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Georgian Spode Stone China Coffee Can and Plate in Tobacco Leaf Pattern No. 2061

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  • Georgian Spode Coffee Can Ironstone Kackiemon Pattern 2117, circa 1820
    By Spode
    Located in Lincoln, Lincolnshire
    This is a good stone China (Ironstone) coffee can made by the SPODE factory in the early 19th Century, circa 1820. The coffee can is well potted with cylindrical shape and a loop handle with the distinctive Spode kink to it. The piece is beautifully decorated with hand painted enamels in the chinoiserie Kakiemon style, pattern number 2117. It has the Spode Stone China blue printed...
    Category

    Antique Early 19th Century English Georgian Ceramics

    Materials

    Ironstone

  • Georgian Spode Coffee Can Porcelain Floral Leaf Gilded Pattern, circa 1810
    By Spode
    Located in Lincoln, Lincolnshire
    This is a good quality porcelain coffee can that we attribute to Spode of Staffordshire, England, made during the very early 19th century, George 111rd period, circa 1810. The coffee can is nominally parallel, with a loop handle having one lower kink, characteristic of the Spode handle. It has a fairly deep foot recess with obtuse corners and is unmarked to the base. The pattern is one of Spode's transfer printed floral leaf designs in a burnt orange colour around the upper border, all between gold gilt rings with a further gold gilt ring just above the base and hand gilding to the outer handle. We date this piece to the late George third...
    Category

    Antique Early 19th Century English George III Ceramics

    Materials

    Porcelain

  • Georgian Plate by Spode in Gilded Bow Pot Pattern Number 2954, circa 1820
    By Josiah Spode
    Located in Lincoln, Lincolnshire
    This is a beautiful plate in the Bow Pot pattern, produced by the Spode factory and made of a type of earthenware pottery called Pearl-ware, in the early 19th century, circa 1820. ...
    Category

    Antique Early 19th Century English Chinoiserie Pottery

    Materials

    Pearlware

  • Plate by Copeland Late Spode in Japanese Kakiemon Pattern No. 2117, circa 1850
    By Copeland Spode
    Located in Lincoln, Lincolnshire
    This is a beautiful plate in the Japanese inspired Kakiemon pattern number 2117, produced by the Copeland - Late Spode factory and made of earthenware potte...
    Category

    Antique Mid-19th Century English Chinoiserie Pottery

    Materials

    Pottery

  • Georgian Spode Coffee Can Porcelain Pattern 1928, circa 1810
    By Spode
    Located in Lincoln, Lincolnshire
    This is a very good quality porcelain coffee can by Spode of Staffordshire, England, made during the very early 19th century, George 111rd period, circa 1805. The coffee can is no...
    Category

    Antique Early 19th Century English George III Ceramics

    Materials

    Porcelain

  • Georgian Spode Stone China Sauce Tureen in Ship Pattern 3067, circa 1810
    By Spode
    Located in Lincoln, Lincolnshire
    This is a very good sauce tureen made of ironstone (Spode's Stone China) in the Ship Pattern, No 3067, produced by the English, Spode factory early in the 19th century, George 111rd Period. The piece is well potted with two side handles. The pattern is called the Ship pattern number 3067, the chinoiserie decoration being transfer printed under-glaze, then very carefully hand-painted in bold colored enamels with additional gold gilding over-glaze. As is usual with Spode ware the standard of hand painted detail is very high. A plate in this pattern is shown on page 54 of Steven Smith's book; "Spode and Copeland" published by Schiffer. The pattern is in the Chinese taste as produced by many of the English potteries of the time, to compete directly with the large import of Canton or Chinese Export porcelain from China. The piece has a mid brown edge similar to that often seen on Chinese plates. The piece is fully marked to the base, with the earlier Spode black printed Stone-China mark...
    Category

    Antique Early 19th Century English Chinoiserie Ceramics

    Materials

    Ironstone

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    Located in Downingtown, PA
    Spode Neo-classical Greek pattern blue soup plates, Refreshment for Phliasian Horseman, Set of twelve (12) Early-19th century The Spode Greek pattern ...
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    Antique Early 19th Century English Georgian Pottery

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  • Spode Neo-Classical Greek Pattern Blue Openwork Dessert Plates
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    Located in Downingtown, PA
    Spode neo-classical Greek pattern blue openwork dessert plates, Ceres with a Priestess, Four plates (4) Early 19th century From a large collection of Greek pattern Spode- more pi...
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    Antique Early 19th Century English Neoclassical Pottery

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  • Spode Pottery Neo-Classical Greek Pattern Blue Set of Dinner Plates-33 Plates
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    Located in Downingtown, PA
    Spode Pottery neo-Classical Greek Pattern blue set of dinner plates-33 plates Zeus in His Chariot, Early-19th Century The Spode pottery undergla...
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    Antique Early 19th Century English Neoclassical Dinner Plates

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  • Stoneware Clay Plate in Stone Colour Hand Cast in UK
    By Custhom
    Located in London, GB
    The pieces are slip cast in London, made from stoneware in small batches. The hand painted details around the rim of each item in the collection is created by glaze in a complimentar...
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    2010s English Modern Ceramics

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  • Early Spode Red Greek Pattern Tile
    By Josiah Spode, Spode
    Located in Fort Lauderdale, FL
    A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Refreshments for Phliasian Horseman’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Slight chip to the upper left corner measuring approximately 0.9 cm. in length. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...
    Category

    Antique Early 19th Century English Neoclassical Pottery

    Materials

    Earthenware, Creamware

  • Rare Pair of William Moorcroft Leaf and Berry Pattern Pottery Goblets, C1930
    By William Moorcroft
    Located in Melbourne, Victoria
    A rare pair of William Moorcroft designed leaf and berry pattern goblets with a pale blue/green background, circa 1930. Fully signed to the base W. Moorcroft, with the factory sta...
    Category

    Early 20th Century British Pottery

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    Pottery

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