French Platters and Serveware

19th century porcelain serving dish, exquisitely hand painted in polychrome with gilt accents. It is decorated with flowers, foliages and rinceau on white and blue background. The se...

A very nice asparagus platter. The colors are still very true.

This fine large Vallauris Grandjean Jourdan, wood grain ceramic platter was made in the 1960s in France. The platter is painted ceramic, designed to look like it has been carved from...

Antique French Gold Bronze and Crystal "Stork" Tazza.

Enamel ceramic plate in “blue-turquoise” color made by Jean Besnard (1889-1958). Signed Jean Besnard. France, CIRCA 1930.

Géode Rectangular Plate by Matthieu Gicquel Dimensions: D 21 x W 46 x H 3 cm. Materials: Optical glass and gold leaf. Weight: 7 kg. Each piece is numbered. Please contact us. Praise for the moment Light shines through the glass. Details are revealed one by one: here a light bubble rises, there a changing reflection. To seek to understand Matthieu Gicquel’s glass art - because what we’re really talking about here is touching the senses of the material, of the work - is first and foremost to follow the path mapped out by Junichiro Tanizaki in In Praise of Shadows. For him, «[...] we forget what is invisible to us, we regard as non-existent what cannot be seen»; yet the creator’s entire will lies in this need to reveal to us what seems absent, to give substance to the mystery from a material so common that we no longer pay attention to it. Two words-concepts of Japanese origin-form the original basis of Matthieu Gicquel’s artistic philosophy: wabi-sabi and Yûgen. The first is the powerful idea that beauty is to be found in the banal, the everyday, the vile. To the European eye, at first glance, it seems hard to grasp: what beauty is there in a chipped bowl...

Géode Square Plate by Matthieu Gicquel Dimensions: D 29 x W 29 x H 3 cm. Materials: Optical glass and gold leaf. Weight: 6 kg. Each piece is numbered. Please contact us. Praise for the moment Light shines through the glass. Details are revealed one by one: here a light bubble rises, there a changing reflection. To seek to understand Matthieu Gicquel’s glass art - because what we’re really talking about here is touching the senses of the material, of the work - is first and foremost to follow the path mapped out by Junichiro Tanizaki in In Praise of Shadows. For him, «[...] we forget what is invisible to us, we regard as non-existent what cannot be seen»; yet the creator’s entire will lies in this need to reveal to us what seems absent, to give substance to the mystery from a material so common that we no longer pay attention to it. Two words-concepts of Japanese origin-form the original basis of Matthieu Gicquel’s artistic philosophy: wabi-sabi and Yûgen. The first is the powerful idea that beauty is to be found in the banal, the everyday, the vile. To the European eye, at first glance, it seems hard to grasp: what beauty is there in a chipped bowl...

Yugen Small Square Plate by Matthieu Gicquel Dimensions: D 29 x W 29 x H 5 cm. Materials: Optical glass. Weight: 10 kg. Each piece is numbered. Please contact us. Praise for the moment Light shines through the glass. Details are revealed one by one: here a light bubble rises, there a changing reflection. To seek to understand Matthieu Gicquel’s glass art - because what we’re really talking about here is touching the senses of the material, of the work - is first and foremost to follow the path mapped out by Junichiro Tanizaki in In Praise of Shadows. For him, «[...] we forget what is invisible to us, we regard as non-existent what cannot be seen»; yet the creator’s entire will lies in this need to reveal to us what seems absent, to give substance to the mystery from a material so common that we no longer pay attention to it. Two words-concepts of Japanese origin-form the original basis of Matthieu Gicquel’s artistic philosophy: wabi-sabi and Yûgen. The first is the powerful idea that beauty is to be found in the banal, the everyday, the vile. To the European eye, at first glance, it seems hard to grasp: what beauty is there in a chipped bowl...

Yugen Square Plate by Matthieu Gicquel Dimensions: D 39 x W 39 x H 5 cm. Materials: Optical glass. Weight: 19 kg. Each piece is numbered. Please contact us. Praise for the moment Light shines through the glass. Details are revealed one by one: here a light bubble rises, there a changing reflection. To seek to understand Matthieu Gicquel’s glass art - because what we’re really talking about here is touching the senses of the material, of the work - is first and foremost to follow the path mapped out by Junichiro Tanizaki in In Praise of Shadows. For him, «[...] we forget what is invisible to us, we regard as non-existent what cannot be seen»; yet the creator’s entire will lies in this need to reveal to us what seems absent, to give substance to the mystery from a material so common that we no longer pay attention to it. Two words-concepts of Japanese origin-form the original basis of Matthieu Gicquel’s artistic philosophy: wabi-sabi and Yûgen. The first is the powerful idea that beauty is to be found in the banal, the everyday, the vile. To the European eye, at first glance, it seems hard to grasp: what beauty is there in a chipped bowl...

Medium Creux tray by Clemence Birot Dimensions: 39 x 22 cm Materials: ash (black stained). Clemence Birot started her career in Copenhagen,...

Large Creux tray by Clemence Birot Dimensions: 33 x 32 cm Materials: Ash (black stained). Clemence Birot started her career in ...

A set of 3 Creux Trays by Clemence Birot Dimensions: 33 x 32 cm; 39 x 22 cm; 22 x 19,5 cm. Materials: ash (black stained). Clemence Birot ...