European Ceramics

Large beautiful figurative sculpture by Danish artist Jens Jacob Bregnø in jugend style. The sculpture is made of raw sandstone and is signed by the ...

Gio Ponti two 'Vendemmia' series tiles in frames for Richard Ginori, Italy, 1920s Fully marked.   

This stunning hand painted ceramic vase was realized by the esteemed Swedish ceramicist Arthur Percy for Gefle circa 1920. It features a subtly conical body with inset sloped shoulde...

Majolica plate two parakeets with oranges Salins, circa 1890.  

Majolica faience Palissy Portuguese crab platter circa 1940. Decorated with mussels and shells, Caldas da Rainha. 9.8 inches diameter. Hairline on the back.  

Incredible Spanish 19th century Fajalauza Lebrillo bowl in blue and white from Granada. Beautiful handcrafted original terracotta bowl with mil...

Exceptional & Large Lurçat Charger for Sant Vicens with Rascasse and leaves motif, numbered 39/50. Produced after one of the artist's drawings by the San Vicens ceramic studios in Pe...

German-born artist Josef Albers wonderfully designed Homage to the Square, four glazed Italian porcelain ceramic platters, chargers, plates, each hallmarked/stamped on verso, from a limited sold-out edition. Each platter comes in its original box and is based on Albers' 1954 original oil on masonite work. Albers is widely considered one of the most influential artists and teachers of the visual arts in the twentieth century. The platters were done in a limited edition run of 1500 in 1999 and quickly sold out. They were all made in Italy specifically for MOCA (Museum of Contemporary Art). Would be a great addition to any modern art or ceramic collection. These platters have become rare and scarce - especially in this pristine, as new condition. Platter dimensions: .75" high, 11.75" wide, 11.75" deep...

Vase made in the Tarnowiec Glassworks located in Poland, designed by J. Słuczan-Orkusz. Soda glass, mass-colored, hand-formed. Vintage product from 1970s It can be also candlestic...

The coastal Italian touch your home has been missing. This little shell dish is perfect placed in an entryway or stashed on a bedside table. Handmade in Italy by artisans and finishe...

This is two English ironstone plates; one dinner plate by Davenport and one side plate by Mason's, both in the flying Bird gilded pattern. Both plates are well potted and hand pai...

Dutch Delft Kolf Tile. An early Dutch delft blue and white golf tile - hand painted with a Kolf scene depicting a Colf/ Kolf player. The blue image is on an off white background with...

MOORCROFT - 'Clematis' - Vintage Arts & Crafts ceramic vase - hand painted with a blue background - impressed stamps to the base - U.K. - circa 1950-86. Excellent condition - no lo...

This a mid size, Early 19th Century Platter of over 12 inch width made by Mason's Ironstone in the Bamboo and Basket Chinoiserie pattern, dating to the English Georgian period, Circa...

These original vintage vase was produced in the 1970s in Germany. It is made of ceramic pottery. The bottom are marked the vase series number 40 Handarbeit Straight forward and min...

Decorative Bull midcentury Rimini blue glazed . Designed by Aldo Londi, manufactured by Bitossi Ceramiche / Italy in the 1960s. Handcrafted with hand carved geometric design in a gl...

A rare and beautiful wall relief featuring a beautifully hand-painted woman, designed by Birger Kaipiainen for Rörstrand and manufactured in Sweden in the 1950s. Kaipiainen spent onl...

CAB Bordeaux Large abstract art deco red and white ceramic vase Realised circa 1930 Original perfect condition Height 22 cm Large 17 cm

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). The centre painted with archaic de...

A ceramic urn designed by Gunnar Nylund at Rörstrand. It is 22.5 cm (9") high and in excellent condition. It is marked as the photo shows and it is marked as 1st quality, it has some...

Menton French Majolica (Barbotine) Trompe L'oeil wall plaque, with lemons molded in high relief, circa 1880. Generally referred to as "Menton," these rare pieces of Barbotine (Fren...

Wedgwood - exceptional and rare antique brick red transferware and flow blue luncheon set for six - hand painted gilded borders and details - consisti...

French Majolica rabbit tureen signed Caugant, circa 1940.

Large stoneware glazed decorative vase. Midcentury era design featuring hand drawn strips of blue colored glaze, Germany, 1960s. Perfect condition. Measures: Height 40 cm.

ML Elegant porcelain ceramic fruit realised circa 1980 Green and gold ceramic glazes colors Signed under the base Original French mid-century design Measures: Height ...

Majolica butterfly plate Josef Steidl Znaim, circa 1890.

Set of 2 vintage Gucci porcelain plates in the motif of poker cards / Made in Italy Original stamp on the base Diameter: 8.5 inches, height 1 inch set of 2 available in stock in Ital...

Rare design by Aldo Londi for Bitossi. Rimini Blue ceramic footed vase with geometric motifs, Italy, 1960s This stunning glazed ceramic vase has a pattern with circles in dark blue with rhombus inside in shades of green / turquoise color accented by decorative flowers. Excellent vintage condition. This piece is perfect as a gift idea and it could placed alone or with other 'Rimini Blu'Bitossi pieces creating a set. Display it in a cabinet or on a console table, with flowers or just as a cool decorative vase. Measures: 22 cm height x 18 cm diameter (8,66 in height X 7,08 in diameter ) More Bitossi Aldo Londi pieces are avaliable at our 1stdibs marketplace. About Bitossi (Manufacturer) Like a Fellini movie, the ceramics of this famed Italian company embody a creative spectrum that ranges from the playful and earthy to the high-minded and provocative. Based in Florence, Bitossi Ceramiche draws on craft traditions that date back to the 1500s. These find expression in the artisanal vases and animal figures by the firm’s longtime art director Aldo Londi, as well as the colorful, totemic vessels designed by the high priest of postmodernism, Ettore Sottsass. The company was incorporated by Guido Bitossi in 1921, though the family began making art pottery in the mid-19th century. In the 1930s, Londi came aboard, bringing with him a mindset that respected time-honored craft, yet looked also to the future. On the one hand, Londi’s perspective fostered the making of Bitossi’s popular whimsical animal figures, hand-shaped and -carved and finished in a rich azure glaze known as “Rimini Blue.” But with his other hand, Londi reached out to thoughtful, experimental designers such as Sottsass. Starting in the 1950s, some 20 years before he founded the Memphis Postmodern design...

Beautiful fruit bowl or centerpiece in braided enameled ceramic in the style of Jérôme Massier dating from the 1950s, produced in Vallauris, France. This bowl is covered with a very...

Painted ceramic, very good original vintage condition. No damages or cracks. Beautiful and unique decorative sculpture. Horse sculpture was produced in England. Only one item available.

Ceramic hand painted plate artwork by Catalan artist Diaz COSTA, circa 1960. In original condition, with minor wear consistent of age and use, preserving a beautiful patina. Ma...

Stunning and stylish hand-crafted blue matte bowl by Saint Clement pottery studio/workshop, France. Signed on the underside with Saint Clement...

Ceramic lamp stand with expressive head designed by Gudrun Baudisch executed by Wiener Werkstatte ca. 1928 marked Austrian Art In this ceramic object, Gudrun Baudisch combines her...

Ceramic terrine designed by Michel Caugant, France in the 1950s. With its modern shape and pretty color, this ceramic will be perfect in a current dec...

Ingrid Glass, or rather Ingrid Glashutte, is a company based in Germany but with glassworks in Austria. Currently defunct, but operating from the earl...

Rare late 15th or early 16th century Mudejar tile of the so-called ‘Arista’ technique with intricate geometric decoration. Good condition; some chipping to the edges, some wear to ...

A hand thrown rustic glazed confit pot that has come from a home in France. It dates from the 19th century and shows its age beautifully with some nibbles and wear to the glaze. Originally made for use as a confit pot within the home, it has a half glazed outer and fully glazed inner in a creamy yellow ochre shade. These are great decorative pieces within the home, or as small pots for flowers...

Giovanni De simone 1970s ceramic plate with slaughter of multicolored fish and fishermen.

Rouillard Unique handmade mid XXth century ceramic pitcher Original brown stoneware ceramic color Signed under the base Original perfect condition Measures: Height 21 ...

Small Majolica Leaves Oval Handled Platter Choisy le Roi, circa 1890. 9.7 by 5.4 inches.

Incredible Spanish 19th century Fajalauza Lebrillo bowl in blue and white from Granada. Beautiful handcrafted original terracotta bowl with mil...

A large vintage serving platter featuring the Wild Turkeys - Flying brown and white transfer-ware pattern by the celebrated English pottery fi...

This is a rare shape jug or pitcher made by Mason's Ironstone pottery in the Bandana pattern and made for the 1851 Exhibition, as supported by the printed mark on the base. The jug ...

Enhance your summer entertaining with the elegant Ceramic Saint Jacques Salad Bowl. Expertly handcrafted and beautifully hand-painted in Italy, this feature distinctive scalloped-edge detailing inspired by the iconic Saint Jacques seashell. The charming design and artisanal craftsmanship make them a perfect choice for stylish outdoor dining or festive indoor gatherings. Ideal for serving fresh seafood, pasta and salads, these plates add a touch of Mediterranean flair and sophistication to your table...

Acquareccia plate Patanazzi workshop Urbino, last quarter of the 16th century It measures diameter 17.12 in; foot diameter 11.53 in; height 1.88 in (43.5 cm; 29.3 cm; 4.8 cm). Weight State of conservation: wear and a few small minimal detachments of enamel, chipping on the raised areas, peeling of enamel at the brim on the back. This large, shallow basin is equipped with a wide and convex well. It is umbonate with a contoured center. The brim, short and flat, is enclosed in a double rounded and barely raised edge. The basin has a flat base without rims; it has a slightly concave center in correspondence to the well. The shape takes inspiration from the basins associated with the metal forged amphora pourers that traditionally adorned the credenza. These were used from the Middle Ages to wash hands during banquets. Two or three people washed their hands in the same basin and it was considered an honor to wash one’s hands with an illustrious person. The decoration is arranged in concentric bands with, in the center of the umbo, an unidentified shield on a blue background: an oval banded in gold with a blue head, a gold star and a field with a burning pitcher. Rings of faux pods separate the center from a series of grotesque motifs of small birds and masks. These go around the basin and are, in fact, faithfully repeated on the brim. The main decoration develops inside the flounce of the basin, which sees alternating symmetrical figures of winged harpies and chimeras. The ornamentation, outlined in orange, green and blue, stands out against the white enamel background. This decorative style, defined since the Renaissance as “grottesche” or “raffaellesche”, refers to the decorations introduced after the discovery of the paintings of the Domus Aurea towards the end of the fifteenth century. The discovery of Nero's palace, buried inside Colle Oppio by damnatio memoriae, occurred by chance when a young Roman, in 1480, fell into a large crack which had opened in the ground on the hill, thus finding himself in a cave with walls covered with painted figures. The great artists present in the papal city, including Pinturicchio, Ghirlandaio, Raffaello, immediately visited these caves. The decorations found there soon became a decorative subject of immense success: the term grotesque , with the meaning of “unusual,” “caricatured,” or “monstrous,” was later commented by Vasari in 1550 as “una spezie di pittura licenziose e ridicole molto”( “a very licentious and ridiculous kind of painting”). The decorations “a grottesche” also widely circulated in ceramic factories, through the use of engravings, variously interpreted according to the creativity of the artists or the requests of the client. Our basin is reflected in similar artifacts produced at the end of the sixteenth century by the factories of the Urbino district. See the series of basins preserved in the main French museums, among which the closest in morphology is that of the Campana collection of the Louvre (Inv. OA1496); this however has a more complex figure decoration, while the decoration of our specimen is sober and with a watercolor style. The style, sure in its execution, approaches decorative results still close to the works produced around the middle of the sixteenth century by the Fontana workshop. The decoration is closely linked to their taste, which later finds its natural outlet, through the work of Antonio, also in the Patanazzi workshop. Studies show the contiguity between the two workshops due to the kinship and collaboration between the masters Orazio Fontana and Antonio Patanazzi, both trained in the workshop of Guido Fontana il Durantino. It is therefore almost natural that their works, often created according to similar typologies and under the aegis of the same commissions, are not always easily distinguishable, so much so that the presence of historiated or “grottesche” works by Orazio is documented and preserved in Antonio Patanazzi's workshop. Given that the studies have always emphasized the collaboration between several hands in the context of the shops, it is known that the most ancient “grottesche” works thus far known, can be dated from 1560, when the Fontana shop created the so-called Servizio Spagnolo (Spanish Service) and how, from that moment on, this ornamentation became one of the most requested by high-ranking clients. We remember the works created for the Granduchi di Toscana, when Flaminio Fontana along with his uncle Orazio supplied ceramics to Florence, and, later, other commissions of considerable importance: those for the service of the Duchi d’Este or for the Messina Farmacia of Roccavaldina, associated with the Patanazzi workshop when, now after 1580, Antonio Patanazzi began to sign his own work. Thus, in our basin, the presence of masks hanging from garlands, a theme of more ancient memory, is associated in the work with more advanced stylistic motifs, such as the hatching of the chimeras and harpies. These are found here on the front with the wings painted in two ornate ways. In addition, the theme of the birds on the edge completes the decoration along the thin brim and can be seen as representing an early style typical of the Urbino district during a period of activity and collaboration between the two workshops. Later, a more “doll-like” decorative choice, typical of the end of the century and the beginning of the seventeenth century, characterized the period of the Patanazzi workshop under the direction of Francesco. Bibliography: Philippe Morel, Il funzionamento simbolico e la critica delle grottesche nella seconda metà del Cinquecento, in: Marcello Fagiolo, (a cura di), Roma e...

Fine teardrop shaped Roger Capron ceramic vide poche with pyjama decoration. Produced at his workshops in Vallauris in the 1950s

Small Majolica white rabbit pate tureen or box circa 1950 signed Caugant.

A fine Majolica vegetable tower or topiary, attributable to the ceramic artisans of Este, Italy, featuring a naturalistic relief of vegetables upon...

19th century Italian Majolica dish with Renaissance figures Superb highly decorated Italian Majolica plate with hand a hand painted scene of Roman mythology; The abduction of Sabine...

Wonderful blue glaze on these 2 vases and bowl from Rörstrand Sweden, designed by Gunnar Nylund in the 1950s. They are all in good vintage condition. Dimensions: Large vase H ...

Made in Italy, 1970s. This ashtray / catchall is made in glazed ceramic by Gabbianelli and features its logo on the bottom. It may show slight traces of use since it's vintage, but...

A table set for 12 or 18 people, "Marine," signed by Ludovic Napoléon Lepic, was crafted in earthenware by the prestigious Creil and Montereau manufactory in 1889. This unique set fe...

A handmade ceramic footed planter or orchid pot by Raymor. Italy, circa 1950. Signed/numbered. Features a geometric pattern in shades of green, brown and yellow. Measures 6.5 in...

Collection of vases and bowls from Rörstrand and maker/Designer Stålhane. Made in Sweden in the mid-century. Beautiful, glazed vases in good condition. This set of green vases and bo...

You know we love a scallop at Sharland England, and our signature scallop dish is too pretty not to add to your collection! Fill it with trinkets, jewellery, olives – or to be honest...

Majolica butterfly plate Josef Steidl Znaim, circa 1890.

French Art Deco ceramic panther at Sainte-Radegonde's, France, 1920s. Width: 19.6"(50cm), Height: 9.4"(23.8cm), Depth: 4.5"(11.5cm). Sainte-Radegonde's label.

Tile with a matte white background glaze with a stylized silkscreen decoration of vases and cornucopias from which water comes out, in pink and light blue colors. Drawing by Gio Pon...