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Two 19th Century Greek Pattern Plates

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19th Century Copeland Spode Greek Tazza
By Copeland Spode
Located in Fort Lauderdale, FL
A brightly colored Neoclassical tazza or cake plate in the 'Greek' pattern made by Copeland Spode in the late 19th century. This tazza, in Copeland Spode’s ‘Greek...
Category

Antique Late 19th Century British Neoclassical Revival Pottery

Materials

Earthenware, Pearlware

19th Century Greek Revival Copeland Spode Bowl
By Copeland Spode
Located in Fort Lauderdale, FL
A vibrant Neoclassical Revival decorative bowl in the 'Greek' pattern made by Copeland Spode in the late 19th century. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. This Copeland Spode Greek...
Category

Antique Late 19th Century British Neoclassical Revival Pottery

Materials

Earthenware, Pearlware

Early 19th Century Spode Red Greek Pattern Tile
By Spode, Josiah Spode
Located in Fort Lauderdale, FL
A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Zeus in His Chariot’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...
Category

Antique Early 19th Century English Neoclassical Pottery

Materials

Earthenware, Creamware

Copeland Neo-Classical Greek Pattern Blue Circular Tureen and Cover
By Copeland Spode
Located in Downingtown, PA
Copeland-Late Spode Neo-classical greek pattern blue circular tureen and cover, 1902 The Spode pottery covered footed tureen of circular form with th...
Category

Early 20th Century English Neoclassical Revival Pottery

Materials

Pottery

19th Century Spongeware Dinner Plate
Located in Los Angeles, CA
This early 19th century spongeware pottery plate is in great condition and has wonderful colors. Great addition to a collection of spongeware....
Category

Antique 19th Century American Pottery

Late 19th Century Spongeware Plate
Located in New York, NY
Hand-picked by buyers at Ann-Morris Inc.
Category

Antique Late 19th Century English Pottery

Materials

Pottery

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