Painted Porcelain

An early Worcester Flight & Barr bright yellow beaker with gilding and a finely painted sepia scene of a landscape. The scene, possibly painted by John Pennington, shows two figures ...

A lovely Mid-Century Modern white porcelain/ceramic vase from the 1960s. Original vintage good condition. Only one unique piece.

This beautiful oyster plate features 6 wells for oysters. It is marked at the back. Nice addition to your table or just to display.

A magnificent and large pair of signed Sèvres Art Nouveau period ‘Third Republic’ Pate Nouvelle pale yellow ground vases (Vase De Lesbos 1 Grandeur)...

Darte Frères, Paris, made, circa 1820. Porcelain, partially painted and gilded. Measures: 14 1/4 in. high, 10 3/8 in. wide (through the handles), 7 3/4 in. deep. Signed (with stencil, in black, on the bottom of each): Darte. f. Recorded: cf. Régine de Plinval de Guillebon, Porcelain of Paris, 1770–1850 (New York: Walker and Company, 1972), p. 333 no. 79 illustrates the mark on these coolers. Some of the most beautiful porcelain produced in Paris during the Empire/Restauration periods was made or sold by the firm of Darte Frères. Although the Darte family, which came from Namur, then in The Netherlands, had set themselves up in the business of the manufacture of porcelain as early as 1794–95, by 1803 the three Darte brothers had decided, as Régine de Plinval de Guillebon notes (ibid., p. 231), that “each should have his own establishment,” and, indeed, by 1804 their prior business partnership had been “annulled,” and from that point forward there were two businesses using the name Darte. The Darte brothers, Louis Joseph and Jean François, began independent operation in 1804 at the Hôtel Montalembert, at 90, rue de la Roquette. Their business arrangements were only formalized in 1808, at which time they began to use the name “Darte Frères.” They remained in the business until 1825, when their partnership was dissolved. Darte Frères produced a large variety of porcelain, including vast dinner and...

“I have been creating artworks and installations for a long time. Then over the past several years, pottery has absorbed most of my expressive energy. I follow an empirical, yet intu...