Large 19th Century Porcelain Charger, Signed Malaysian Export

A beautiful Chinese rosewood demilune table, circa the 1880s. The apron on this Chinese demilune table has a gently scalloped shape. It also has elegantly curved legs and a lovely de...

Early 1900’s glazed Danish Farmhouse bowl.

Pair of 18th century carved demilunes. Show spectacular workmanship in construction. From Shanshi.

An elegant Art Deco dining table made in French Indo-China for the local expatriate market. The rectangular top of curly-grained burl rose...

A finely decorated Chinese Export Rose Medallion porcelain plate dating to the Qing Dynasty, circa 1875. Hand painted in vivid enamels, the plate is richly detailed with alternating ...

An exceptional antique Chinese Qianlong porcelain plate decorated in underglaze blue and overpainted in red and green glazes with light gilding with...

A very nicely made piece of 18th century porcelain decorated with a beautiful scene. Underglaze blue and overglaze other enamels done later in Europe. We have also added a picture of how a similar original Blue and white dish would have looked like. This is an example of British overdecoration.Provenance:Provenance: Doyle Sep 27, 2024 11:00 Boston Collects, Lot 1083 Six Chinese Porcelain Table Items 18th and 19th centuries Estate / Collection: Property of a Jamestown, Rhode Island Collector Often seen as ugly and black sheep of the porcelain world. British 1810-1820 Clobbered wares deserve better as they are historically very interesting. So lets call them George the IV or Regency Taste redecorated porcelain. And leave the clobbered behind us as it does no justice to what they are at all. Its not that because we live in a time were these super funky colours are out of taste that we should hate on these pieces. A short history! During the early 19th century, the Prince Regent (later King George IV) played a key role in cultivating a taste for the exotic Orient among the British elite, influencing interior design during the Regency era. His lavish projects, such as the Royal Pavilion in Brighton, epitomized this fascination. The Pavilion, with its blend of Indian, Chinese, and Gothic elements, became a symbol of the Prince’s extravagant taste. The interiors featured Chinese wallpaper, Indian textiles, and oriental furniture, reflecting the era’s growing interest in Chinoiserie and other oriental-inspired designs. This trend extended to the decorative arts, where clobbered Chinese...

Circa 1860 Chinese Export porcelain Rose Medallion Serving Dish. Shaped oblong oval form. Profusely gilded, likely for the French market. Particularly well decorated - central medall...