Platter in Chinese Export Porcelain, Polychrome

Plate, in Chinese porcelain for export. Polychrome decoration with floral motifs, vase with flowers in the center. Qing Dynasty, Yongzheng period (1722-1735). In the center, a vase p...

Porcelain plate from China, for export. Qing Dynasty, Yongzheng Reign (1722-1735). Polychrome decoration with flowers. The center of the plate features a delicate floral composition ...

Chinese porcelain plate, Canton. “Mandarin” decoration, polychrome and gilded, with flowers and reserves depicting flowers and Chinese figures in scenes of everyday life, Tao-Kuang p...

Chinese porcelain plate, for export, Qing Dynasty, Jiaqing period (1796-1820) with polychrome decoration. It represents a refined example of export porcelain destined for the Europea...

Chinese Export platter, circa 1820. Mille fleur pattern.

A very nicely made piece of 18th century porcelain decorated with a beautiful scene. Underglaze blue and overglaze other enamels done later in Europe. We have also added a picture of how a similar original Blue and white dish would have looked like. This is an example of British overdecoration.Provenance:Provenance: Doyle Sep 27, 2024 11:00 Boston Collects, Lot 1083 Six Chinese Porcelain Table Items 18th and 19th centuries Estate / Collection: Property of a Jamestown, Rhode Island Collector Often seen as ugly and black sheep of the porcelain world. British 1810-1820 Clobbered wares deserve better as they are historically very interesting. So lets call them George the IV or Regency Taste redecorated porcelain. And leave the clobbered behind us as it does no justice to what they are at all. Its not that because we live in a time were these super funky colours are out of taste that we should hate on these pieces. A short history! During the early 19th century, the Prince Regent (later King George IV) played a key role in cultivating a taste for the exotic Orient among the British elite, influencing interior design during the Regency era. His lavish projects, such as the Royal Pavilion in Brighton, epitomized this fascination. The Pavilion, with its blend of Indian, Chinese, and Gothic elements, became a symbol of the Prince’s extravagant taste. The interiors featured Chinese wallpaper, Indian textiles, and oriental furniture, reflecting the era’s growing interest in Chinoiserie and other oriental-inspired designs. This trend extended to the decorative arts, where clobbered Chinese...

An exceptional antique Chinese Qianlong porcelain plate decorated in underglaze blue and overpainted in red and green glazes with light gilding with...

Very large. Very detailed. Very colorful with birds and butterflies. Possibly late 19th Century to 1900s. Excellent condition for its age.