Antique Wedgwood Creamware Flower Holder, 18th Century

We are thrilled to offer this fabulous large three-tiered 18th-century creamware platt menage, made circa 1780-90 in Staffordshire or Yorkshire, England. It is a rare and elegant ex...

WHY WE LOVE IT: One of our absolute favorites! A pair of 18th-century creamware flower holders complete with stands and covers made in England by Neale & Co. was one of the finest 18...

We are thrilled to offer this exceptional pair of creamware lions, each elegantly resting on a tall base adorned with sumptuous swags of dark blue "curtains" with gleaming yellow tassels and trim. Crafted in France, these figures are unparalleled and truly a masterpiece of 18th-century creamware. They date back to the late 18th century, circa 1790. Each lion's head and mane is exquisitely painted with vibrant yellow and lined in striking midnight brown. Their mouths are painted in delicate pink, adding an extra touch of charm. Not only are these lions a sight to behold, but they will also bring a touch of humor to your home. Their jovial expressions make it impossible not to laugh along with them. Leisurely resting on cushions draped with rich fabric and tassels, these friendly lions exude a very French attitude, seamlessly blending formality and friendliness. Placed on a mantel, they would undoubtedly be the focal point of any room, commanding attention, and admiration from all who see them. These lions are genuinely a one-of-a-kind treasure that is not to be missed. Dimensions: 6.5 inches tall x 6.75 inches long x 4.5 inches wide Condition: Excellent Price: $3200 Background of creamware Creamware is the name given to a type of earthenware pottery initially made from white clays from Dorset and Devonshire combined with an amount of calcined flint. Creamware was first produced in England sometime before 1740. Foremost of the pioneers of creamware in the Staffordshire Potteries was Thomas Whieldon. The young Josiah Wedgwood partnered with Thomas Whieldon from 1754-1759. When Wedgwood left to set up his own business, he immediately directed his efforts to developing creamware. Around the same time, in the mid-18th century, French potters developed their creamware known in France as "Faience Fine...

These stunning Wedgwood black basalt sphinxes are a true masterpiece of Wedgwood craftsmanship and artistry. These mythical creatures are a sight to behold with their majestic woman's head, mighty lion's body, and elegant wings. Each sphinx sits atop a raised rectangular base, adorned with a geometric design of circles and fleur-de-lis. Each sphinx features a 'lotus flower' nozzle to hold candles, adding a touch of whimsy and charm. Made in the eighteenth century, circa 1785, these sphinxes showcase Wedgwood's exceptional attention to detail and dedication to quality. The underside of each sphinx is marked with an impressed "Wedgwood" signature in lowercase letters. With a height of 10.2", a depth of 7", and a width of 3.6", these sphinxes are truly imposing in size and presence. In excellent condition, this pair is a rare and highly coveted find for collectors of Wedgwood black basalt. Reference: "The Dictionary of Wedgwood" R Reilly and G Savage pg 323. Dimensions: 10.2" height x 7" deep x 3.6" wide Condition: Excellent with tiny edge chips invisibly restored Price: $6,600 Background of Wedgwood black basalt: In the mid-18th century, Josiah Wedgwood created black stoneware, which he named "Black Basalt," as it resembled Egyptian basalt...

This Wedgwood creamware round platter or charger was made in 18th century England circa 1785. The border is decorated with a traditional neoclassical design of iron-red flower heads...

The set was hand painted at Wedgwood, in England, circa 1785. The borders are decorated with a delicate band of green leaves and berries on the vine, and the edges are painted brown....

An 18th century Wedgwood creamware double salt cellar. The form consisting of two basket (or pail-form) bowls joined at the rim and connected by ...

Rare & Important Antique English Large Wedgwood Queensware (Creamware) Centerpiece with influences by Robert Adam represented by the swags and fest...

Maiolica centerpiece Pasquale Antonibon factory Nove di Bassano, Venice, 1740-1770. Measures: 1.85 in x 19.21 in x 15.27 in 4.7 cm X 48.8 cm X 38.8 cm. lb 5.29 (kg 2.4) State of conservation: thin passing fêlure with covered chipping and a glued foot The Antonibon were an important family of Venetian...

A set of four early Wedgwood creamware Neoclassical dessert dishes made circa 1780. Sir William Hamilton’s Collection of Etruscan, Greek and Roman an...

3-part core piece consisting of coffee pot, teapot and milk jug made of Terre de Namur ceramics. Terre de Namur The fine black faience is a particular product of Namur, Belgium, lat...

A fine Wedgwood creamware lidded sauce tureen and stand attributed to Alfred Powell and dating from the early 20th century and probably Art Deco period. ...