Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 13

Pair Modern Wedgwood Black Jasper Stoneware Ewers, Sacred to Bacchus and Neptune

About the Item

Barlaston, Staffordshire, 1988, each solid black jasper moulded body bolted on respective base and plinth, white jasper bas- and haut-relief decoration applied throughout, white jasper molded figure at handle return, impressed "WEDGWOOD/MADE IN ENGLAND/88" at base with gilt inscription, numbers 48 in a limited edition of 50, 16 x 9 x 6 in. Original boxes and paperwork included. From Wedgwood: This impressive and striking set reproduces those originally modelled for Wedgwood by John Flaxman in 1775, both probably inspired by the Classical originals or Renaissance metalwork. In addition to the eighteenth century Jasper versions, this set has also been reproduced by Wedgwood in Black Basalt and Majolica. Water Ewer: Sacred to Neptune Set on a plinth, the base is decorated with white Jasper relief foliage. The black Jasper body of the vase is ornamented with a festoon of aquatic leaves in white Jasper and a dolphin's head in high relief. A prominent feature of the vase is the finely modelled figure of a Triton seated on the shoulder and clasping the neck of the ewer. The upper half of the Triton's body is human but it terminates with the tail of a fish. In art, the Triton is frequently depicted blowing a conch shell as a trumpet to calm the waves. Triton was the son of Poseidon (Neptune) and Amphitrite. The trident and dolphin were used as symbols of power by Poseidon, who was god of the Mediterranean. Wine Ewer: Sacred to Bacchus Set on a plinth, the base is decorated with white Jasper relief foliage. The black Jasper body of the vase is ornamented with a festoon of vine leaves in white Jasper and a goat's head in high relief. A distinguishing feature of this vase is the figure of a satyr clasping the neck of the ewer. This figure was originally one of the class of Greek woodland deities shown here in its later, Roman form. Satyrs have always been closely associated with the Bacchic rites of Classical times and thus also with the imbibing of wine.
  • Creator:
    Wedgwood (Manufacturer)
  • Dimensions:
    Height: 16 in (40.64 cm)Width: 6 in (15.24 cm)Depth: 9 in (22.86 cm)
  • Style:
    Neoclassical (In the Style Of)
  • Materials and Techniques:
    Stoneware,Appliqué,Fired,Hand-Crafted,Molded,Unglazed
  • Place of Origin:
  • Period:
    1980-1989
  • Date of Manufacture:
    1988
  • Condition:
    Wear consistent with age and use.
  • Seller Location:
    Asheville, NC
  • Reference Number:
    1stDibs: LU10245243801792

More From This Seller

View All
Pair Modern Wedgwood Tricolor Jasper Stoneware Two Branch Candlesticks
By Wedgwood
Located in Asheville, NC
Barlaston, Staffordshire, c.2002, each with solid green capitals and branches suspended by a seated white figure on a blue plinth decorated with white bas-relief meander, embossed in...
Category

21st Century and Contemporary English Neoclassical Pottery

Materials

Stoneware

Wedgwood Green Jasper Dip Stoneware Vase
By Wedgwood
Located in Asheville, NC
Etruria, Staffordshire, late 19th/early 20th century, wheel-turned ovoid form vase shape number 1009 with white Jasper bas-relief depictions of muses, lion's masks, and draped flora,...
Category

Early 20th Century English Neoclassical Pottery

Materials

Stoneware

Wedgwood Crimson Jasper Dip Stoneware Garden Pot
By Wedgwood
Located in Asheville, NC
Etruria, Staffordshire, circa 1925, turned Wedgwood shape no. 317, stoneware with crimson Jasper dip ground, decorated with sprigged white Jasper bas-relief depictions of muses and A...
Category

Early 20th Century English Neoclassical Pottery

Materials

Stoneware

1930s Wedgwood Crimson Jasper Dip Stoneware Garden Pot
By Wedgwood
Located in Asheville, NC
Etruria, Staffordshire, 1929-1938 , turned Wedgwood shape no. 317, stoneware with crimson Jasper dip ground, decorated with sprigged white Jasper bas-relief classical cameos, ringed ...
Category

Vintage 1930s English Neoclassical Pottery

Materials

Stoneware

Wedgwood Olive Green Jasper Dip Stoneware Garden Pot
By Wedgwood
Located in Asheville, NC
Etruria, Staffordshire, early 20th century, turned Wedgwood shape no. 317, stoneware with olive green Jasper dip ground, decorated with sprigged white Jasper bas-relief depictions of...
Category

Early 20th Century English Neoclassical Pottery

Materials

Stoneware

Wedgwood Lilac Jasper Dip Stoneware Garden Pot
By Wedgwood
Located in Asheville, NC
Etruria, Staffordshire, circa 1900, turned Wedgwood shape no. 317, stoneware with lilac Jasper dip ground, decorated with sprigged white Jasper bas-relief depictions of muses, ringed...
Category

Early 20th Century English Neoclassical Revival Pottery

Materials

Stoneware

You May Also Like

Pair of Flaxman Ewers in Black Basalt. Wedgwood C1830.
By Wedgwood
Located in Melbourne, Victoria
One of the iconic early wedgwood pieces, the pair of ewers Sacred to Neptune & Sacred to Bacchus was designed by Flaxman in the 1780s for Josiah Wedgwood. They have remained popular ...
Category

Antique Early 19th Century English Neoclassical Pottery

Materials

Stoneware

Black basalt figure of Bacchus. Wedgwood C1780.
By Wedgwood
Located in Melbourne, Victoria
Exceptionally rare early figure of Bacchus in black basalt. The mixed-case mark places this figure between 1780 and 1785. He is portrayed in typical style, his head garlanded with grapes and with a wine cup to his lips. Bacchus, also known as Dionysus in Greek mythology, is the enigmatic god of wine, fertility, and ritual madness. He symbolizes freedom, ecstasy, and the blurring of societal norms through his rituals and festivities. Bacchus is often depicted in myths as a deity who challenges the status quo, promoting an atmosphere where conventional rules do not apply, and his followers are liberated from their everyday constraints. Born from Zeus and the mortal Semele, Bacchus is unique among gods, bridging the divide between the divine and the human. His followers included the wild and ecstatic maenads, female devotees who often reached states of divine frenzy, and the satyrs, mischievous half-man, half-goat beings. The worship of Bacchus was marked by theatrical processions, dances, and plays, reflecting his patronage of the theater and the dramatic arts. Bacchus’s mythology...
Category

Antique 1780s English Neoclassical Pottery

Materials

Stoneware

Pair of Bacchantes in Black Basalt. Wedgwood C1860.
By Wedgwood
Located in Melbourne, Victoria
Perhaps the most complex work in black basalt undertaken on any scale by Wedgwood, the Bacchantes, are adapted from sculptures by Clodion. A large and impressive pair, ful of vigour ...
Category

Antique Mid-19th Century English Neoclassical Pottery

Materials

Stoneware

Pair miniature campana vases in black basalt, Wedgwood, circa 1880
By Wedgwood
Located in Melbourne, Victoria
A good pair of miniature campana-shaped vases, in black basalt. Finding these with their lids, and with the delicate handles intact, is rare; a pair, even more so.
Category

Antique Late 19th Century English Neoclassical Pottery

Materials

Stoneware

Big Framed Jasper Medallion, Clio by Bert Bentley, Wedgwood, circa 1925
By Wedgwood
Located in Melbourne, Victoria
Unusually large and fine example of the work of the well-known decorator Bert Bentley. Clio, the muse of History, is reproduced with the exceptional quality that has made his work so desirable. Clio is the Greek muse...
Category

Early 20th Century English Neoclassical Revival Pottery

Materials

Stoneware

Inlaid Black Basalt Jug & Stand, Wedgwood, circa 1860
By Wedgwood
Located in Melbourne, Victoria
An ale jug and matching tray, in black basalt with inlaid coloured decoration; a style known as Henri Deux. This stylle is a revival of an 18th century technique, in which designs ar...
Category

Antique Mid-19th Century English Neoclassical Pottery

Materials

Stoneware

Recently Viewed

View All