of age and use, preserving a beautiful patina. ...

Made in Germany Walther and Sohne of Radeberg, 1930s - 1940s. The company was well known for making high quality pressed glass. Some of their flint and coloured glass has been attrib...

Art Deco red vide poche / centerpiece Paul Millet, Sevres France 1930s ceramic Marked PM Sevres 11 cm H x 34 cm diam. Conditions: excellent consistent with age and use. Barely v...

Elegant Swedish Grace Table Plateau in Pewter by OH Lagerstedt, Sweden from 1932 (=F8) in a period design. Wear consistent with age and use

White porcelain centrepiece bowl / compote with gold decoration by Ugo Zaccagnini. Italy, circa 1930. Signed.

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...

A large silver plated centerpiece bowl with a finely cut Baccarat crystal bowl with a spiral or swirl pattern. France c.1930 Dimensions: H46 x W42 x D27 cm. H18.11 x W16.54 x D10...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Vintage Majolica lidded casserole tureen with raised vegetables. Marked on bottom Belgium Tellurite Early 20th century. 6 1/2"h × 12" x 6 3/4"w Adorned with Mushrooms, carrots an...

This unusual Belgian piece has the hallmarks of Art Nouveau and combines a ceramic gateau plate in a wrought iron carrier, The ceramic plate produced in Germany, features an Art No...

Large Art Deco centrepiece, silver plated, designed by Christian Fjerdingstad for Christofle. Very good condition. Designed in ...

This unusual Belgian piece has the hallmarks of Belgian Art Deco and combines a glass gateau plate in a wrought iron carrier, the glass comes from an almost unknown factory, Pavillon...

This unusual piece Art Deco and combines a glass gateau plate Wooden Handles The glass comes from an unknown factory, The recently identified design is derived from Classic Art D...

This is a stunning absolutely breathtaking royal blue and bright dore' bronze ceramic centerpiece with bronze reticulating ormolu and figural maiden heads. The piece is in good condi...

Unusual alabaster and hand-forged iron centerpiece attributed to Raymond Subes. The hand-carved stone in a honey/butterscotch tone with cognac and charcoal colored natural vein stria...

A wonderful French Regency Empire doré bronze Ormolu paw footed centerpiece with crystal insert with scalloped accents on four corners. Measures: 7.5" W x 4" H.

All glass, 2 pieces.

Made in Germany by Brockwitz, 1930s - 1940s. This rare bowl / centerpiece is made in amber blown glass with parts that are satined. It is a vintage piece, therefore it might show sl...

Wonderful centerpiece out of pink glass in elaborate design, an original of the Art Deco period, made in the 1930s in Italy. The object is of a special design. The base is round an...

Mid-20th century pair porcelain decorative vases / pieces with exterior gilt design details. Each vase is in great vintage condition. Maker's mark undersigned & numbered. Each vase s...

This stunning Art Deco centerpiece, serving bowl, or fruit or bread basket was manufactured in France circa 1930. The Macassar wood sides have two large chromed metal ball handles. A...

Vintage tin centrepiece and drinking set is an original decorative group of different objects realized in tin in the 20th century. All the objects are realized in tin by different artists and designers, especially from Netherlands. This set includes: two tea pots with handles, one cream server, six mugs and six small grappa glasses...

Mid-20th century tall decorative piece or vase with gold flecks design details. The piece is in great vintage condition. Minor wear consistent with age / use. Maker's mark undersigne...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Attributed to Venini Early life and education Venini was born in the town of Cusano near Milan, Italy. After serving in the Royal Italian Army in World War I, he trained as a lawyer and began his practice in Milan. He soon developed an acquaintance with Giacomo Cappellin, a native of Venice who owned a Milan antiques...

This unusual Belgian piece has the hallmarks of Belgian Art Deco and combines a glass gateau plate in a wrought iron carrier, the glass comes from an almost unknown factory, Pavillon...

An uncommon Russel Wright design executed by Klise Woodworking, circa 1935 from carved maple.

Art Deco bowl by French artist Claudius Linossier from the 30s/40s, using the artist's specific dinanderie technique. Hammered copper structure in red hues decorated with a gilded co...

This rare group of Asian vessels/bowls in unique design have beautiful decorative images and handles. Asian Vessels dimensions: Square top: 12 wide, 10 deep, 4.25 inches tall ...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'Vi...

Great condition and colors

Murano. With silver applications. We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Technical Avventurina : Avventurina is a Murano glass-making technique developed on Murano island in the 17th century. I was first mentioned in a document dating from 1614 as "a kind of stone with gilt stars inside", at which point it already mesmerized people with the unusual and attractive look. The technique owes its name to the fact that its discovery happened by chance thanks to a lucky coincidence, when a glass artisan is said to have accidentally dropped some metal shavings into the glass mixture. Italians say it happened "all'avventura", which in Italian means "by chance". The first documented recipe for the technique dates from 1644, when Murano master glassmaker Giovanni Darduin described how Avventurina glass should be created. The recipe involves adding various metal oxides such as copper and iron to the hot glass mixture, which will cause tiny particles of the metals to crystallize as the glass mixture cools off. Complicating the process, for such crystallization to occur the furnace had to get fully extinguished, and the metal particles would slowly separate from the glass base over a few days during the natural cooling of the glass. This was a very difficult process from a logistical perspective, since every time a glass furnace got extinguished it caused work to be paused, and re-igniting it was quite a big process, as it took time to fully heat it to the desired temperature. As industrial revolution set foot on Murano in the nineteenth century, the process got a remake. Large volumes of fine Avventurina paste were made and then skillfully stretched into glass canes, which were then re-melted for jewelry-making under a small flame, or for glass blowing. This Avventurina paste received worldwide acclaim and re-ignited the fame of Murano Glass workshops due to its use in Salviati mosaics...

Pair of brass vases. They appear to be brass with a light copper wash. Measure: They are 9.5" high and 6" wide at top.

French Art Deco, Modernist acid etched art glass centerpiece, circa 1930, signed Daum Nancy. Rings of rippled patterns grace this very slightly tinted emerald, spring green art glas...

Murano. We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. The history of "Seguso Vetri D' Arte" is directly linked to the "Vetreria Artistica­ Barovier" company. When the Barovier workshop was forced to reduce production in 1929, due to a financial crisis in America, the original group of ten partners had to separate and Antonio Seguso in 1931, assisted by his sons Ernesto and Archimede opened a small workshop of his own. They were joined by Luigi Olimpio Ferro and Napoleone Barovier the following year. Together the craftsmen establish the "Artistica Soffieria e Vetreria Barovier Seguso & Ferro" company as equal partners. In 1934 Flavio Poli joins the firm as artistic director and within only a brief period of time a distinct style of designs emerged. The close collaboration between Flavio Poli, Archimede Seguso and Alfredo Barbini played an important part in the success of the company. New glass techniques are developed which include never before seen color applications. The companies innovative designs constantly received awards and during the 1935 World Fair in Brussels and the 1936 Milan Triennale they did attract the interest of a new group of clientele. One of them is the French wholesale company "Veronese" from Paris which would play a defining role in the history of the company. The demand for an increase in production requires additional investments and the partners felt that there is a need to multiply their investment tenfold. Luigi Olimpio Ferro subsequently decided to withdraw from the company and his shares are acquired by Flavio Poli, which makes him a full partner. As a result, the company name is changed to Seguso Vetri D’ Arte and it is officially recognized in 1937. A period of great success and prosperity ensues, lasting until the outbreak of World War II. The post ­war period is a time of great change in Europe and the rebuilding of the economical structure in Italy requires major investments which result in the introduction of new import duties and taxes. To safeguard the copyright of the Seguso Vetri D'Arte designs an application for a second entry into the commercial registers of Venice is made by the partners in 1945. Strict export regulations curb international business relations for many years after the war and the company decides to focus on the domestic market instead. In 1946 a large retail location is opened at the Piazza Diaz in Milan where in addition to the art glass, German porcelain and Italian pottery is offered. In 1950 Flavio Poli develops a new sommerso glass technique, which consists of an overlaying of transparent layers of glass. The overlapping creates new shades of color which prior to the introduction of this technique had not been seen. Flavio Poli's most iconic design is the "Valve", which resembles an upright, slightly opened clam shell. The design was introduced in 1951. Mario Pinzoni joins the company in 1953 as a personal assistant to Flavio Poli and his responsibilities as a draftsman included the compilation of archival and the existing production drawing s...

Made in Italy, 1930s. This vide-poche is made in embossed and chiseled cast bronze. It might show slight traces of use since it's vintage and has an imperceptible flaw, but it can be...

Centrepiece, one bowl and one vase, "martele´" silver plated brass. Sign: Zanetto Italy, circa 1930. Measures: Bowl: Diameter 41cm x 11 cm height Vase: Diameter 15 cm x 28 cm h...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Attributed to Venini Early life and education Venini was born in the town of Cusano near Milan, Italy. After serving in the Royal Italian Army in World War I, he trained as a lawyer[2] and began his practice in Milan. He soon developed an acquaintance with Giacomo Cappellin, a native of Venice who owned a Milan antiques...

Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...

Wonderful pair of crystal scalloped compotes held by gilt bronze winged cherubs putti on etched pedestal stands. Measures: 9" W x 8" H.

A large and dramatic Art Deco Style hand blown crystal console set in brilliant clear crystal with octagonal cut foot, recumbent rim and elaborately cut and notched borders.The solid...

Cup in colored blown glass from Muller Freres, 1930.  

Murano Technical Avventurina : We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale.  Fratelli Toso, Venice One of the oldest glass factories established in Murano, Fratelli Toso was founded in 1854 by six brothers who loved the art of glassmaking. With over 150 years of experience in the field, the Toso family improved their techniques and nowadays are one of the top award-winning manufacturers of Murano glass. Technical Avventurina : Avventurina is a Murano glass-making technique developed on Murano island in the 17th century. I was first mentioned in a document dating from 1614 as "a kind of stone with gilt stars inside", at which point it already mesmerized people with the unusual and attractive look. The technique owes its name to the fact that its discovery happened by chance thanks to a lucky coincidence, when a glass artisan is said to have accidentally dropped some metal shavings into the glass mixture. Italians say it happened "all'avventura", which in Italian means "by chance". The first documented recipe for the technique dates from 1644, when Murano master glassmaker Giovanni Darduin described how Avventurina glass should be created. The recipe involves adding various metal oxides such as copper and iron to the hot glass mixture, which will cause tiny particles of the metals to crystallize as the glass mixture cools off. Complicating the process, for such crystallization to occur the furnace had to get fully extinguished, and the metal particles would slowly separate from the glass base over a few days during the natural cooling of the glass. This was a very difficult process from a logistical perspective, since every time a glass furnace got extinguished it caused work to be paused, and re-igniting it was quite a big process, as it took time to fully heat it to the desired temperature. As industrial revolution set foot on Murano in the nineteenth century, the process got a remake. Large volumes of fine Avventurina paste were made and then skillfully stretched into glass canes, which were then re-melted for jewelry-making under a small flame, or for glass blowing. This Avventurina paste received worldwide acclaim and re-ignited the fame of Murano Glass workshops due to its use in Salviati mosaics...

Stunning wall-hanging plate/centerpiece in porcelain with hand-painted decoration by Norwegian female designer and Art Deco pioneer Nora Gulbrandsen (Kristiania 1894 – Oslo 1978) for...

This hallmarked silver bowl, delicately adorned and standing on feet, exudes timeless elegance. Its simplicity in design adds to its allure, mak...

In more than 30 years we have never seen a WMF Ikora in the color purple. absolute rarity