A 19th C. Berlin Hand-Painted K.P.M. Plaque Depicting Jesus Christ without Fram

A Fine Berlin K.P.M Plaque of a Blonde Beauty Period: 19th Century Origin: Germany Framed Height: 19″ (48cm) Width: 17″ (43cm) Plaque Height: 10.5″ (26.6cm) Width: ...

A fine 19th century German KPM porcelain painted plaque, depicting Antigone and Ismene, sisters in an ancient Greek play by Sophocles. After a...

Period: 19th century Origin: Germany Style: Rococo Framed Height: 36″ Width: 27″ Plaque Height: 16.5″ Width: 13.5″ With gilt-wood frame Maker: K.P.M. Koni...

A Pair of antique German KPM porcelain plaques depicting "Aligira and Tirian" Marked with 'K.P.M' Sceptre Mark with the letters 'SZ', with size marks 915-255, marked with Royal Vien...

A wonderful late 19th-early 20th Berlin K.P.M. porcelain rectangular plaque Painted landscape scene with two women and their children playing, the background with two men, one playing an instrument. Impressed K.P.M and scepter marks, in the original frame. KPM is an acronym for Königliche Porzellan-Manufaktur Berlin, which translates to “Royal Porcelain Factory in Berlin.” The company was founded in 1763 by Frederick II of Prussia, who bought the factory from its previous owner, Johann Ernst Gotzkowsky, in the wake of its bankruptcy. Frederick II greatly admired the factory’s “white gold,” a type of porcelain so fine and translucent that it closely mirrored the high-quality porcelain made in China. He invested large sums of money into the company and granted it the use of the royal scepter...

A Beautiful Late 19th century Berlin K.P.M. – Vienna style porcelain rectangular plaque of the five senses Signed Knoeller Finely painted after Hans Makart with the five vertical panels, each depicting a female nude against an exotic naturalistic background, emblematic of a senses, the reserves enriched with gilt stylized vine. Impressed K.P.M and scepter marks, painted blue Beehive mark, within a giltwood frame. Hans Makart, was an Austrian allegorical painter and designer (1840-1884) who trained at the Vienna Academy between 1850 and 1851 under Johann Fischbach. Makart rejected the established rules of classicism, preferring to embrace the sensual expression of color. He became one of the leading artistic figures of the period in Vienna and an important purveyor of fashionable taste. One of Makart’s greatest achievements was staging the vast costumed parades held to celebrate the silver wedding...

Large Oval Berlin 'K.P.M.' Porcelain Plaque of a Harem Dancer Germany, circa 1890 This exceptional Berlin (K.P.M.) porcelain plaque showcases an exquisitely detailed painting of a veiled, exotically dressed...

A late 19th early 20th century Berlin K.P.M. Porcelain Plaque titled "Der Eremit" (The Hermit) After the painting by Salomon Koninck (Dutch, 1609-1659)...