WMF, A Pair of German Jugendstil Copper and Wood Challises, circa 1910

ABOUT This elegant Austrian Jugenstil sculptural desk paperweight depicts some fantastic half-human creature from the underwater world, riding a snail. Signed C. Fiala, dark-green co...

American Arts & Crafts A Pair of Table Lamps Patinated Bronze Circa 1910 DIMENSIONS Height: 15 inches Width: 6 inches Depth: 12 ...

Both sculptures are signed ‘C. Kauba’ on the plinth. Dimensions: 9.75” high x 3.75” deep x 3.5” wide Dark brown patina. Original marble pedestals. Carl Kauba (Austrian, 1886 – ...

Alfonso Canciani (Italian-Austrian, 1863-1955) was a famous Italian-Austrian sculptor of the period of accession to the Viennese Secession. Son of a stonemason, after a realist period he managed to establish himself as a leading sculptor of the Viennese Secession. In fact, he worked in Vienna, where he had enrolled in 1886 at the Academy of Fine Arts, then at the Higher School of Sculpture and finally at the Special School, where he obtained the Rome prize for the sketch for Dante's Monument. He developed a notable business obtaining important prizes and numerous commissions. First among the sculptors of the Viennese capital, he was invited to join the Association of the Viennese Secession, of which Klimt was magna pars, after the exhibition of Dante's group in 1900 at the Secession exhibition, and obtained the most important Austrian artistic prize, the Kunstlerlpreis. This same work, presented in 1910 in Berlin, at the Great Art Exhibition, also received an important recognition here. He obtained the Rome prize in 1896, exhibited successfully in Munich and in 1899 at the III International Art Exhibition in Venice. In that period he made some statues of saints for the cathedral of Santo Stefano in Vienna, the monument to Wagner, the bust of Nietzsche for the University, the scepter and the gold chain of the University Rector, figures of Italian poets ( Petrarch, Boccaccio, Tasso, Ariosto). He submitted a sketch for the official monument to Empress Elizabeth, which was then built in Austrisn Gföhl and Pula. At the time of his accession to the Secession, he dedicated himself to decorating the facade of the Artaria house in Vienna in collaboration with the architect Max Fabiani. He later abandoned the symbolist decorativism of the Jugendstil for a more concentrated and vigorous style, approaching the Belgian sculptor Constantin Meunier for the theme of work, and preferring to exhibit at the Künstlerhaus. In Vienna, he was generous with advice and help with the Italians and in particular with his fellow citizens (such as the Brazzanese Luigi Visintin, then a university student). After the First World War, he returned to Italy and lived in Friuli, penalized by the fact that the Habsburg Empire had by now disappeared. Instead of large-scale public monuments, he then devoted himself to engraving medals (e.g. for Benedict XV and for the Italian mission in Vienna in 1919) and to designing funeral monuments (examples in Mali Lošinj and Trieste) and portrait busts (of Generals Carlo Caneva and Antonio Baldissera in Udine, sculptures of the War Memorial of Corno di Rosazzo). After all, he had already executed the Bab grave monument in the Döblinger cemetery in Vienna in 1909. He taught in Trieste from 1920 until 1935, at the local school of industrial art, where he had Marcello Mascherini...

Centerplace, WMF, German We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the...

Cup, WMF, German sign: WMF G: Introduces on the 1 st June 1910, in the interests of improved legibility, especially of the very small marks. The company´s choice of an ostrich as a t...

Pair of early 20th century Jugendstil/Art Nouveau silver napkin rings and decorative box by german manufacturer Württembergische Metallwarenfabrik (WMF) By: Württembergische Metallwarenfabrik (WMF) Material: silver, wood, thread, velvet, cord, fabric, metal, silver plate Technique: cast, gilt, patinated, polished, metalwork, silvered, plated Dimensions: 5 in x 7.5 in x 3.5 in Date: Late 19th Century, circa 1885 Style: Jugendstil, Art Nouveau, Belle Époque, Arts and Crafts Place of origin: Germany This is a set of two napkin rings made of gilt, patinated and polished silver, with carved decoration. Both rings feature figures of young boys climbing up one side of the napkin holder. The edges of each piece show the markings 'WMF' (manufacturer's hallmark), 'I/O' (purity mark; in this case it means regular silver coating is used) and 'ig' (process of the silver; in this case it means it's gilt). They come with a decorative box to rest the rings, made of wood lined with fabric inside and a velvet surface surrounded by an ornamental rope. WMF is the abbreviation for Württembergische Metallwarenfabrik, which in English means Wurtemberg Metalware Factory. WMF was created in 1880 after the successful merger of two Wurtemberg foundries, the Geislingen factory and the Esslingen factory. The first foundry was commercially more successful, while the second one was using a more advanced technology of galvanic silver deposition. In 1881 the Esslingen factory was dismantled and its equipment was incorporated into the Geislingen foundry. During the next thirty years WMF experienced a period of rapid expansion, which lasted until the beginning of the World War in 1914. The WMF silver-plated production made this period of time (1880-1914) is extremely popular among western antiques...

A German Jugendstil beer mug - stein - tankard - pitcher by the WMF, ca. 1910. The polished pewter lid decorated with ornaments in the style of Patritz Huber. Stamped "i/o ox" and th...