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Tea Canister in Black Jasperware, Wedgwood, circa 1900

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Potpourri in Cobalt Jasperware, Wedgwood, circa 1820
By Wedgwood
Located in Melbourne, Victoria
A broad, flat potpourri in cobalt jasper dip, with a tall pierced cover.
Category

Antique Mid-19th Century English Neoclassical Pottery

Materials

Pottery

Potpourri in Cobalt Jasperware, Wedgwood, circa 1820
$910 Sale Price
35% Off
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Pale Blue Jasperware Bowl, Wedgwood, circa 1790
By Wedgwood
Located in Melbourne, Victoria
In solid slate blue jasper, with inlaid foot; decorated with numerous reliefs typical of the period. Engine turned decoration and lapidary polished interior. Exhibited: Wedgwood, Ma...
Category

Antique 1790s English Neoclassical Pottery

Materials

Stoneware

Jasperware Buckle, Wedgwood, Matthew Boulton, Circa 1795
By Wedgwood
Located in Melbourne, Victoria
A jasper medallion decorated with Aphrodite, set in cut steel as a buckle, probably by Matthew Boulton. Original box. The Greek goddess Aphrodite is often depicted in ancient art with a dolphin. In mythology, dolphins were considered sacred to Aphrodite, and they were associated with love, beauty, and fertility. According to one legend, Aphrodite emerged from the sea on a shell-borne chariot drawn by dolphins, and the creatures were said to be her faithful servants. As a result, images of Aphrodite with dolphins became a popular motif in Greek art, appearing on vases, sculptures, and other decorative objects. The association between Aphrodite and dolphins has continued through the centuries, and the image of the goddess with a dolphin remains a popular symbol of love and beauty. Matthew Boulton (1728-1809) was an English manufacturer and entrepreneur who was best known for his contributions to the Industrial Revolution...
Category

Antique Mid-19th Century English Neoclassical Pottery

Materials

Cut Steel

Trophy Plate, Wedgwood, circa 1900
By Wedgwood
Located in Melbourne, Victoria
Trophy plates were a particularly Victorian development at Wedgwood, taking the use of classical ornament to its absolute limit. Over 2,000 individual sprigs were made, applied, and undercut to produce this plate. Only the best decorators made these, beginning with Thomas Lovatt in the late 19th century - this is an example of his work. The central relief depicts Bellerophon with Pegasus. Bellerophon was a noble hero of Corinth, known for his strength and bravery. He was the son of Glaucus and the grandson of Sisyphus, though some myths suggest he was actually the son of Poseidon. Bellerophon was a skilled warrior and sought to accomplish great deeds. Pegasus was a magnificent, winged horse born from the blood of the Gorgon Medusa...
Category

Antique Late 19th Century English Neoclassical Revival Pottery

Materials

Stoneware

Hot Milk Jug, Engine-Turned Jasperware. Wedgwood, C1785
By Wedgwood
Located in Melbourne, Victoria
Superb and exceptionally rare small jug in tricolour engine-turned diceware. This is very early jasperware, made when "cherokee clay" was still being used. This clay, sourced from America, contained kaolin, the ingredient that makes porcelain translucent. Exhibited: Wedgwood, Master Potter to the Universe, Roche Foundation, 2023. Engine turning, also known as guilloche, is a decorative technique that was commonly used on eighteenth-century pottery. The process involved cutting intricate, repetitive patterns into a metal or ceramic surface using a machine known as a rose engine...
Category

Antique Late 18th Century English Neoclassical Pottery

Materials

Stoneware

Pair miniature campana vases in black basalt, Wedgwood, circa 1880
By Wedgwood
Located in Melbourne, Victoria
A good pair of miniature campana-shaped vases, in black basalt. Finding these with their lids, and with the delicate handles intact, is rare; a pair, even more so.
Category

Antique Late 19th Century English Neoclassical Pottery

Materials

Stoneware

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This elegant Wedgwood charger was made in England in the late 18th century, circa 1785. Crafted from creamware, the charger features a meticulously painted geometric border composed of orange and black flowerheads set within a lattice of fine black lines. Each flowerhead is centered in a diamond-shaped cell, creating a repeating pattern that radiates rhythm and precision. The inner field is left undecorated, emphasizing the clean form and enhancing the visual impact of the border. The simplicity of the cream-colored ground paired with the precise hand-painting along the rim reflects the neoclassical restraint and balance that defined Wedgwood’s aesthetic...
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Wedgwood Yellow Dip Jasperware & Black Basalt Sugar & Creamer, C 1900
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Wedgwood Yellow Dip Jasperware & Black Basalt Sugar & Creamer, C 1900 England, Stamped WEDGWOOD Made in England A charming set of Wedgwood Yellow Dip Jasperware Sugar & Creamer. Th...
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Pair Modern Wedgwood Black Jasper Stoneware Ewers, Sacred to Bacchus and Neptune
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Wedgwood Green Jasper Dip Stoneware Vase
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Etruria, Staffordshire, late 19th/early 20th century, wheel-turned ovoid form vase shape number 1009 with white Jasper bas-relief depictions of muses, lion's masks, and draped flora,...
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Blue Wedgwood Jasperware Tea Set
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This is a Wedgwood Blue Jasperware Tea Set. It has a creamer, a sugar bowl and a teapot. They are all made of bisque light blue porcelain and decora...
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Blue Wedgwood Jasperware Tea Set
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