18th Century and Earlier Delft and Faience

This Jacquot pot is made of polychromed earthenware big fire. This is a French work from the city of Lille. Mid-18th century.

A fine 18th c Dutch Polychrome painted delft charger, decorated with vibrantly colored stylized tulips and flowers painted in manganese, green, yellow...

An 18th century German Pewter Mounted Faience Stein Initialed "WM", circa 1790. The stein has a tin glazed finish over a white glaze and is painted with ...

Near pair of 18th century English polychrome delft chargers- Measure: 13” diameter.

The polychrome wine jug has an ovoid body on a low spreading foot, a conical neck with spout and a handle with a scroll finish. The jug is painted in purple, yellow and green with a continuous chinoiserie landscape with three Chinese figures. A band with scroll ornaments and circles is applied to the shoulder just below the neck, the neck itself is decorated with two stylized flowers and scroll ornaments. The handle is decorated with stripes and scroll ornaments. Dimensions: height 19 cm / 7.48 in. Multi-coloured chinoiserie landscapes on Delftware were only made for a short period of time, roughly between about 1680 and 1690. Most of the decors have been applied on dishes, lobed dishes, butter pots...

Strasbourg faience floral plate. Antique faience plate with large floral bouquets and lobed rims with further floral sprays and insects; with blue u...

18th century English polychrome delft platter.

Pair of blue and white chinoiserie dishes. Delft 1680-1700. [attributed to] The Three Porcelain Ash Barrels pottery Pair of blue and white dishes with a wide-spreading flange, t...

Purple and yellow chinoiserie jug. Delft, circa 1680 - 1700 The ovoid jug stands on a lightly spreading foot and has a tapered neck with spout. The top of the handle is pierced for a metal mount. The jug is painted in purple and yellow with a continuous chinoiserie landscape with Chinese figures. Bands with rectangular ornaments between double circles are applied on the shoulder and just above the foot. The neck is painted with a double leaf motif. The handle is decorated with stripes and dots, alternately applied in purlple and yellow. Purple or multi-coloured Delftware with chinoiserie landscapes are relatively rare, though versions in blue and purple, blue and yellow, green and purple are known, as well as three colour combinations like purple, yellow and green. A butter pot in this last colour combination was excavated from a cesspit in the grounds of the former Porcelain Bottle pottery in Delft. Multi-coloured chinoiserie decorations are painted especially on lobed dishes and also on beer mugs, covered spiced wine bowls and small plates. A purple, yellow and green painted beer mug in the Princessehof Ceramics Museum in Leeuwarden, The Netherlands, combines a chinoiserie landscape with a depiction of stadtholder prins Willem III...

Purple and yellow chinoiserie wine jug. Delft, circa 1680 The ovoid wine jug stands on a low spreading foot, has a conical neck with spout and a pewter mount and cover. The ear-shaped handle has a rat tail finish. The jug is painted in purple and yellow with a continuous chinoiserie landscape with three Chinese figures. A band with scroll ornaments is applied to the shoulder just below the neck, the neck itself is decorated with two types of stylized leaves. Another band with block ornaments is painted above the foot. The handle is decorated with stripes, dots and scroll ornaments. Dimensions: height 22 cm / 8.66 in. Multi-coloured chinoiserie landscapes on Delftware were only made for a short period of time, roughly between about 1680 and 1690. Most of the decors have been applied on dishes, lobed dishes, butter pots...

Polychrome chinoiserie wine jug. Delft, circa 1680 The polychrome wine jug has an ovoid and turned body on a low spreading foot, a conical neck with spout and a handle with a scroll finish. The jug is painted in blue, purple and green with a continuous chinoiserie landscape with three Chinese figures. Bands with rectangular ornaments between double circles are applied on the shoulder and just above the foot. The neck is painted with a double leaf motif. The handle is decorated with stripes and scroll ornaments. Dimensions: height 23 cm / 9.05 in. Multi-coloured chinoiserie landscapes on Delftware were only made for a short period of time, roughly between about 1680 and 1690. Most of the decors have been applied on dishes, lobed dishes, butter pots...

Delft Fan dish with florals motives displayed like a peacock. Signature G.V.S is for Geertruy Verstelle, a Woman Faience Manufacturer Established at Delft in...

A rare Dutch polychrome tile picture, painted in blue, green, yellow and manganese, depicting a mantel clock with two cupids. The tiles with authentic hand-painted black numbers F1-F...

A set of five antique Dutch Delft dishes beautifully hand painted with manganese-based purple. The dishes show a peony plant in full bloom. The maker was Hugo Brouwer. Brouwer created the design, and each dish would have been hand-painted in his factory, The Dreye Porceleyne Flesschen, using a stencil of his design. Each dish is signed with Brouwer's H-B mark. Dimensions: diameter 9" Condition: Excellent Price: $700 for the 5 plates Background of Hugo Brouwer: Maker: Hugo Brouwer (active 1760–1788) at The Dreye Porceleyne Flesschen (The Thee Porcelain Bottles) factory. Ref: C.H. De Jonge...

The entire surface of this blue and white Dutch Delft charger is covered in deep beautiful cobalt blue coloring. The center of the charger is filled with lovely hand-painted peonies...

Cashmere tea pot. Delft, circa 1700 - 1710 The Metal Pot pottery. Mark: LVE, period of Lambertus van Eenhoorn (1691-1721) The ribbed tea pot has a somewhat pear-shaped body on a...

A French faïence mid-18th century oval-shaped soup tureen from Bordeaux with floral decor. Created in Southwestern France during the reign of King Louis XV, this soup tureen features...

Blue and white armorial charger. Delft or Haarlem, 1650-1680 This large charger has a wide-spreading flange and is decorated in the center with a c...

A French revolution tin-glazed earthenware dish, made in Nevers, circa 1790. Showing a yellow battlement often thought to be the Bastille, the image of the tower represents the defen...

A fine, diminutive, and early Dutch Delft pottery vase or jar marked for Gerrit Kam. With a stylized Chinese peony flower pattern. Bearing an underglaze blue GK monogram to the bas...

Italian Creamware Tromp L'oeil Tureens in the form of Ducks, Nove di Bassano, circa 1800 The fine earthenware soup tureens are from Nove di Bassano. They are tromp L'oeil in th...

A boldly decorated delft charger mid-18th century probably Dutch depicting a hanging lantern or planter with flowers and a blue decorated border.

This faience soup tureen was made in the Philippe Mombaers factory in Brussels circa 1765. The cabbage tureen, its cover, and the stand are painted in ...

18th C Spanish Talavera De La Reina Pitcher Jar Bucaro Botijo Centerpiece Rustic. A large late 18th-early 19th century glazed ceramic pitcher jar ...

Water jug and basin 1767 Lille, North of France, 1767 Lille manufactory faience Washstand set hand painted with charming French Country side scene, Decorated with a beautiful floral drawings and gold borders. Hand painted marked Lille 1767...

A good, antique English delft plate. Likely Lambeth with deep blue chinoiserie decoration and a sawtooth border. A fine early example with stro...

A wonderful antique Soupière et son Couvercle en Faience (French faience Tureen and Cover). Dating to the early 18th century, this very rare form is decorated in the Moustiers sty...

Five oval maiolica dishes with pierced edge Manufacture of Pasquale Rubati Milan, 1770-1780 Three small oval dishes 10.23 in x 7.67 in (26 cm x 19.5 cm) Two large oval dishes 10.82 in x 8.85 in (27.5 x 22.5 cm) lb 3.5 (kg 1.8) State of conservation: intact The five dishes of different sizes have an oval shape, a mixtilinear edge and a molded polylobed shape with a surface enriched with a relief weave motif extending to the brim and forming a perforated basket...

Elegant 18th century porcelain figurine of Giove, attribuited to Meissen. As to put in evidence the armony and beauty of colors. With certificate of authenticity.

A Chinese Kangxi blue-and-white porcelain 'Herring' dish Qianlong period, third quarter of the 18th century With two mirrored herring against plain fond, surrounded by floral b...

3 piece chinoiserie Famille rose garniture, Delft, 1730-1740 This petit feu garniture consists of a baluster vase with cover and two beaker vases. The cover has a bell-shaped knob...

We are pleased to offer this Antique blue and white Delft charger with a well-painted landscape showing a house and trees. The decoration is crisp. The scene is framed by an attracti...

Plates Pair Delft Blue and White 18th Century Holland. A pair of beautiful large delft plates decorated with blue and white flowers made during the ...

A French faience Louis XV style lavabo from Moustiers. The urn is in three parts that attach to a walnut plaque and the shallow basin rests on a walnut wall bracket. Hand-painted in ...

With lion form finial on the domed ribbed cover, baluster form vase with polychrome decoration.

Three late 18th century polychrome glazed Delft pottery vases, two of baluster form, one of trumpet form, each with a central cartouche depicting a lands...

Each the form of a French bombe commode, each with five cutouts on top.

A French Revolution tin-glazed earthenware dish, made in Nevers, circa 1790. Showing a plump figure along side a basket of flowers beneath de l’arbre de la Liberté. The full body of...

A large late 18th century delft earthenware shallow bowl or dish, decorated in blue, with a handwritten Dutch motto in the center. Rough translation: "He who sees through his own hea...

A French Revolution tin-glazed earthenware dish, showing crossed French flags with a Phrygian cap on an épée, the symbol for Liberty. La Convention, meaning The Agreement, is written...

WHY WE LOVE IT: His Pekingese imperial attitude!                                                                                               In their native China, Pekingese could ...

Assortment of 4 dishes with braided rim Antonio Ferretti Manufacture Lodi, circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). Measures: 14 x 10 in (35.5 x 25.5 cm); 12.2 x 8.39 in (31 x 21.3 cm); 10.4 x 9.65 in (26.5 x 24.5 cm); 10.8 x 9.61 in (27.5 x 24.4 cm). Weight: 4.4 lb (1.998 kg) State of conservation: some chips due to use on the edges and on the parts in relief. The four different dishes have a foot with a low lip from which extends a wide, flat, slanted rim resembling a basket weave. The small handles are painted green: they resemble wickerwork in the two oval dishes and take the form of a sinuous branch in the round ones. The third fire decoration is inspired by the naturalistic floral botanical patterns on the ceramics produced by the Hannong family in Strasbourg. Here the pattern is defined by the rapidity and subtlety of the brushstrokes and the result is particularly tasteful, characterized by compositional intelligence and pictorial expertise. A main corolla, either a wild or garden rose, is set slightly off center in each well. From this extends a thin stem holding a small secondary bud and there are small field florets dotting the composition to lend volume to the delicate bunch of flowers. On the brim, small polychrome flowers add color to the weave, accompanied by lanceolate leaves of a very intense green. There exist few and very rare examples for comparison with this morphology: a round plate - entirely consistent with those in question - has been dated to around 1775 (S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, tav. 200). Two other dishes with a basket rim, but with parallel striped brim decoration, were exhibited in the 1995 exhibition on Lodi ceramics; the attribution to the Lombard town near Milan is therefore almost exclusively derived from the decoration called "alla rosa contornata" or "alla vecchia Lodi" and constitutes one of the most popular decorations during the eighteenth century. (M. L. Gelmini, in Maioliche lodigiane del '700 (cat. mostra Lodi), Milano 1995, pp. 31 p. 162-163 nn. 181-182). This decorative choice represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and which Antonio Ferretti introduced in Italy. This production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family had started their Maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano had started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano had started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the Maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, could commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables...

We are pleased to offer this pair of Dutch Delft blue and white chargers decorated in the center with an image of a delicate vase filled with chrysanthemums and peonies. The design in the center of the charger is derived from Chinese decoration, where auspicious flowers were put in bamboo baskets as attractive interior decorative elements. The border of the charger is adorned with four floral panels, which alternate with four cobalt blue panels with fish-net patterns. The edge of each charger is painted with orange slip...

This set of three Dutch delft chargers in the "Theeboom" pattern shows a tea plant with a fan-shaped bouquet of leaves and flowers. This is one of the most beautiful designs hand-p...

Antique 18th century Delft porcelain plate.

A rare, large English pearlware or Staffordshire pottery cradle. Decorated with an overall basketweave pattern and blue highlights, circa 1800. Measures: Length ca. 5 5/8 in...

Fine quality English late 18th century faience planter or pot, with accompanying small porcelain stand. The hand painted image depicts a young couple handsomely dressed in bright col...

This 9.25" faience pewter-mounted tankard from the 3rd quarter of the 18th century is cylindrical in form with a handle mounted in pewter. The place of origin is probably Nurnberg, G...

Hand-painted set of blue and white delft porcelain. Three covered vases and two trumpet vases. The lids depict perched birds. The vases ...

Cartouche-shaped with a lady standing beside a fence on a terrace amongst blossom sprays and peonies with an acrobatic bird and insect flying overhead. The border in moulded relief w...

Delft Charger from the 18th century.

The inside centre decorated with the inscription, “Thomas and Mary Bingham In Yarmouth 1742”, inside a medallion. The rim decorated with six artemisia leaf reserves, with trellis borders interposed. The rim brown. Restoration to a rim glaze chip. Decorated in blue on a white glaze. Probably Dutch, second quarter of the 18th century. Provenance: Thomas Bingham was christened in Great Yarmouth, Norfolk, on November 14, 1697. Thomas Bingham married Mary Dent at Woodbridge in Suffolk on 24th August, 1721. Thomas and Mary Bingham had a daughter Ann christened in Yarmouth on December 17, 1727. Thomas Bingham was buried in Great Yarmouth on July 6, 1774. Thomas, a son of Thomas and Mary Bingham, was christened in St. John Maddermarket, Norwich, on December 3, 1775. In the Universal British Directory of 1793-8, Woodbridge is described as a maritime town situated near the River Deben on the turnpike road leading from London to Yarmouth. It is about 77 miles from London and as Great Yarmouth is 123 miles from London, the distance by road between the two places is about 50 miles. The River Deben, on which the town is situated, is stated to have been navigable up to the town where there were two quays. There is no-one named Bingham listed in Woodbridge in the entry for the town in the Universal British Directory. In the printed Freemen of Yarmouth, a John Bingham is the only entry under the surname. He became a freeman in 1721, having been an apprentice of John Cooper. There is no mention of the surname in the three volume Perlustration of Great Yarmouth by C J Palmer...

This pair of Dutch Delft chargers in the "Theeboom" pattern shows a tea plant with a fan-shaped bouquet of leaves and flowers. The deep cobalt blue is fabulous! This is one of the ...

An 18th century Dutch delft, tin-glazed earthenware deep charger, inspired by Chinese export porcelain and hand painted in a heavy cobalt blue chinoiserie style overall floral patter...

Fine quality English late 18th century faience planter or pot, with accompanying small porcelain stand. The hand painted image depicts a young couple handsomely dressed in bright col...

Flemish scenes of activity on the river with sailing barges, fishermen and cranes. Within flowerhead borders, second half of the 18th century. In a modern giltwood frame with the rem...

A rare faience topped Rörstrand tea table. The dished, moulded and shaped rectangular top decorated with a harbour szene painted in shades of grey (grisaille painting), on an elegant...

A lovely, highly-detailed French faience soup tureen, with handles, feet and nicely-sculpted vegetable decorated cover (18th century). The top cover has a radish, carrot and scallion. The painted decoration on the sides includes a shield with fleur-de-lis. The piece is marked underneath, "VP 1777" (mark for Veuve Perrin...