English Majolica Cheese Wedge Dome & Stand, Flowers, Ivy on Cobalt, ca. 1875

Full-Size George Jones Majolica Cow Cheese dome and stand (Stilton Dish), 11.75 height x 12.5 diameter inches, on a vivid deep pink glazed ground with str...

English Majolica basket with mottled green basketweave, a cobalt blue handle, and lavender interior, ca. 1875, Measures: W 6 x H 4 x D 1.5 inches For 30 years we have been among th...

Hugo Lonitz Majolica figural table Jardinière stand, naturalistically molded as an oak tree, with a pair of partridges nesting among bulrushes and grasses, on a rustic mound-form, lo...

Holdcroft Majolica umbrella stand, English, circa 1875.

George Jones Majolica large 'Rose Basket' 9.5-in wide in cobalt blue, circa 1872. Impressed British Registry mark stamp to reverse for 17 February 1872. George Jones pattern number '...

Minton Majolica centerpiece, naturalistically modeled as a pond bed with simulated water glazed in cyan blue, with green glazed lily pads and flowering pond lilies (lotus), and reeds glazed in various shades of green, with brown and ochre-glazed cattails molded in high relief to form the border, with a central lotus flower glazed in white and blue, concealing a solid brass original fitting for a candle, doubling as a receptacle for an (optional) additional tier which would have screwed into the fitting; the fitting is removable. Impressed marks to reverse: 'MINTON' and Minton date cypher for 1863; an impressed 'A' possibly for the designer, Thomas Allen...

A rarely found English Majolica mask handled and climbing Ivy water pitcher, marked Samuel Alcock & Co. circa 1875. A round bellied cobalt blue body ...

Brownfield Majolica cheese keep which features a chestnut, flower and leaves. Colouration: brown, green, pink, are predominant. The piece bears mak...

This antique cheese server or dome is unsigned, but presumed to have originated from the United States and dates to approximately 1880 and done i...

Wedgwood majolica antique plate decorated with a vibrant turquoise basketweave rim and a blue tortoise shell style center. The plate is impressed with Wedgwood and includes the impre...

This early 20th century piece of Italian lustreware was made by the renowned Rubboli family pottery in the Umbrian town of Gualdo Tadino, Italy. Italian lustreware Majolica production traces its origins to the Renaissance. The art was revived in Gualdo Tadino during the last quarter of the 19th century, largely due to the efforts of ceramist Paolo Rubboli. Rubboli established his pottery in the region around 1870, and became known for the high quality of his distinctive cobalt, red and gold Neo-Renaissance lustreware. Rubboli's wife Daria and sons Lorenzo and Alberto continued Paolo's efforts after his death in 1890, and joined the newly formed consortium Societa Ceramica Umbria in 1920. Rubboli pieces dating to the period are marked with a blue underglaze "SCU" in a triangle mark along with a conjoined "PR" monogram in homage to Paolo's work. This large ceramic Neo-Renaissance Rubboli double handled compote is finished in cobalt, red and gold lustre. The piece consists of a round bowl at the top with elongated applied handles at either side, all of which rest upon a pedestal base. The bowl features two bas-relief winged mask heads on the exterior which have been depicted with open mouths sprouting handles in the form of serpent-like forked tongues. The exterior is also painted with pairs of imposing gryphons, each of which flank a large urn. The interior of the bowl is also heavily decorated and bears a fantastical winged lion set at the center of a series of scrolling acanthus leaves and urns, best seen in image 8. The remainder of the piece is finished with foliate and geometric motifs. It is of note that a similar piece was included in the traveling exhibit of important Majolica and lusterware entitled 'The Rubboli Collection - Italian lustre pottery in Gualdo Tadino' held in the Chiesa Monumentale di San Francesco between July 17 – October 3, 2010. The compote is in excellent original condition with no restorations or repairs. There are some glaze skips present on the piece as well as minor chips at the base of the pedestal foot which do not detract from the appearance of the compote and are mentioned for accuracy. The underside of the piece bears the blue underglaze Rubboli family Società Ceramica Umbra mark cited above consisting of the letters “SCU” within a triangle along with the entwined Paolo Rubboli 'PR' monogram, which was used from 1920 to 1931. The 3lb 5oz compote stands...

Our fancy ceramic plate is handmade and hand-painted in Italy following the original Renaissance painting technique, unchanged over time, which we observe to the letter: it is decorated in majolica painted in a monochromatic antique blue and decorated by a platinum luster, comprising a wavy mixtilinear rim which is divided by eight bands which are arranged on the following with a radial structure: half of them, the largest ones, are painted with refined floral motifs; the others, which alternate with the previous ones, are devoid of ornaments. The same decorations present in the brim are shown in the large cable, which are characterized by natural elements such as flowers, leaves and berries. This beautiful piece can be hung as a decorative wall dish...