Renaissance Revival Ceramics

A vintage Italian Blanc De Chine fountain of a beautiful putti sitting atop a lion's bust bowl. This piece is a wonderful decorative centerpiece on its own.

Maiolica chargers are large, decorative ceramic plates that are part of the broader tradition of Maiolica pottery, a type of tin-glazed earthenware produced in Italy since the Renais...

Italian Maiolica Pitcher with a Rampant Lion, Central Italy , Ca 1850 This unmarked Maiolica Pitcher with a cream white background is decorated on the front with a cobalt blue rampa...

Italian Cantagalli Maiolica Large Plate with family noble emblem, Late 19th Century During the 19th century Renaissance-Revival period the Cantagalli Maiolica and ceramic factory near Florence produced authentic copies of Renaissance Maiolica using traditional methods of tin glazing earthenware. This large Maiolica plate from the late 1800s is marked on the back with the symbol of the Rooster, which indicates that it was created by the Cantagalli ceramics factory. The plate is decorated in the center with the noble emblem of the house of Frederick Stibbert, a well-known late 19th century English/Italian collector of ancient weapons...

CAPODIMONTE - Fine quality Italian provincial hand painted gilt ceramic cabinet cup and saucer - featuring alternating swirling bands of figures in relief ...

Vase in majolica with antiqued background characterized by a very slender body, it is made and hand painted in Italy, following the original Renaiss...

This very colourful hand painted pottery wall charger, or plaque by Gien of France is decorated with a central faux armorial flanked by mythical creature...

Pair of Italian Maiolica Vases, of baluster form, with polychrome Renassance style decptions, on pedestal bases, with large molded and applied snakes forming the handles, the reverse...

Italian Renaissance Revival ceramic pitcher with sgraffito decor of Maltese crosses on the neck and medallions depicting dragons. Made in Italy during the 1900s, this piece is in rem...

Rare complete 19th French pottery tobacco jar inspired by the Renaissance with medallions with his two pewter lids. Pottery from North of France No...

An exceptional Renaissance Revival Maiolica tin-glazed plate painted with a side profile portrait of a lady within a decorative border with a line painted design to the base. The lig...

Exceedingly charming ceramic 'Busto di Bambino' in the Italian Renaissance style. With the blue and white glaze typical of artist Andrea Della Robbia...

A set of three, late 19th century. Italian Majolica plates / chargers. Decorated with armorial crests of three different designs. Very good dra...

Cantagalli Armorial Vase, Ulisse Cantagalli (1839-1901) During the 19th century Renaissance-Revival period the Cantagalli Maiolica and Ceramic Fac...

This very large and very colorful Italian Majolica centrepiece bowl was made between 1900 and 1920 in the Renaissance Revival style. The sides show hand painted blue peacocks surroun...

This early 20th century piece of Italian lustreware was made by the renowned Rubboli family pottery in the Umbrian town of Gualdo Tadino, Italy. Italian lustreware Majolica production traces its origins to the Renaissance. The art was revived in Gualdo Tadino during the last quarter of the 19th century, largely due to the efforts of ceramist Paolo Rubboli. Rubboli established his pottery in the region around 1870, and became known for the high quality of his distinctive cobalt, red and gold Neo-Renaissance lustreware. Rubboli's wife Daria and sons Lorenzo and Alberto continued Paolo's efforts after his death in 1890, and joined the newly formed consortium Societa Ceramica Umbria in 1920. Rubboli pieces dating to the period are marked with a blue underglaze "SCU" in a triangle mark along with a conjoined "PR" monogram in homage to Paolo's work. This large ceramic Neo-Renaissance Rubboli double handled compote is finished in cobalt, red and gold lustre. The piece consists of a round bowl at the top with elongated applied handles at either side, all of which rest upon a pedestal base. The bowl features two bas-relief winged mask heads on the exterior which have been depicted with open mouths sprouting handles in the form of serpent-like forked tongues. The exterior is also painted with pairs of imposing gryphons, each of which flank a large urn. The interior of the bowl is also heavily decorated and bears a fantastical winged lion set at the center of a series of scrolling acanthus leaves and urns, best seen in image 8. The remainder of the piece is finished with foliate and geometric motifs. It is of note that a similar piece was included in the traveling exhibit of important Majolica and lusterware entitled 'The Rubboli Collection - Italian lustre pottery in Gualdo Tadino' held in the Chiesa Monumentale di San Francesco between July 17 – October 3, 2010. The compote is in excellent original condition with no restorations or repairs. There are some glaze skips present on the piece as well as minor chips at the base of the pedestal foot which do not detract from the appearance of the compote and are mentioned for accuracy. The underside of the piece bears the blue underglaze Rubboli family Società Ceramica Umbra mark cited above consisting of the letters “SCU” within a triangle along with the entwined Paolo Rubboli 'PR' monogram, which was used from 1920 to 1931. The 3lb 5oz compote stands...